公開日期 | 標題 | 作者 | 來源出版物 | scopus | WOS | 全文 |
2004 | Chinese Mythology, Hong Kong Intervention: The Transboundary Flows of the Snake Story | HSIAO-MEI HSIEH | Western Conference of the Association for Asian Studies | | | |
2018 | Evoking History through the Scrim: The Development of Image Projection in Traditional Taiwanese Theatre | Hsieh, Hsiao-Mei | 表演研究國際年會 PSi24 (Performance Studies International) | | | |
2011 | Guoguang Opera Company’s Collaboration with Robert Wilson in Taiwan and Its Outcome | Hsieh, Hsiao-Mei | Association for Asian Performance Annual Conference | | | |
2011 | In the name of Shakespeare: Cross-cultural adaptation in Taiwan's Beijing Opera | HSIAO-MEI HSIEH | Journal of Asian Pacific Communication | 0 | 0 | |
2007 | In the Name of Shakespeare: Cross-Cultural Adaptation in Taiwan’s Beijing Opera | HSIAO-MEI HSIEH | the Second International Conference on Multicultural Discourses | | | |
2020 | IP產業在台灣:霹靂的全球化佈局 (2014-2020) | 謝筱玫 ; 張鰲騰; 陳思縈 | 2020 NTU劇場國際學術研討會 | | | |
2010 | Music from a Dying Nation: Taiwanese Opera in China and Taiwan during World War II. | Hsieh, Hsiao-Mei | Asian Theatre Journal | | | |
2009 | Opela in Taiwan: Commercial Theatre, Grassroots Theatre, and Intellectual Theatre | Hsieh, Hsiao-Mei | Australasian Association for Theatre Drama and Performance Studies 2009 Annual Conference | | | |
2011 | Opela in Taiwan: Commercial Theatre, Grassroots Theatre, and Intellectual Theatre. | Hsieh, Hsiao-Mei | Double Dialogues | | | |
2014 | Rewriting Shakespeare, Reconstructing Beijing Opera: Guoguang Opera Company's Cleopatra and Her Fools | Hsieh, Hsiao-Mei | 表演研究國際年會 PSi20 (Performance Studies International) | | | |
2007 | Staging the Regional/National: Taiwanese Opera Performances in Beijing | HSIAO-MEI HSIEH | 第13屆表演研究國際研討會 | | | |
2014 | Strategies of Adapting Shakespeare in Traditional Theatre in Taiwan | Hsieh, Hsiao-Mei | 亞洲莎士比亞學會研討會 | | | |
2013 | Strategies of Adapting Shakespeare in Traditional Theatre in Taiwan. | Hsieh, Hsiao-Mei | International Federation for Theatre Research | | | |
2004 | Transforming Tradition: the Double Meanings of Opela | HSIAO-MEI HSIEH | Association for Asian Performance | | | |
2008 | Two Versions of Shao Jianghai: Politics of Theatre Historiography in China | Hsieh, Hsiao-Mei | 影視劇場媒體研討會 | | | |
2009 | Where Have All the Butterfly Lovers Gone: The Aftermath of the Chinese Drama Reform Campaign | Hsieh, Hsiao-Mei | Association for Asian Performance Annual Conference | | | |
2011 | Where Have All the Different Butterfly Lovers Gone? The Homogenization of Local Theater as a Result of the Theater Reform in China as Seen in Gezai xi/Xiangju. | Hsieh, Hsiao-Mei | CHINOPERL | | | |
2012 | 亞裔演員在美國:五反田寬的《美國狗去死吧》 | 謝筱玫 | 2012NTU劇場國際學術研討會 | | | |
2013 | 亞裔男性演員在美國:五反田寬的《美國狗去死吧》 | 謝筱玫(Hsiao-Mei Hsieh) | 戲劇研究 | 0 | 0 | |
2018 | 今月曾經照古人:歷史的疊映與回看-評唐美雲歌仔戲團《月夜情愁》 | 謝筱玫 | PAR表演藝術雜誌 | | | |