公開日期 | 標題 | 作者 | 來源出版物 | scopus | WOS | 全文 |
2012 | “The Importance of Realism in the Development of Cinematic Modernization: The Example of Taiwanese New Cinema” with Chang-Min Yu. 29 September 2012. | DUNCAN DONALD CHESNEY | The Permanent Seminar on Histories of Film Theories Conference: Histories of Film Theories in East Asia | | | |
2012 | J.M. Coetzee, Serious Fiction, and the Stakes of Literature | DUNCAN DONALD CHESNEY | 1st International English Language and Literature Conference | | | |
2012 | James Joyce, J.M. Coetzee, and Truth in Fictional Autobiography: Generic Hybridity and the Claims of Fiction | DUNCAN DONALD CHESNEY | The 5th International Joyce Conference in Korea | | | |
2010 | Joyce between Dante and Beckett: Italian Susurrations and Reverberations | DUNCAN DONALD CHESNEY | | | | |
2017 | Literature and the Global Public: Serious Fiction and World Literature | DUNCAN DONALD CHESNEY | The annual meeting of the American Comparative Literature Association | | | |
2016 | Literature and the Global Public: Serious Fiction and World Literature | DUNCAN DONALD CHESNEY | Literature and the Global Public: A Transnational Forum | | | |
2012 | The Long Take and the Time Image in Recent Chinese Cinemas: A Reconsideration | DUNCAN DONALD CHESNEY | The Asian Cinema Studies Society Conference | | | |
2015 | Michael K.: J.M. Coetzee Between Beckett and Kafka | DUNCAN DONALD CHESNEY | J.M. Coetzee: Dead Ends and Beyond | | | |
2013 | Michael K: Coetzee Between Beckett and Kafka | DUNCAN DONALD CHESNEY | Between.1983 between.pom?dzy International Conference | | | |
2014 | Milczący Człowiek: Michael K | DUNCAN DONALD CHESNEY | Wielcy Artyści Ucieczek: Antologia Tekstów o Życiu i Michaela K Johna Maxwella Coetzeego w Trzydziestą Rocznicę Publikacji Powieści | | | |
2011 | Partiality, Obliqueness, Reticence: Some Thoughts on Life, Death, and | DUNCAN DONALD CHESNEY | | | | |
2019 | The Politics of the Novel circa 1965: Reading Brooke-Rose with Ngugi wa Thiong’o | DUNCAN DONALD CHESNEY | Journal of Language, Literature and Culture | 0 | 0 | |
2015 | Power and Literature: J.M. Coetzee’s Waiting for the Barbarians and the Power of Fiction | DUNCAN DONALD CHESNEY | Paradigms of Power: Uses and Abuses" 3rd Annual Community College of Qatar Humanities Conference | | | |
2004 | Proust and Cinema, or Luchino Visconti's Search | DUNCAN DONALD CHESNEY | | | | |
2004 | Proust and Persistenc | DUNCAN DONALD CHESNEY | Bilkent University Annual Symposium in Comparative Literature and History | | | |
2004 | Proust and the Ideology of Film adaptation | DUNCAN DONALD CHESNEY | Inscriptions ’04 | | | |
2003 | Proust on Film | DUNCAN DONALD CHESNEY | Cultures, Civilizations, and Ideas Colloquium series | | | |
2002 | Proust, the salon, and the Signs of Aristocracy | DUNCAN DONALD CHESNEY | Annual conference of Modernist Studies Association, | | | |
2010 | Rancière, Deleuze and Contemporary Film Aesthetics | DUNCAN DONALD CHESNEY | New Review of Film and Television Studies 8.1 | | | |
2014 | Serious Fiction: Coetzee and Kert?sz Under the Sign of K | DUNCAN DONALD CHESNEY | Travelling Texts: Encounters of Literature Conference at the Institute of English Studies | | | |