公開日期 | 標題 | 作者 | 來源出版物 | scopus | WOS | 全文 |
2012 | (De)touring from Paris to Kyoto: Intertextual Rupture, Historical Specter in Gail Scott's "My Paris" and Zhu Tian-xin's "The Ancient Capital" | 傅友祥 | NTU Studies in Taiwan Literature | | | |
2009 | De-hyphenating Self and Trans-ing Other in Fred Wah's Diamond Grill | Bennett Yu-Hsiang Fu | An Approach on National and Identity in 19th and 20th Century Literature in English | | | |
2011 | De-hyphenating Self and Trans-ing Other in Fred Wah’s Diamond Grill | Bennett Yu-Hsiang Fu | Restless Travellers: Quests for Identity across European and American Time and Space | | | |
2007 | “Diana Chang.”Encyclopedia of American Ethnic Lite | Bennett Yu-Hsiang Fu | | | | |
2004 | Differing bodies, defying subjects, deferring texts: Gender, sexuality, and transgression in Chinese Canadian women's writing | BENNETT YU-HSIANG FU | | | | |
2008 | Dystopic Here, Utopic There: Spatial Dialectics in SKY Lee's Disappearing Moon Cafe | Bennett Yu-Hsiang Fu | NTU Studies in Languages and Literature | | | |
2007 | “The Frontiers of Love.” Encyclopedia of American Ethnic
Literature | Bennett Yu-Hsiang Fu | | | | |
2019 | Global Public, Digital Public: (Neo)epistolarity and Tactical Consumption in Kim Thúy À toi | Bennett Yu-Hsiang Fu | Digitalizing the Global Text: Digitality, Literature, and Culture | | | |
2017 | The Golden Apples of Yeats, the Silver Apples of Smith: W. B. Yeats’s Poetic Influences on A.J.M. Smith’s Work | Bennett Yu-Hsiang Fu | The Yeats Journal of Korea | | | |
2012 | Heaven Knows Where! Mr. Allison: Cinematic Interventions and Dislocations in Richard Fung’s Islands | Bennett Yu-Hsiang Fu | ACT22: Going Caribbean: New Perspectives on Caribbean Literature and Art | | | |
2009 | Inside Out the Cage aux Folles: Abject Sexualities in Lydia Kwa's This Place Called Absence. | Bennett Yu-Hsiang Fu | Psychoanalysis and Asian American Literary Studies | | | |
2009 | The Interlocution between Two (National) Solitudes: The Border within the Nation in Gabrielle Roy’s Bonheur d’occasion and Qionqiong Yuan’s Jinshengyuan | Bennett Yu-Hsiang Fu | L’echo de nos classiques: Bonheur d'occasion et Two Solitudes en traduction | | | |
2021 | Introduction to Epistemology as Border(land)s in the Age of Globalization | BENNETT YU-HSIANG FU | Intertexts: A Journal of Comparative and Theoretical Reflection | | | |
2006 | “Jade Snow Wang’s Fifth Chinese Daughter.” The Facts on File Companion to the American Novel | Bennett Yu-Hsiang Fu | | | | |
2006 | “John Updike’s Rabbit Redux.” The Facts on File Companion to the American Novel | Bennett Yu-Hsiang Fu | | | | |
2010 | Laurence Yep.” The Facts on File Companion to the American Short Story | Bennett Yu-Hsiang Fu | | | | |
2010 | “Margaret Atwood.” The Facts on File Companion to the American Short Story | Bennett Yu-Hsiang Fu | | | | |
2010 | “Margaret Laurence’s ‘The Rain Child’” The Facts on File Companion to the American Short Story | Bennett Yu-Hsiang Fu | | | | |
2006 | “Maxine Hong Kingston’s The Woman Warrior.” The Facts on File Companion to the American Novel | Bennett Yu-Hsiang Fu | | | | |
2005 | Meta-Morphing T'ien Hu: Sexual Transgression and Textual Transposition in When Fox Is a Thousand | Bennett Yu-Hsiang Fu | West Coast Line | | | |