公開日期 | 標題 | 作者 | 來源出版物 | scopus | WOS | 全文 |
2006 | On the Topic of Ch’ing-hsiang Jars | Hsieh Ming-liang ; National Maritime Museum of Korea | Shinan Underwater Relics and 14th Century Asian Marine Trades | | | |
2008 | Painting as History: A study of the Thirteen Emperors attributed to Yan Liben | PAO-CHEN CHEN | The History of Painting in East Asia: Essays on Scholarly Method | | | |
2019 | Phoenix-type Motifs from the 8th to 12th Century | CHUN-I LIN | The panel “Cultural Transmission in Material Culture: Adaption and Localisation in Medieval China, Japan and Java (8th-12th Centuries)” at the ICAS conference | | | |
2006 | A Preliminary Comparison of Temples in China and in Cambodia | Huang Lan-Shiang | National Palace Museum Bulletin | | | |
2022 | Preparing Food in Tombs: The Re-Invention of Figurines of Cooks in Pingcheng during the Northern Wei | CHUN-I LIN | Visual and Material Cultures of Food and Drink in Pre-Republican China, 200 BCE-1900 CE | | | |
2013 | Qing court painted enamels:An intercultural dialogue | CHING-FEI SHIH | Thoughts and Things in China: International Conference in Honour of Jessica Rawson | | | |
2019 | The Qing Painted Enamelware: Inter-Regional Collaboration in Material Experiments | CHING-FEI SHIH | 2019 Annual Meeting of American Asian Studies | | | |
2018 | Re-evaluating European Imitations of Yixing Zisha Teapots: Remaking 'China' and Returning to 'Greece and Rome' | CHING-FEI SHIH | 「近代早期的謬誤、偽作與知識生產:從明清中國到全球史的比較視野」國際研討會 | | | |
2021 | "Reliving History and Shaping Memory: Tang Remains and Song Scholars in the Old Capital Chang'an | HUI-WEN LU | China Project Workshop | | | |
2019 | Remaking 'China' and Returning to 'Greece and Rome' ? European Imitations of Yixing Zisha Teapots, | CHING-FEI SHIH | 8th Gewina Woudschoten Conference: Towards a History of Knowledge, 2019 | | | |
2014 | Reproducing and Remaking the Paradigm: Wang Xizhi’s (303-361) Calligraphic Masterpiece Essay on Yue Yi (Yue Yi Lun) in the Age of Printing | HUI-WEN LU | Art History Workshop | | | |
2013 | Reproducing and Remaking the Paradigm: Wang Xizhi’s (303-361) Calligraphy in the Age of Printing | HUI-WEN LU | Association of Asian Studies 2013 | | | |
2010 | Review of The Landscape of Words: Stone Inscriptions from Early and Medieval China by Robert E. Harrist (Seattle: University of Washington Press, 2008) | HUI-WEN LU | Harvard Journal of Asiatic Studies | 0 | 1 | |
2015 | ROUNDTABLE discussion: "Peripatetic Objects and Transcultural Renaissances" | CHING-FEI SHIH | Renaissance Society of America Annual Meeting, the 61st meeting | | | |
2020 | Silver-inlaid copper-body painted enamel snuff box with a Western figural design Qianlong reign (1735-1796), Qing dynasty, | CHING-FEI SHIH | 「物質文化與社群形塑:感官知覺下的物質經驗」實驗工作坊 | | | |
2006 | Some Thoughts on the Origins of Liao Ceramics | 謝明良 | Orientations | | | |
1992 | STUDY OF THE CITY WALL OF SHIN-CHU IN TAIWAN = 台湾新竹城における城壁の形成について | LAN-SHIANG HUANG | Journal of Architecture, Planning and Environmental Engineering (Transactions of AIJ) | | 0 | |
2020 | Table 'Curio cabinets' in the Eighteenth Century Qing | CHING-FEI SHIH | Making Sense of the World: The Eighteenth-Century Cabinet of Curiosities of Christophe-Paul de Robien | | | |
1987 | The goddess of the Lo River | Chen, Pao-chen; PAO-CHEN CHEN | | | | |
2015 | The Imari wares from the Qing Imperial Court | MING-LIANG HSIEH ; Lo, Margaret (translator) | National Palace Museum Bulletin | | | |