公開日期 | 標題 | 作者 | 來源出版物 | scopus | WOS | 全文 |
2020 | Table 'Curio cabinets' in the Eighteenth Century Qing | CHING-FEI SHIH | Making Sense of the World: The Eighteenth-Century Cabinet of Curiosities of Christophe-Paul de Robien | | | |
1987 | The goddess of the Lo River | Chen, Pao-chen; PAO-CHEN CHEN | | | | |
2015 | The Imari wares from the Qing Imperial Court | MING-LIANG HSIEH ; Lo, Margaret (translator) | National Palace Museum Bulletin | | | |
2010 | The Navigational Route of the Belitung Wreck and Late Tang Ceramic Trade | MING-LIANG HSIEH | Shipwrecked : Tang treasures and monsoon winds | | | |
2000 | Three Representational Modes for Text/Image Relationships in Early Chinese Pictorial Art | 陳葆真 | 國立臺灣大學美術史研究集刊 | 0 | 0 | |
2022 | Three Wondrous Objects from the "foreign countries" across the Sea to China in the Late Seventeenth Century | CHING-FEI SHIH | 3rd CIPSH Academy on Chinese Cultures and Global Humanities | | | |
1993 | Time and Space in Chinese Narrative Paintings of Han and the Six Dynasties | Chen, Pao-Chen | 中國文化中的時空觀念國際研討會 | | | |
1994 | Time and Space in Chinese Narrative Paintings of Han and the Six Dynasties | Chen, Pao-Chen | Time and Space in Chinese Culture | | | |
2022 | Tomb Figurines in the Tuyuhun Royal Family Tombs, Gansu Province, China: Murong Zhi's Tomb as a Case Study | CHUN-I LIN | The panel “Death Mirrors Life: Cross-Cultural Interactions, Elite Networks, and Diplomacy in Early Medieval China and Inner and Central Asia” at the AAS conference | | | |
2021 | A tradition hidden in light: Archimedean solid of cuboctahedron and East Asian art making | CHING-FEI SHIH | ICAS | | | |
2006 | Transformed Elements in the Layout of Confucian Temples in China, Vietnam and Taiwan | LAN-SHIANG HUANG | The frontiers of Southeast Asia and Pacific studies | | | |
2019 | Transmission and Recreation: The Journey of Huping (Foreign Ewer) on the Silk Road from the 6th to 8th Century | CHUN-I LIN | The panel “Transculturation between Medieval China and Central Asia: Politics and Communications Represented through the Adapted Mediums of Artefacts, Images, and Humans” at the AAS conference | | | |
2020 | Transmission of Funerary Arts between the Tang Empire (618-907) and Its Turko-Mongol Neighbors: Ceramic Tomb Figurines in the Bayannuur Tomb and Pugu Yitu's Tomb in Mongolia as Case Studies | CHUN-I LIN | The 26th Annual Association of Central Eurasian Students Conference | | | |
2009 | A Turning Point of Asian Ceramic Trade in the Fourteenth Century | 施靜菲 | 匯聚:交流中所形塑的亞洲國際研討會 | | | |
2009 | Two Pieces of Kangxi Porcelain Decorated in Underglaze Red in the Walters Art Museum | 盧慧紋 | The Journal of the Walters Art Museum | | | |
2018 | Unknown Transcultural Objects: Turned ivory works by European Rose Engine Lathe in the Eighteenth Century Qing Court | CHING-FEI SHIH | EurAsian Matters China, Europe, and the Transcultural Object, 1600-1800 | | | |
2018 | Unknown Transcultural Objects: Turned Ivory Works by the European Rose Engine Lathe in the Eighteenth-Century Qing Court, | CHING-FEI SHIH | Workshop on Ivory Carving | | | |
2008 | Urban Images and Modernity in Modern Taiwanese Art | HAN-NI CHIU | Transactions of the International Conference of Estern Studies(国際東方学者会議紀要),No.LIII2008(第53冊), pp.44-65 | | | |
2010 | White Ware with Green Décor | MING-LIANG HSIEH | Shipwrecked: Tang Treasures and Monsoon Winds | | | |
2021 | "Wild Cursive Calligraphy, Poetry, and Buddhist Monks in the Eighth Century and Beyond"專題演講 | HUI-WEN LU | | | | |