公開日期 | 標題 | 作者 | 來源出版物 | scopus | WOS | 全文 |
2005 | Han Steles in Jining and the Study of Clerical-script Calligraphy in the Late-18th Century | 盧慧紋 | Recarving China's Past: Art, Archaeology, and Architecture of the Wu Family Shrines 國際學術研討會 | | | |
2013 | How China accommodated newly imported Western designs? | CHING-FEI SHIH | The Workshop for Chinese Arts | | | |
2020 | Hua Falang: The Chinese Concept of Painted Enamels | CHING-FEI SHIH | The RA collection of Chinese ceramics : a collector's vision. Volume V | | | |
2006 | Imag(in)ing Oriental Art in Late-Nineteenth-Century America: A Study on the Text and Color Illustrations of Oriental Ceramic Art | 盧慧紋 | Bridges to Heaven: A Symposium on East Asian Art in Honor of Professor Wen C. Fong | | | |
1988 | Images of the Mind: Selections from the Edward L. Elliott Family and John B. Elliott Collections of Chinese Calligraphy and Painting at The Art Museum, Princeton University, p.255-490 | Chen, Pao-Chen ; 陳葆真 ; Fong, Wen C. | | | | |
2011 | Imaging Oriental Art in Late-Nineteenth-Century America: A Study on the Color Illustrations of Oriental Ceramic Art | HUI-WEN LU | Bridges to Heaven: Essays on East Asian Art in Honor of Professor Wen C. Fong | | | |
2013 | The Immortal's works and Treasure boxes in the Qing Court from 1662 to 1795 | CHING-FEI SHIH | Interactions in Art: East Asia and Europe, 1600-1800 | | | |
2013 | The 'immortal's works' and the 'cabinet of curiosity' in the Qing Court from 1662 to 1795 | CHING-FEI SHIH | Face to Face: The transcendence of the arts in China and beyond | | | |
2012 | The Ivory artefacts in the Qing Court and Canton | CHING-FEI SHIH | Global Commodities: The Material Culture of Early Modern Connections, 1400-1800 | | | |
2016 | Later Chinese Ivories: Guangdong as a Major Production Centre | CHING-FEI SHIH | Chinese Ivory Carvings. The Sir Victor Sassoon Collection | | | |
2020 | Les cabinets de curiosités à la cour impériale des Qing au XVIIIe siècle | CHING-FEI SHIH | Le monde à portée de sens: Un cabinet de curiosités chez Christophe-Paul de Robien au XVIIIe siècle | | | |
1992 | Lin Liang and His Paintings | Chen, Pao-Chen | The National Palace Museum Bulletin | | | |
2008 | The Many Markets of Jingdezhen Yuan Blue-and-White Porcelain | CHING-FEI SHIH | Exchange of Notions of Beauty between East and West Asia | | | |
2017 | Model-books and the Formation of a New Calligraphic Canon in Song China | HUI-WEN LU | Conference on Manuscript to Print, East and West | | | |
2017 | More than Writing: Efficacious Words, Decorative Scripts, and Cross-cultural Encounters in Tang China | HUI-WEN LU | European Association for Asian Art and Archaeology (EAAA) 2017 Conference | | | |
2019 | "More than Writing: Efficacious Words, Decorative Scripts, and Cross-Cultural Encounters in Tang China" 專題演講 | HUI-WEN LU | | | | |
2011 | The Multiple Markets of Jingdezhen Blue-and-White Porcelain during the Mongol Yuan Period | CHING-FEI SHIH | Cultures of Ceramics in Global History, 1300-1800 | | | |
2014 | The New Idea of Ritual Vessels in the Early Ming Dynasty: A Third System? | CHING-FEI SHIH | Ming Conference | | | |
2016 | The New Idea of Ritual Vessels in the Early Ming Dynasty: A Third System? | CHING-FEI SHIH | Ming China: Courts and Contacts 1400-1450 | | | |
2021 | On ceramic Dao Guan Hu (Bottom-filled Ewer) | MING-LIANG HSIEH | Korean Journal of Art History | 0 | 0 | |