公開日期 | 標題 | 作者 | 來源出版物 | scopus | WOS | 全文 |
2012 | A Study on the Influences of Pure Land Buddhist Thought on Chinese Opera in the Late Ming Dynasty and Early Qing Dynasty: "Quei Yuan Jing" Taken as a Case Study | 林智莉 | 戲劇學刊 | | | |
2012 | A Study on the Possibility of the Integrating Drama and Buddhism and the Creative Scope from the Perspective of Buddhist Drama Creation in the Late Ming and Early Qing Dynasties | 林智莉 | 師大國文學報 | | | |
2018 | A survey of deep face recognition in the wild | Prihasto, B.; Choirunnisa, S.; Nurdiansyah, M.I.; Mathulaprangsan, S.; VIVIAN CHINGM CHU ; Chen, S.-H.; Wang, J.-C. | 2016 International Conference on Orange Technologies | | | |
2008 | This Is for Thy Pains: Translating Shakespeare into Chinese | Perng, Ching-Hsi | International Conference on Translation Studies and Enblish-Chinese Translation, Chinese University of HongKong. | | | |
2004 | Transforming Tradition: the Double Meanings of Opela | HSIAO-MEI HSIEH | Association for Asian Performance | | | |
2008 | Translating a doll house in Taiwan | WEN-LING LIN | Perspectives: Studies in Translatology | 0 | 0 | |
2009 | Troy, Troy,…Taiwan : Transformation from Epic to Elegy | WEN-LING LIN ; 林雯玲 | Text & Presentation | | | |
2008 | Two Versions of Shao Jianghai: Politics of Theatre Historiography in China | Hsieh, Hsiao-Mei | 影視劇場媒體研討會 | | | |
2006 | Victor, Villain and Vagabond: Marlowe's Tamburlaine | VIVIAN CHINGM CHU | 戲劇學刊 | | | |
2006 | Victor, Villain, and Vagabond: Marlowe’s Tamburlaine | Chu, Vivian Ching-Mei | Taipei Theatre Journal 3: | | | |
2005 | “What Happened in the Venetian Court : Trevor Nunn's Stage/Movie Production of The Merchant of Venice | Perng, Ching-Hsi | 第三屆亞太多媒體語文教學研討會,(APAMALL 2005) 暨第九屆國際電腦多媒體語文教學研討會 (ROCMELIA 2005). Tainan: Kun Shan University of Technology, December 9-11, 2005. (收入《威尼斯商人》緒論) | | | |
2002 | When East Meets West:A Study of Chinese Textile Ornamental Pattern Applied to Contemporary Fashion Design | YI-MEEI WANG ; Lee, J. F. | 20th International Costume Symposium | | | |
2009 | Where Have All the Butterfly Lovers Gone: The Aftermath of the Chinese Drama Reform Campaign | Hsieh, Hsiao-Mei | Association for Asian Performance Annual Conference | | | |
2011 | Where Have All the Different Butterfly Lovers Gone? The Homogenization of Local Theater as a Result of the Theater Reform in China as Seen in Gezai xi/Xiangju. | Hsieh, Hsiao-Mei | CHINOPERL | | | |
2008 | Who’s the Addressee?—Four Types of Shakespearean Soliloquy | Perng, Ching-Hsi | Chang Gung Journal of Humanities and Social Sciences | | | |
2007 | ‘With This Door Between Us’: Visualizing the Pathos in Rain on the Xiaoxiang, ‘Barely | Perng, Ching-Hsi | Chinese Oral and | | | |
2007 | The Zhong Kui Nuo Ritual/Drama in the Ming Court-The Transformation of Zhong Kui's Image | 林智莉 | 政大中文學報 | | | |
2016 | 一個兄弟 兩個故事 | 紀蔚然 | | | | |
1999 | 《一張床四人睡》 | 紀蔚然 | | | | |
2002 | 一張照片.一個故事.一段歷史──為「歌子戲老照片蒐集計畫」而寫 | 林鶴宜 | 傳統藝術 | | | |