公開日期 | 標題 | 作者 | 來源出版物 | scopus | WOS | 全文 |
2009 | The burmese classical music tradition: An introduction | Lu, Hsin Chun Tasaw | Fontes Artis Musicae | 3 | | |
1992 | Categorization in Nanguan Music:A Semiotic Analysis | Wang, Ying-Fen | The 2nd International Conference on Music Perception and Cognition | | | |
1989 | Chinese Translation of "A Courtly Edict for Javanese Music" by Mantle Hood | Wang, Ying-Fen | The 3rd International Conference on Chinese Ethnomusicology | | | |
1990 | Chinese Translation of "Ethnomusicological Study in Japan National Museum of Ethnology" by Tomoaki Fujii | Wang, Ying-Fen | The 3rd International Conference on Chinese Ethnomusicology | | | |
1989 | Chinese Translation of "The Concept of Tetrachord in East Korean Folk Songs" by Han Man-Young | Wang, Ying-Fen | The 3rd International Conference on Chinese Ethnomusicology | | | |
1989 | Chinese Translation of "The Polyphonic Singing of the People in Asian Cultures" by Tomoaki Fujii | Wang, Ying-Fen | The 3rd International Conference on Chinese Ethnomusicology | | | |
1989 | Chinese Translation of "The Present State of Research in Korean Musicology" by Han-Young | Wang, Ying-Fen | The 3rd International Conference on Chinese Ethnomusicology | | | |
2006 | Church Music, ‘Classical’ Style, and the Dialectic of Old and New in Late Eighteenth-Century
Musical Culture | Chen, Jen-yen | Music in 18th-Century Life: Cities, Courts, Churches | | | |
2004 | Church Music, ‘Classical’ Style, and the Dialectic of Old and New in Late Eighteenth-Century Musical Culture | JEN-YEN CHEN | Music in 18th-Century Life: Cities, Courts, Churches, mee | | | |
2006 | Church Music, ‘Classical’ Style, and the Dialectic of Old and New in Late Eighteenth-Century Musical Culture | JEN-YEN CHEN | Music in 18th-Century Life: Cities, Courts, Churches | | | |
2021 | Cognitive control in agents: On the importance of supplementary motor area in the brain for music activities | CHEN-GIA TSAI | Journal of Music Research | | | |
2014 | Colonial Modernity, Sonic Mediation, and Musical (Dis)Connections in the Japanese Empire: On the Phonographic Turn in East Asian History | Yamauchi Fumitaka | Institute of East Asian Studies, University of California Berkeley, Berkeley, U.S.A | | | |
2000 | Confronting Judgmental Conflict: Symphonie fantastique and Gadamer's Horizontverschmelzung | Yuhwen Wang | Oxford Music Analysis Conference | | | |
2016 | Contemplating East Asian Music History in Global and Regional Contexts: On Modernity, Nationalism, and Colonialism | Yamauchi Fumitaka | Workshop Universality of Modernity/Provincialization of Modernity | | | |
2019 | Contemplating East Asian Music History in Regional and Global Contexts: On Modernity, Nationalism, and Colonialism | Yamauchi Fumitaka | Decentering Musical Modernity: Perspectives on East Asian and European Music History | 0 | 0 | |
2011 | The Contemporaneity of Guqin Aesthetic Tradition: Its Non-Dichotomous Practice | Yuhwen Wang | Beijing Forum | | | |
2006 | A Contrast of Emphasis-Abing's Performance of Er Quan Ying Yue and that of Present-day Erhu Players | Wang, Yuh-wen | Society for Ethnomusicology (SEM), Honolulu | | | |
2016 | Crossing Borders, Embodying Divides: On East Asia as a Fissured Site of Knowledge Production | Yamauchi Fumitaka | The 3rd Japanese Society for Cultural Anthropology International Symposium Internationalization-Globalization of Anthropology in East Asia, Part 1: Korea and Japan; 日本文化人類学会第 3 回国際シンポジウム「東アジアにおける人類学の国際化/グローバル化――第一部韓国と日本」 | | | |
2016 | Crossing Borders, Embodying Divides: On East Asia as a Fissured Site of Knowledge Production | Yamauchi Fumitaka | Japanese Review of Cultural Anthropology | | | |
2006 | Crossing Boundaries: Columbia Records, Radio and the Changing Soundscape in Taiwan During the 1920s and 30s | 王櫻芬 | (跨越界線:古倫美亞唱片、廣播及二○、三○年代臺灣音景的改變). Paper presented at the “ 2006 Asia Pacific Traditional Arts Festival International Conference: East Asia Music and Modernity”,臺灣宜蘭,2006年9月2日 | | | |