公開日期 | 標題 | 作者 | 來源出版物 | scopus | WOS | 全文 |
2000 | Anxiety of Empire: Carthage in Turner | 吳雅鳳 | NTU Studies in Language and Literature | | | |
1999 | Anxiety of Empire: Carthage in Turner. | Wu, Ya-feng | International conference on Romanticism and the New. Held by the North American Society for the Study of Romanticism | | | |
1999 | Apocalypse in Turner. | Wu, Ya-feng | International conference on Romantic Revelations. Held by the British Association for the Study of Romanticism | | | |
2000 | Arcadia and Carthage in Turner | 吳雅鳳 | | | | |
2019 | BLAKE'S CRITIQUE OF ERASMUS DARWIN'S BOTANIC GARDEN | YA-FENG WU | Wordsworth Circle | | 1 | |
2009 | Blazoning the Paired Tableaux: The Mysteries of Udolpho and The Monk | Wu, Ya-feng | Sun Yat-sen Journal of Humanities | | | |
2019 | '[C] allee me Oscar': The Picture of Dorian Gray, Aestheticism, and Opium | YA-FENG WU | Victoriographies-a Journal of Nineteenth-Century Writing 1790-1914 | | | |
2007 | Chiaroscuro of Sensibility: the Baroque Aesthetics of The Monk. | Wu, Ya-feng | 2007 Conference on Across and Between Eighteenth Centuries | | | |
2011 | Corinne Enacting Archaeology: Mme de Staël’s Volcano Lover. | Wu, Ya-feng | Conference on Romanticism & Evolution | | | |
2012 | Corinne's Tarantella: Germaine de Sta?l's Performance of Cultural Authority | 吳雅鳳(Ya-Feng Wu) ; YA-FENG WU | 中山人文學報 | 0 | 0 | |
2012 | Corinne’s Tarantella: Germaine de Staël’s Performance of Cultural Authority | Wu, Ya-feng | Sun Yat-sen Journal of Humanities | | | |
2007 | Ekphrasis: the Common Impulse of Hemans and Landon. | Wu, Ya-feng | BARS-NASSR 2007 Conference on Emancipation, Liberation and Freedom | | | |
2011 | Gothic Crossings:Medieval to Postmodern | YA-FENG WU ; Hisn-ying Li | 臺大出版中心電子書 | | | |
2011 | Ignoring that there was a corpse': The Foiled Gothic in Tess of the d'Urbervilles | Wu, Ya-feng | Gothic Crossings: From the Middle Ages to the Modern Era. | | | |
1996 | An isle under Ionian skies: Shelley’s ‘Epipsychidion' | 吳雅鳳 | Romantic Geographies | | | |
2012 | “Look around this English room of yours”: Ornaments as the Emblem of the Nation in John Ruskin and William Morris. | Wu, Ya-feng | Conference on Emblems of Nationhood: Britishness 1707-1901. | | | |
2011 | The Mermaid and Alchemy in the 19th Century. | Wu, Ya-feng | Symposium on Early Modern Alchemy: History, Culture, and Literature | | | |
2008 | The Mermaid in the Nineteenth-Century Poetry and Art. | Wu, Ya-feng | International Conference on Benjamin Robert Haydon, Romanticism, and the Visual Arts: Romantic Painting, Romantic Writing | | | |
2012 | The ‘mountain brotherhood between the cathedral and the Alp [sic]’: Ruskin’s Swiss Prospect and his Campaign for Gothic Architecture. | Wu, Ya-feng | North American Society for the Study of Romanticism Conference on Romantic Prospects | | | |
1996 | Routes to Womanhood: British Women Writers and Women Activists in the Romantic Period | Wu, Ya-feng | Conference on Romantic Political Prose | | | |