| Issue Date | Title | Author(s) | Source | scopus | WOS | Fulltext/Archive link |
|---|---|---|---|---|---|---|
| 2009 | 14到17世紀亞洲青花瓷生產的擴張 | 施靜菲 | 典藏古美術 | |||
| 2010 | 1650~1750伊萬里瓷．百年輝煌：絢爛華麗的魅力--「在巴黎盛開的古伊萬里花朵：日本外銷歐洲瓷器350週年」特展 | 施靜菲; CHING-FEI SHIH | 典藏古美術 | |||
| 2022 | 17. 全世界最著名的青花瓷：大維德瓶 | 施靜菲; CHING-FEI SHIH | 物見：四十八位物件的閱讀者，與他們所見的世界 | |||
| 2014 | 17、18世紀流行全球的外交禮品：清宮舊藏多層木套杯 | 施靜菲; CHING-FEI SHIH | 典藏古美術 | |||
| 2015 | A Hundred-layered Goblet from the West Ocean | Shih, Ching-fei; CHING-FEI SHIH | Orientations | |||
| 2013 | The 'cabinet of curiosity' of the Qianlong Era | CHING-FEI SHIH | ||||
| 2006 | The Change of Ceramic Trade between China and Middle East from 13th to 14th Centuries | CHING-FEI SHIH | The XIV International Economic History Congress | |||
| 2015 | Cross the border: Ceramic industries along the Red River from 14th to 16th Centuries | CHING-FEI SHIH | Euraseaa2015, 15th International Conference of the European Association of Southeast Asian Archaeologists | |||
| 2015 | The Early Modern Revolutionary Transformation of Colour Palettes: Qing Painted enamelwares as an Example | CHING-FEI SHIH | 14th ICHSEA: 14th International Conference on the History of Science in East Asia | |||
| 2014 | European Decorative Elements employed in Qing Painted Enamelware | CHING-FEI SHIH | Qing Porcelain in China and the World Study Day | |||
| 2001 | Experiments and innovation : Jingdezhen blue-and-white porcelain of the Yuan dynasty (1279-1368) | CHING-FEI SHIH | PhD dissertation. University of Oxford | |||
| 2013 | How China accommodated newly imported Western designs? | CHING-FEI SHIH | The Workshop for Chinese Arts | |||
| 2020 | Hua Falang: The Chinese Concept of Painted Enamels | CHING-FEI SHIH | The RA collection of Chinese ceramics : a collector's vision. Volume V | |||
| 2013 | The Immortal's works and Treasure boxes in the Qing Court from 1662 to 1795 | CHING-FEI SHIH | Interactions in Art: East Asia and Europe, 1600-1800 | |||
| 2013 | The 'immortal's works' and the 'cabinet of curiosity' in the Qing Court from 1662 to 1795 | CHING-FEI SHIH | Face to Face: The transcendence of the arts in China and beyond | |||
| 2012 | The Ivory artefacts in the Qing Court and Canton | CHING-FEI SHIH | Global Commodities: The Material Culture of Early Modern Connections, 1400-1800 | |||
| 2016 | Later Chinese Ivories: Guangdong as a Major Production Centre | CHING-FEI SHIH | Chinese Ivory Carvings. The Sir Victor Sassoon Collection | |||
| 2020 | Les cabinets de curiosités à la cour impériale des Qing au XVIIIe siècle | CHING-FEI SHIH | Le monde à portée de sens: Un cabinet de curiosités chez Christophe-Paul de Robien au XVIIIe siècle | |||
| 2008 | The Many Markets of Jingdezhen Yuan Blue-and-White Porcelain | CHING-FEI SHIH | Exchange of Notions of Beauty between East and West Asia | |||
| 2011 | The Multiple Markets of Jingdezhen Blue-and-White Porcelain during the Mongol Yuan Period | CHING-FEI SHIH | Cultures of Ceramics in Global History, 1300-1800 |
