公開日期 | 標題 | 作者 | 來源出版物 | scopus | WOS | 全文 |
2012 | The Absent Hero: On Bunya Koh’s Unfinished Musical Journey and His Incomplete Project of Modernity | CHIEN-CHANG YANG | the Meeting of International Musicological Society. Rome | | | |
2014 | The Absent Hero: On Bunya Koh’s Unfinished Musical Journey and His Incomplete Project of Modernity. | CHIEN-CHANG YANG | Contemporary Music in East Asia | | | |
2011 | Asia as Method: Epistemological and Methodological Reflections | CHIEN-CHANG YANG | the Inaugural Meeting of International Musicological Society, East Asia Chapter | | | |
2002 | Beethoven and Confucius: A Case Study in Transmission of Cultural Values | CHIEN-CHANG YANG | International Congress of the Musicological Society of Japan in Celebration of the 50th Anniversary | | | |
2002 | Beethoven and Confucius: A Case Study in Transmission of Cultural Values. | CHIEN-CHANG YANG | the conference of the International Congress of the Musicological Society of Japan in Celebration of the 50th Anniversary | | | |
2002 | Beethoven and Confucius: A Case Study in Transmission of Cultural Values. | CHIEN-CHANG YANG | the Annual Meeting, American Musicological Society | | | |
1998 | Disciplining Music: Hugo Riemann’s Music Aesthetics and the Nineteenth-Century German Psychology. | CHIEN-CHANG YANG | the Annual Meeting, American Musicological Society | | | |
2011 | How Music Became Abstract Energy? Genealogy of Music Aesthetics around 1800 | CHIEN-CHANG YANG | the Annual Meeting of American Musicological Society San Francisco | | | |
1996 | Hugo Riemann’s ‘Musical Logic’ and the Neo-Kantian Epistemology. | CHIEN-CHANG YANG | the Annual Meeting, Society for Music Theory | | | |
2013 | Mediating American Audioscapes: Structural Function of Instruments in Works of Harry Partch, George Crumb, and Tan Dun | CHIEN-CHANG YANG | Annual Meeting, Society for Music Theory | | | |
2008 | Moments in Historical Force Fields: On Adorno’s Monadic History of Music | Yang, Chien-chang | | | | |
2008 | Moments in Historical Force Fields: On Adorno’s Monadic History of Music | CHIEN-CHANG YANG | the conference of I Congreso Internacional del Departamento de Artes (FFyL, UBA) Artes en cruce: problemáticas teóricas actuales | | | |
2002 | Music as Knowledge: Hugo Riemann's Theory of Musical Listening and the Foundation of German Musikwissenschaft | CHIEN-CHANG YANG | | | | |
2002 | Music as Knowledge: Hugo Riemann's Theory of Musical Listening and the Foundation of German Musikwissenschaft | Yang, Chien-chang | | | | |
2009 | Music as the Electricity of Life: On Ernst Florence Chladni's Sound Figures and the Rise of Musical Modernity | CHIEN-CHANG YANG | the workshop of Alchemy Organism, Music and Language: Aspects of Confluences between Humanities and Sciences in Modern Europe | | | |
2007 | Musical Identity and Difference in a Reorganized Global Space | CHIEN-CHANG YANG | the conference of Identitaet und Differenz: Soundbridges - Neue Musik aus Sudostasien und Taiwan | | | |
2007 | Musical Identity and Difference in a Reorganized Global Space | Yang, Chien-chang | conference of Identitaet und Differenz: Soundbridges - Neue Musik aus Sudostasien und Taiwan, September, Berlin, Germany | | | |
2014 | Musical Phantasmagoria in the Globalized Age: Tan Dun’s The Map and the Environmental Politics of Musical Materials. | CHIEN-CHANG YANG | Contemporary Music in East Asia. | | | |
2020 | Sketch as Medium in Collective Musical Creation: The Case of Atlas Lab Taipei 2017 | CHIEN-CHANG YANG ; Liao, Yu-Hsuan; Chuang, Tzu-Ying | 哲學與文化 | | | |
2008 | Sound as Electricity of Life: Ernst Florens Chladni’s Sound Figures and the Rise of Musical Modernity | CHIEN-CHANG YANG | the Annual Meeting of American Musicological Society and Society for Music Theory | | | |