公開日期 | 標題 | 作者 | 來源出版物 | scopus | WOS | 全文 |
---|---|---|---|---|---|---|
2012 | Absent Actors and Fractured China: A Sinophone Reading of Stan Lai’s Dramatic Works and Cultural Phenomenon | CHUN-YEN WANG | Global Sinophonia,Academia Sinica (2012/12/17-2012/12/19) | |||
2014 | Bio-memory in Postcolonial Taiwan: Ethnic Identity and Chinese Drama in Taiwan | CHUN-YEN WANG | Sinoglossia: Taiwan, China and Beyond,UT, Austin (2014/02/28-2014/03/01) | |||
2013 | Bio-memory in Postcolonial Taiwan: Ethnic Identity and Chinese Drama in Taiwan | CHUN-YEN WANG | Inter-Asia Cultural Studies Conference,NUS, Singapore (2013/07/03-2013/07/05) | |||
2023 | Can the village speak? Leftist Assignment Theater and documentary theater in Taiwan | CHUN-YEN WANG | Inter-Asia Cultural Studies | 0 | 0 | |
2018 | Can the Villiage Speak? Documentary Theater in Taiwan | CHUN-YEN WANG | Beyond Beauty: Looking Through the Lens of Environmental Documentaries at Taiwan in the World | |||
2012 | Ethnic Performance as Local Drama? The Vernacular Drama in Colonial Taiwan | CHUN-YEN WANG | Cultural as Critical Theory,Academia Sinica (2012/09/30-2012/10/01) | |||
2014 | Ethnicity and “Genbun Itchi” : An Epistemological Rupture of Traditional Drama in Colonial Taiwan | CHUN-YEN WANG | Cultural Typhoon 2014,International Christian University, Tokyo (2014/06/28-2014/06/29) | |||
2013 | Inside/Outside the Colonial: Taiwanese Islanders in the 1920s | CHUN-YEN WANG | Except Asia: Agamben's Work in Transcultural Perspective,National Taiwan Normal University (2013/06/25-2013/06/27) | |||
2015 | Mandarin Taiwan: a Trans-national Community in Huangmei Cinema during the Cold War | CHUN-YEN WANG | Inter-Asia Cultural Studies Conference,Surabaya, Indonesia (2015/08/07-2015/08/09) | |||
2019 | Performing Absence, Translating “China”: Disrupted History and Performative Identity in Stan Lai’s Xiangsheng Plays | CHUN-YEN WANG | Beyond Imperial Aesthetics: Theories of Art and Politics in East Asia | |||
2012 | Translation Of Aesthetics: Local Performances In Colonial Taiwan, 1895-1945 | CHUN-YEN WANG | Cornell University Ph.D. dissertation | |||
2015 | Waiting to be Translated: Theatre of Traumatized Modernity in Contemporary Taiwan | CHUN-YEN WANG | 2015 Asia Theories International Symposium Waiting: Time/Theory/Action in Global Asias,NCHU (2015/10/02-2015/10/05) | |||
2018 | What does “an open body” say: the body and the Cold War in the early 1980s theatre of Taiwan | CHUN-YEN WANG | Inter-Asia Cultural Studies | |||
2017 | What Does “an Open Body” Say? The Body and the Cold War in the early 1980s Theatre of Taiwan | CHUN-YEN WANG | Conflict, Justice and Decolonization II: Paradigm Shift of the Colonial-Imperial Order and the Aporia of Human Sciences (2017/6/2-2017/6/6) | |||
2004 | 不斷前進的從容力量--專訪汪其楣教授 | 汪俊彥 | 文訊 | |||
2018 | 冷戰臺灣與身體政治:蘭陵劇坊的初步實驗與開放性 | 汪俊彥 | 現代美術學報 | |||
2017 | 分裂與複像:賴聲川《臺灣怪譚》 | 汪俊彥 | 移動中的影像邊界 學術研討會暨創作論壇,台南藝術大學 (2017/11/21-2017/11/22) | |||
2005 | 劇場裡的解嚴臺灣--《戲劇交流道》[汪其楣主編]劇本集的臺灣圖像研究 | 汪俊彥 ; 王友輝 | 文訊 | |||
2018 | 劇種美學與歷史記憶:日本殖民臺灣時期的白字戲 | 汪俊彥 | 臺灣史學雜誌 | |||
2018 | 反現代性的台灣:李國修的劇場理論 | 汪俊彥 | 臺灣當代劇場發展軌跡四十年論壇 |