公開日期 | 標題 | 作者 | 來源出版物 | scopus | WOS | 全文 |
2019.09 | Santa Maria Maggiore's Madonna Icon of Rome and China: Three Spanish and Portuguese Jesuits and Their Translations of the Virgin Mary | HUI-HUNG CHEN | The Conference of Visions of Humanity and Letters: Chinese Culture and the Two Tides of Western Learning, from the Late Ming to Early Modern Times | | | |
2020 | Santa Maria Maggiore's Madonna icon of Rome and its story with China: reconsidering the complexity of Mary and Guanyin and its global significance | HUI-HUNG CHEN | Rivista degli Studi Orientali (RSO) | | | |
2017 | Shaping the Anthropological Context of the "Salus Populi Sinensis" Madonna Icon in Xian of China | HUI-HUNG CHEN | The Symposium of Encounters between Jesuits and Protestants in Asia and the Americas | | | |
2018 | Shaping the Anthropological Context of the "Salus populi Sinensis" Madonna Icon in Xian, China | HUI-HUNG CHEN | Encounters between Jesuits and Protestants in Asia and the Americas; Jesuit Studies, vol. 14 | | | |
2015 | Two Madonna Icons in Late Ming China: Jesuit Perplexity on Chinese Religions and Confucianism | HUI-HUNG CHEN | The Faculty Seminar Meeting, Department of History, National Taiwan University, Taipei, Taiwan ( (臺灣大學歷史學系講論會) | | | |
2009 | Visual Objecthood and Friendship Building in the Early Jesuit China Missions | HUI-HUNG CHEN | The International Conference on Transcultural Studies: Languages, Figures, and Material Culture (「跨文化研究:語言、人物、物質文化」國際研討會) | | | |
2009 | Visual Objecthood and Friendship Building in the Early Jesuit China Missions | HUI-HUNG CHEN | The Centre for Seventeenth-Century Studies Twelfth International Conference: Friends and Enemies: Collaboration and Conflict in the Seventeenth Century | | | |
2004 | Visualization as a Spiritual Practice: A Jesuit Meditation in Late-Ming Society | 陳慧宏 | 2004 Annual Meeting of the American Academy of Religion | | | |
2002 | Why is Christ Bound to Incarnate? A Chinese Version of Jerome Nadal's Illustrated Gospel Evangelicae Historiae Imagines in the Seventeenth Century | HUI-HUNG CHEN | The College Art Association (CAA) 90th Annual Conference | | | |
2021 | 一套收藏於美國的中國近代史掛圖:臺灣戒嚴時期歷史教育之政治意涵與疆域概念 | 陳慧宏 | 歷史學柑仔店 | | | |
2017 | 兩幅耶穌會士的聖母聖像──兼論明末天主教的「宗教」 | 陳慧宏 | 臺大歷史學報 | 0 | 0 | |
2013 | 利瑪竇研究的過往及思考:兼論幾本新著及利瑪竇史料 = Rethinking the studies on matteo ricci: Reviews and sources | HUI-HUNG CHEN | Taiwan Journal of East Asian Studies = 臺灣東亞文明研究學刊 | 0 | 0 | |
2007 | 國立臺灣大學所藏大鳥文庫之耶穌會傳教文獻 | 陳慧宏 | 國立臺灣大學圖書館館藏大鳥文庫目錄 | | | |
2016 | 在「國家」及「文明」之外的人類的故事書 | 陳慧宏導讀 | 我們的歷史 | | | |
2019.07 | 天主聖母世界傳播之亞洲:西班牙圖像和文獻在中國與日本的流傳 | 陳慧宏 | 西學與明清之際的文化變遷系列工作坊(ㄧ) | | | |
2020.07 | 宗教與現代台灣發展關係的思考:從基督宗教看台灣與世界 | 陳慧宏 | 「臺灣公共人文的試探」學術研討會 | | | |
2023 | 宗教與現代臺灣發展關係的思考:從基督宗教看臺灣與世界 | HUI-HUNG CHEN ; 陳慧宏 | 公共人文學的反思與實踐──以臺灣為場域 | | | |
1993 | 彌勒淨土的具體呈現—敦煌莫高窟彌勒淨土變 | 陳慧宏 | 法光月刊 | | | |
2011 | 從一件託名為徐光啟之作談天主教之何謂藝術 How Catholicism Termed'Art': A Chinese Treatise Attributed to Paul Xu (Xu Guangqi; 1562-1633) | 陳慧宏 | The Faculty Seminar Meeting, Department of History, National Taiwan University (臺灣大學歷史學系講論會) | | | |
2019 | 從十七世紀兩件史料看聖母的世界史脈絡:西班牙、日本、和中國的一個跨域交流 | 陳慧宏; HUI-HUNG CHEN | 漢學研究 | | | |