公開日期 | 標題 | 作者 | 來源出版物 | scopus | WOS | 全文 |
2016 | Modern musicals in Asia | Yamanashi, M.; Liu, S.; Fong, G.C.F.; Chan, S.K.-Y.; FAN-TING CHENG ; Yuh, J.H.K.; Goh, C. | Routledge Handbook of Asian Theatre | | | |
2013 | National Melancholia And Female Narration: Jade Y. Chen's Intercultural Musical Mazu's Bodyguards | FAN-TING CHENG | Women and Theatre Program, Association for Theater in Higher Education 2013 Annual Conference | | | |
2012 | Not Just Lolitas: The Potential of Identity Education in Child Belly Dancing | FAN-TING CHENG | Dance and the Child International (daCi) and the World Dance Alliance (WDA) Conference | | | |
2022 | The Paradox of Transitional‐Justice Theatre in Taiwan: The Theatrical Ethics of Dark Eyes Performance Lab's Too Many Dreams in One Night | FAN-TING CHENG | TDR - The Drama Review - A Journal of Performance Studies | | | |
2016 | Performing Against the Grand: Jade Y Chen's Mazu's Bodyguards | FAN-TING CHENG | 全球化年代的在地展演:2016臺大劇場國際學術研討會 | | | |
2018 | Performing Divergence: The Theatrical Schema of Tainaner Ensemble's Belle Reprieve | FAN-TING CHENG | Association for Asian Performance Annual Conference | | | |
2018 | Performing Hyper-corporeality: Malaysian Chinese Literature Theatre in Taiwan | FAN-TING CHENG | JOINT INTERNATIONAL WORKSHOP WITH ASIA THEORIES NETWORK, Souths of Asia: Aesthetics, Theory, Archive | | | |
2019 | Performing Queer Intervulnerability: The Theatrical Disidentification of Skin Touching | FAN-TING CHENG | "Global Sexualities: Qiu Miaojin and Queer Sinophone Cultures" Conference | | | |
2015 | Performing the National Uncanny of Taiwan: Wang Mo Lin's A Soldier's Pay (2004) | FAN-TING CHENG | Association for Asian Studies Annual conference | | | |
2023 | Q2:我們的認同如何形塑、藝術的抵抗如何可能?從酷兒視角,重思藝術創作的詮釋 | FAN-TING CHENG ; 鄭芳婷 | PAR表演藝術雜誌 | | | |
2018 | The Queer-Asian Reorientation in The Theatrical Aesthetics of Ear East Ensemble's Dress In Code | FAN-TING CHENG | American Society for Theatre Research Annual Conference | | | |
2013 | Queering Taiwanese Nationality: Jade Y. Chen's Intercultural Musical Mazu's Bodyguards | FAN-TING CHENG | Association for Asian Performance 2012 Annual Conference | | | |
2019 | Reimaging The Boundaries Between Performance and Protest | FAN-TING CHENG | Asian Theatre Working Group Seoul Colloquium "Expanding the Boundaries of Theatre" International Federation For Theatre Research | | | |
2018 | Theatrical Schema As Cultural Critique And Its Zeitgeist: Take Tainaner's Belle Reprieve As Example | FAN-TING CHENG | International Symposium Literary freedom of expression and democratic regimes | | | |
2021 | Theorizing TL esthetics: Forming a femme gaze through yes or no 2.5 | FAN-TING CHENG | Journal of lesbian studies | 3 | 5 | |
2022 | Towards a contemporary queer pop theater in Taiwan: the feminine fascinations of Dress in Code | FAN-TING CHENG | FEMINIST MEDIA STUDIES | 0 | 0 | |
2017 | Towards A Minor-transAsianal Protest: Wang Mo-Lin's Antigone | FAN-TING CHENG | Association for Asian Studies Annual conference | | | |
2014 | Towards a queer Island Disidentification of Taiwan: Golden Bough Theatre's Pirates and Formosa | FAN-TING CHENG | Third Text | | | |
2018 | Towards A Taiwanese Queer Tactics: Huang Hui-chen' Documentary Feature Film Small Talk (2017) | FAN-TING CHENG | Asian Studies Conference Japan | | | |
2019 | Towards A TL Aesthetic: The Sexuality Formation in Yes or No 2.5 | FAN-TING CHENG | Modern Language Association Annual Conference | | | |