公開日期 | 標題 | 作者 | 來源出版物 | scopus | WOS | 全文 |
2006 | Church Music, ‘Classical’ Style, and the Dialectic of Old and New in Late Eighteenth-Century
Musical Culture | Chen, Jen-yen | Music in 18th-Century Life: Cities, Courts, Churches | | | |
2006 | Church Music, ‘Classical’ Style, and the Dialectic of Old and New in Late Eighteenth-Century Musical Culture | JEN-YEN CHEN | Music in 18th-Century Life: Cities, Courts, Churches | | | |
2008 | Fux, Caldara, and Their Canonic Masses as Evidence of Professional Rivalry | JEN-YEN CHEN | Fux-Forschung. Standpunkte und Perspekt | | | |
2005 | Fux, Caldara, and Their Canonic Masses as Evidence of Professional Rivalry | JEN-YEN CHEN | symposium on the fiftieth anniversary of the founding of the Fux-Gesellschaft | | | |
2008 | Fux, Caldara, and Their Canonic Masses as Evidence of Professional Rivalry | Chen, Jen-yen | symposium on the fiftieth anniversary of the founding of the Fux-Gesellschaft, Schloss Seggau | | | |
2008 | Fux, Caldara, and Their Canonic Masses as Evidence of Professional Rivalry | Chen, Jen-yen | Fux-Forschung.
Standpunkte und Perspektiven: Bericht des wissenschaftlichen Symposions auf Schloss Seggau
14.-16. Oktober anlässlich des Jubiläums “50 Jahre Johann-Joseph-Fux-Gesellschaf | | | |
2002 | Fux’s Gradus ad Parnassum and the Ideal of a Timeless Music | JEN-YEN CHEN | Earlier version delivered at the seventeenth annual meeting of New England Conference of Music Theorists | | | |
2012 | Habermas' Conception of the Bourgeois Public Sphere and Publicness in Musical Culture of the Viennese Enlightenment | 陳人彥 | 東吳外語學報 | | | |
2012 | Habermas??Conception of the Bourgeois Public Sphere and Publicness in Musical Culture of the Viennese Enlightenment | JEN-YEN CHEN | Soochow Journal of Foreign Language | | | |
2009 | Haydn’s Late Oratorios: Aristocratic Patronage, Bourgeois Reception, and the Sociological Theory of Norbert Elias | JEN-YEN CHEN | Haydn 2009, conference of the Haydn Society of North America, Cambridge | | | |
2012 | Interrogating Culture and Identity: The Case Study of Taiwan" | JEN-YEN CHEN | (roundtable chair), Music, Culture, Identity, 19th Congress of the Internatio | | | |
2008 | Johann Christian Bach and the Church Symphony | JEN-YEN CHEN | About Bach | | | |
2008 | Johann Christian Bach and the church symphony | JEN-YEN CHEN | About Bach | | | |
2008 | Johann Christian Bach and the Church Symphony | Chen, Jen-yen | About Bach | | | |
2006 | Johann Joseph Fux: Missa Constantiae K 9 | Chen, Jen-yen | | | | |
2002 | Johann Joseph Fux: Missa Confidentiae K 8 | Chen, Jen-yen | | | | |
2010 | Johann Joseph Fux’s Eucharistic and Marian Compositions and Habsburg Political SelfConception in the Era of Charles VI | JEN-YEN CHEN | 14th Biennial International Conference on Baroque Music | | | |
2014 | The Legacy of Johann Joseph Fux’s Gradus ad Parnassum (1725) and the Historicized Practice of Theory | JEN-YEN CHEN | History, Theory, and Analysis: Interactions, Conflicts, Resolutions | | | |
2016 | MARIA THERESIA and the 'CHINESE' VOICING of IMPERIAL SELF: The AUSTRIAN CONTEXTS of METASTASIO'S CHINA OPERAS | JEN-YEN CHEN | Eighteenth-Century Music | | | |
2014 | Maria Theresia and the ‘Chinese’ Voicing of Austrian Imperial Self: The Contexts of Metastasio’s China Operas | JEN-YEN CHEN | ideas and Enlightenment: The Long Eighteenth Century, | | | |