公開日期 | 標題 | 作者 | 來源出版物 | scopus | WOS | 全文 |
2019 | Jakob von Uexk?ll’s theory of Umwelt revisited in the wake of the Third culture: Staging reciprocity and cooperation between artistic agents | JUI-PI CHIEN | Jakob von Uexk?ll and Philosophy: Life, Environments, Anthropology | | | |
2012 | Matthew Arnold's Reception of Hippolyte Taine: Lord Byron as 'Touchstone' | Chien, Jui-Pi | NTU Studies in Language and Literature | 0 | 0 | |
2006 | Of Animals and Men: A Study of Umwelt in Uexküll, Cassirer, and Heidegger | Jui-Pi Chien | Concentric: Literary and Cultural Studies | | | |
2004 | Schema as both the Key to and the Puzzle of Life: Reflections on the Uexküllian Crux | Jui-Pi Chien | Sign Systems Studies | | | |
2014 | Schemata as the primary modelling system of culture: Prospects for the study of nonverbal communication | Chien, Juipi | Sign Systems Studies | 0 | 0 | |
2017 | Spectatorship as a play on moral ambiguities: Neuro-evolutionary semiotic approach to lowly arousal emotions | Chien, Jui-Pi | Semiotica | 1 | 1 | |
2007 | Umwelt, Milieu(x), and Environment: A Survey of Cross-Cultural Concept Mutations | Jui-Pi Chien | Semiotica | | | |
2019 | The urgency of engaging with oddities and ambiguities: Reciprocity and cooperation visited as semio-aesthetic notions in bridging nature and culture | JUI-PI CHIEN | Semiotica | | | |
2005 | 一九二○年代德法的生物環境論爭 | 簡瑞碧 | 中外文學 | | | |
2005 | 一九二○至五○年代德法的生物環境論爭 | 簡瑞碧 | 中外文學 | | | |
2011 | 藝術史中的創造性叛逆:以符號學與詮釋學為研究方法 | 簡瑞碧 | | | | |
2015 | 語言的雙重特質:索緒爾橘園手稿的詮釋學和美學涵義 | 簡瑞碧 | 符號與記憶:海峽兩岸的文本實踐 | | | |
2008 | 講稿與手稿之間:索緒爾橘園文獻初探 | 簡瑞碧 | | | | |
2007 | 重探泰納跨國文藝史研究方法論 (新制多年期第1年) | 簡瑞碧 | | | | |
2007 | 重探泰納跨國文藝史研究方法論 (新制多年期第2年) | 簡瑞碧 | | | | |
2012 | 阿諾德接受泰納觀點研究:以拜倫為「試金石」 | 簡瑞碧 ; Chien, J.P. | NTU Studies in Language and Literature | | | |
2009 | 魯本斯晚期創作風景畫中的肖像性與指涉性 | 簡瑞碧 | | | | |