公開日期 | 標題 | 作者 | 來源出版物 | scopus | WOS | 全文 |
2016 | The Imaging of Republican China and The Imagining of Taiwan: A Study of the Trilogy Ordinary People of Republican China by Hsiao-Yun Chiang | 張俐璇 | 2016 SOAS symposium | | | |
2013 | In Search of A Genuine Taiwanese Theater: Lou Lan Nu by Contemporary Legend Theater | FAN-TING CHENG | 11th The Hawaii International Conference on Arts and Humanities | | | |
2015 | In Search of a Minor-transAsian Body: Mo-Lin Wang's Antigone (2013) | FAN-TING CHENG | Subjectivities and Cultural Fluidity in Chinese Societies: a Symposium on Arts and Cultures | | | |
2017 | Island Imaginaries and Rhizome Tactics | FAN-TING CHENG | Performance Studies International | | | |
2015 | Life on the move: Women's migration and re/making home in contemporary Chinese and Sinophone literature and film | HSIN-CHIN HSIEH | University of Oregon. Ph.D. dissertaion | | | |
2022 | Migration State in the Making: Biopolitics, Public Discourse and Documentary Filmmaking on Migrant Workers in Taiwan | HSIN-CHIN HSIEH | The 4th World Congress of Taiwan Studies | | | |
2014 | Minor-transnationalizing a Citizen Rebellion: Wang Mo-Lin's Antigone | FAN-TING CHENG | Performance Studies International Annual Conference | | | |
2014 | Minor-transnationalizing a Feminist Act: Lin Yu-Han's Roaming Flowers (2008) | FAN-TING CHENG | 23nd Columbia Graduate Student Conference on East Asia | | | |
2016 | Modern musicals in Asia | Yamanashi, M.; Liu, S.; Fong, G.C.F.; Chan, S.K.-Y.; FAN-TING CHENG ; Yuh, J.H.K.; Goh, C. | Routledge Handbook of Asian Theatre | | | |
2015 | Multilingual Practice in Sinophone Taiwanese Cinema: From A City of Sadness, Cape No. 7 to We Are Family | HSIN-CHIN HSIEH | The Alliance to Advanced Liberal Arts College workshop on teaching Chinese film | | | |
2020 | The Narratable Self:Taiwan Literature and ‘Watakushi Novels' | WenHsun CHANG | Taiwan Lit, | | | |
2018 | The Narratable Self:Taiwan literature and “Watakushi Novels” | 張文薰 | National Taiwan University – Kyoto University Symposium on “Self” | | | |
2013 | National Melancholia And Female Narration: Jade Y. Chen's Intercultural Musical Mazu's Bodyguards | FAN-TING CHENG | Women and Theatre Program, Association for Theater in Higher Education 2013 Annual Conference | | | |
2018 | New Immigrants' Double Intervention and Contemporary Taiwan Documentary Filmmaking | HSIN-CHIN HSIEH | 2018 North American Taiwan Studies Association annual conference | | | |
2008 | New York as Diasporic Space: The Geopolitical and Diaspora Writing in Pai Hsien-Yung's The New Yorker | HSIN-CHIN HSIEH | 2008 Annual North American Taiwan Studies annual conference | | | |
2012 | Not Just Lolitas: The Potential of Identity Education in Child Belly Dancing | FAN-TING CHENG | Dance and the Child International (daCi) and the World Dance Alliance (WDA) Conference | | | |
2009 | On "Scientific" Imagination:Popular Culture/Literary Implications of the Mars-related Narratives in Zheng Kun-wu's "Mars Adventure and Anecdote" | MEI-ER HUANG | Encounters and Transformations:Cultural Transmission and Knowledge Production in a Cross-literary and Historical Perspective 1850-1960 | | | |
2022 | The Paradox of Transitional‐Justice Theatre in Taiwan: The Theatrical Ethics of Dark Eyes Performance Lab's Too Many Dreams in One Night | FAN-TING CHENG | TDR - The Drama Review - A Journal of Performance Studies | | | |
2016 | Performing Against the Grand: Jade Y Chen's Mazu's Bodyguards | FAN-TING CHENG | 全球化年代的在地展演:2016臺大劇場國際學術研討會 | | | |
2018 | Performing Divergence: The Theatrical Schema of Tainaner Ensemble's Belle Reprieve | FAN-TING CHENG | Association for Asian Performance Annual Conference | | | |