公開日期 | 標題 | 作者 | 來源出版物 | scopus | WOS | 全文 |
2020 | The Narratable Self:Taiwan Literature and ‘Watakushi Novels' | WenHsun CHANG | Taiwan Lit, | | | |
2018 | The Narratable Self:Taiwan literature and “Watakushi Novels” | 張文薰 | National Taiwan University – Kyoto University Symposium on “Self” | | | |
2013 | National Melancholia And Female Narration: Jade Y. Chen's Intercultural Musical Mazu's Bodyguards | FAN-TING CHENG | Women and Theatre Program, Association for Theater in Higher Education 2013 Annual Conference | | | |
2018 | New Immigrants' Double Intervention and Contemporary Taiwan Documentary Filmmaking | HSIN-CHIN HSIEH | 2018 North American Taiwan Studies Association annual conference | | | |
2008 | New York as Diasporic Space: The Geopolitical and Diaspora Writing in Pai Hsien-Yung's The New Yorker | HSIN-CHIN HSIEH | 2008 Annual North American Taiwan Studies annual conference | | | |
2012 | Not Just Lolitas: The Potential of Identity Education in Child Belly Dancing | FAN-TING CHENG | Dance and the Child International (daCi) and the World Dance Alliance (WDA) Conference | | | |
2009 | On "Scientific" Imagination:Popular Culture/Literary Implications of the Mars-related Narratives in Zheng Kun-wu's "Mars Adventure and Anecdote" | MEI-ER HUANG | Encounters and Transformations:Cultural Transmission and Knowledge Production in a Cross-literary and Historical Perspective 1850-1960 | | | |
2022 | The Paradox of Transitional‐Justice Theatre in Taiwan: The Theatrical Ethics of Dark Eyes Performance Lab's Too Many Dreams in One Night | FAN-TING CHENG | TDR - The Drama Review - A Journal of Performance Studies | | | |
2016 | Performing Against the Grand: Jade Y Chen's Mazu's Bodyguards | FAN-TING CHENG | 全球化年代的在地展演:2016臺大劇場國際學術研討會 | | | |
2018 | Performing Divergence: The Theatrical Schema of Tainaner Ensemble's Belle Reprieve | FAN-TING CHENG | Association for Asian Performance Annual Conference | | | |
2018 | Performing Hyper-corporeality: Malaysian Chinese Literature Theatre in Taiwan | FAN-TING CHENG | JOINT INTERNATIONAL WORKSHOP WITH ASIA THEORIES NETWORK, Souths of Asia: Aesthetics, Theory, Archive | | | |
2019 | Performing Queer Intervulnerability: The Theatrical Disidentification of Skin Touching | FAN-TING CHENG | "Global Sexualities: Qiu Miaojin and Queer Sinophone Cultures" Conference | | | |
2015 | Performing the National Uncanny of Taiwan: Wang Mo Lin's A Soldier's Pay (2004) | FAN-TING CHENG | Association for Asian Studies Annual conference | | | |
2014 | PLANET IN PRINT: THE SCIENTIFIC IMAGINATION IN ZHENG KUNWU’S FICTION DURING TAIWAN’S COLONIAL PERIOD | Mei-e Huang | Print, Profit, and Perception: Ideas, Information and Knowledge in Chinese Societies, 1895-1949 | | | |
2021 | Practice and Transformation: The Experience of Modernity in Classical Poetry Societies in Taiwan During the Period of Japanese Rule | MEI-ER HUANG ; Chen, Richard Rong-bin | Taiwan Literature: English Translation Series | | | |
2013 | Prerequisite: The Conversion and Applications from Literary Texts to E-learning Contents | 張俐璇 | The Pacific Neighborhood Consortium (PNC) 2013 Annual Conference and Joint Meetings | | | |
2023 | Q2:我們的認同如何形塑、藝術的抵抗如何可能?從酷兒視角,重思藝術創作的詮釋 | FAN-TING CHENG ; 鄭芳婷 | PAR表演藝術雜誌 | | | |
2018 | The Queer-Asian Reorientation in The Theatrical Aesthetics of Ear East Ensemble's Dress In Code | FAN-TING CHENG | American Society for Theatre Research Annual Conference | | | |
2013 | Queering Taiwanese Nationality: Jade Y. Chen's Intercultural Musical Mazu's Bodyguards | FAN-TING CHENG | Association for Asian Performance 2012 Annual Conference | | | |
2019 | Reimaging The Boundaries Between Performance and Protest | FAN-TING CHENG | Asian Theatre Working Group Seoul Colloquium "Expanding the Boundaries of Theatre" International Federation For Theatre Research | | | |