單位人員研究成果

第 1 到 353 筆結果，共 353 筆。

公開日期標題作者來源出版物scopusWOS全文
12024Motivated cognitive control during cued anticipation and receipt of unfamiliar musical themes: An fMRI studyLi, Chia Wei; CHEN-GIA TSAI Neuropsychologia
22023The Structure and Function of Mind-Wandering in Chinese Regulated VerseCHEN-GIA TSAI Humanities (Switzerland)00
32023Prediction errors arising from switches between major and minor modes in music: An fMRI studyCHEN-GIA TSAI ; Fu, Yi Fan; Li, Chia WeiBrain and Cognition00
42023Anticipating the main theme: A model for understanding prospective memory and reward learning in sonata-form listeningCHEN-GIA TSAI Musicae Scientiae
52023全球音樂史興起的學術結構：一個概念性反思山內文登 臺灣音樂研究
62023臺灣民族音樂學對全球音樂史思潮的多元觀點與反思呂心純 臺灣音樂研究
72023試論中國抒情傳統與腦中「預設模式網路」的關係蔡振家 中山人文學報
82022Attention Control and Audiomotor Processes Underlying Anticipation of Musical Themes while Listening to Familiar Sonata-Form PiecesLi, Chia-Wei; CHEN-GIA TSAI Brain sciences31
92021Experiencing the "Enchanting Golden Triangle" through music and dance in a Yunnan diasporic community in TaiwanLu, Tasaw Hsin Chun Resounding Taiwan: Musical Reverberations Across a Vibrant Island10
102021能動者的認知控制：大腦輔助運動區在音樂活動中的重要性蔡振家 音樂研究
112021Western music history as a teaching topic in Taiwan: Pedagogy as transculturationJEN-YEN CHEN Listening Across Borders: Musicology in the Global Classroom
122021Predictive processing, cognitive control, and tonality stability of music: An fMRI study of chromatic harmonyLi C.-W; Guo F.-Y; CHEN-GIA TSAI Brain and Cognition4
132021Cognitive control in agents: On the importance of supplementary motor area in the brain for music activitiesCHEN-GIA TSAI Journal of Music Research
142021界域的文化動能：冷戰前期仰光唐人街的電影跨國網絡及其影響呂心純 民俗曲藝
152020看見寫實、聽見流行－李行導演電影歌曲析論沈冬 中央大學人文學報
162020Sketch as Medium in Collective Musical Creation: The Case of Atlas Lab Taipei 2017CHIEN-CHANG YANG ; Liao, Yu-Hsuan; Chuang, Tzu-Ying哲學與文化
172020REQUIEM WITH TWO RELATED MOTETSJEN-YEN CHEN EIGHTEENTH-CENTURY MUSIC
182020音樂認知心理學（二版）蔡振家 
192019Music enhances activity in the hypothalamus, brainstem, and anterior cerebellum during script-driven imagery of affective scenesLi, Chia Wei; Cheng, Tzu Han; CHEN-GIA TSAI Neuropsychologia87
202019臺灣高砂族之音樂黑澤隆朝; 王櫻芬（總校註） ; 許夏珮（譯）; 劉麟玉（校譯）
212019Increased activation in the left ventrolateral prefrontal cortex and temporal pole during tonality change in musicCHEN-GIA TSAI ; Li, Chia WeiNeuroscience Letters52
222019Traditional and World Music in School Education: An IntroductionYING-FEN WANG ; Min Su Qu YiJournal of Chinese Ritual
232019Politics and tactics in revolutionary performance: A Sino-Burmese arts troupe in transnational circulationLu, Tasaw Hsin Chun Asian Theatre Journal11
242019主編語呂心純 臺灣音樂研究
252019周藍萍的「以樂言志」－《苦女尋親記》電影音樂探析沈冬 漢學研究
262019形構「魅力金三角」：龍岡米干節的歌舞展演與邊區文化想像呂心純 臺灣音樂研究0
272019Contemplating East Asian Music History in Regional and Global Contexts: On Modernity, Nationalism, and ColonialismYamauchi Fumitaka Decentering Musical Modernity: Perspectives on East Asian and European Music History00
282019學校教育中的傳統音樂和世界音樂：導言王櫻芬 民俗曲藝
292019音樂、國家、與時間性：以日本二戰前後音樂關於日本特質的論爭為例楊建章 文化研究
302019Is it speech or song? Effect of melody priming on pitch perception of modified mandarin speechCHEN-GIA TSAI ; Li, C.-W.Brain Sciences
312019從內模仿到訊息整合：再探音樂引發情緒的機制蔡振家 藝術評論
322018百年踅音：田邊尚雄臺廈音樂踏查記田邊尚雄; 李毓芳（譯）; 劉麟玉（譯）; 王櫻芬（譯） 
332018帝国のはざま」に描く「構造的弱者」の主体性――台湾人の「夢」をめぐる実証的物語 = Subjectivity of ‘the Structurally Weak’ from an Inter-Imperial Perspective: Integrating Positivist and Narrative History Approaches for the Exploration of the ‘Dream’ of TaiwaneseYamauchi Fumitaka 日本台湾学会報(Nihon Taiwan Gakkaihou)
342018「君子不器」的奇幻音樂人生　王正平的琵琶行沈冬 PAR表演藝術雜誌
352018The Notion of Civilization and the Formation of Imperialism and ColonialismYamauchi Fumitaka Bunkaseisakugaku no Genzai (The Present State of Cultural Policy Studies); 文化政策学の現在１──文化政策の思想
362018文化の思想――帝国主義・植民地主義の転生 = The Notion of Civilization and the Formation of Imperialism and ColonialismYamauchi Fumitaka Bunkaseisakugaku no Genzai (The Present State of Cultural Policy Studies); 文化政策学の現在１──文化政策の思想
372018「方法としての音――アーカイブの近代と植民地録音」、共同研究「音と聴覚の文化史 = Sound as Method: Modern Archiving and Colonial PhonographyYamauchi Fumitaka 5th Seminar of the Research Project “A Cultural History of Sound and Hearing.”; 2018 年度第五回研究会（代表：細川周平）
382018TSO典藏系列「聲情詠戲－周藍萍的臺灣小夜曲」－唱起小夜曲，重憶周藍萍沈冬 PAR表演藝術雜誌
392018文明・文化言説と国民帝国・中華帝国・日本帝国――台湾・朝鮮の植民政策研究の理論的前進のために（２） = Discourses of Civilization and Culture in the Co-Construction of the National, Chinese, and Japanese Empires: Towards a Conceptual Framework for the Study of Colonial Policy in Taiwan and Korea (2)Yamauchi Fumitaka Toyo bunka kenkyujo kiyo. (The Memoirs of the Institute for Advanced Studies on Asia,University of Tokyo); 東洋文化研究所紀要（東京大学）
402018草圖作為音樂媒介：論武滿徹的音樂庭園楊建章 哲學與文化
412018IFMC, Masu Genjiro, Kurosawa Takatomo, and Their Recordings of Taiwanese MusicYING-FEN WANG Yearbook for Traditional Music
422018音樂創作的心理學：自我、執行控制、創意產生蔡振家 關渡音樂學刊
432018臺灣客家流行音樂研究（2000－2017）再思考：論現有研究中的音樂分析方法馮祥瑀(FENG, Hsiang-Yu); YING-FEN WANG 臺灣音樂研究
442018時空流轉下的緬華革命樂舞呂心純 考古人類學刊0
452018Roles of posterior parietal and dorsal premotor cortices in relative pitch processing: Comparing musical intervals to lexical tonesCHEN-GIA TSAI ; TAI-LI CHOU ; Li CWNeuropsychologia65
462017文明・文化言説と国民帝国・中華帝国・日本帝国――台湾・朝鮮の植民政策研究の理論的前進のために（１） = Discourses of Civilization and Culture in the Co-Construction of the National, Chinese, and Japanese Empires: Towards a Conceptual Framework for the Study of Colonial Policy in Taiwan and Korea (1)Yamauchi Fumitaka Toyo bunka kenkyujo kiyo (The Memoirs of the Institute for Advanced Studies on Asia, University of Tokyo); 東洋文化研究所紀要（東京大学）
472017鄧麗君歌曲對於臺灣健康老年人與失能老年人之情緒效應吳孟庭; 蔡振家 人文社會與醫療學刊
482017Decolorizing” Popular Music: Colonial Vestiges and Cultural Politics in Postcolonial Korea and TaiwanYamauchi Fumitaka International Forum Pop-folk genres in East Europe and East Asia: Parallel Phenomena on Both Sides of Eurasia
492017The effect of harmonization on cortical magnetic responses evoked by music of rapidly changing tonalitiesWen, Ya Chien; CHEN-GIA TSAI Psychology of Music54
502017Exploring East Asia as a Fissured Musicological Field: Historical and Personal ReflectionsYamauchi Fumitaka International Musicological Society, 20th Quinquennial Congress in Tokyo
512017為何華語流行樂壇以情傷歌曲為主？試析抒情歌曲的療癒潛質蔡振家 ; 李家瑋; 葉家含; 陳容姍; 林耀盛 本土心理學研究
522017無形文化遺產與傳統表演藝術：導言王櫻芬 民俗曲藝
532017文學主題音樂對於博物館參觀經驗之影響－以賴和紀念館為例蔡振家 ; 杜薇; 陳佳利博物館學季刊
542017戲曲「緊拉慢唱」板式的音樂特徵與戲劇運用蔡振家 ; 夏菉廷戲劇學刊
552017方法としての音――そのアーカイブ化をめぐる『近代知』への断想 = Sound as Method: A Reflection on Modern Knowledge and ArchiveYamauchi Fumitaka 4th Open Seminar A Dialogue between Historical Study and the Study of Nonwritten Materials, Part 2: Japan and Taiwan; 第 4回公開研究会『歴史研究と非文字資料研究の対話（２）──日本と台湾を事例に』
562017Phonographic Modernity and Korean Recordings, 1896-1945Yamauchi Fumitaka ; Yingfen Wang International Workshop on the 78rpm Era in East and Southeast Asia, Yilan Country
572017沈葆楨圖像考論：追尋祖先的容顏沈冬 臺灣史研究
582017如何黃梅？怎樣歌曲？－周藍萍黃梅調電影音樂初探沈冬 中央大學人文學報
592017聲音作為方法：一個關於檔案建構與現代知識體系的斷想Yamauchi Fumitaka 聲音的臺灣史研討會
602017Decolorizing’ Popular Music: Colonial Vestiges and Cultural Politics in Postcolonial KoreaYamauchi Fumitaka 2017 Taiwan Musicology Forum, Chiayi
612016Cultural homogeneity, embodied empathy: incorporating musical pasts among Burmese Chinese peoples worldwideLu, Hsin Chun Tasaw Ethnomusicology Forum22
622016跨文化表演的研究途徑：臺灣一場緬甸音樂表演的互為主體與多點民族誌研究呂心純 民俗曲藝
632016Female Listeners’ Autonomic Responses to Dramatic Shifts Between Loud and Soft Music/Sound Passages: A Study of Heavy Metal SongsTzu-Han Cheng; CHEN-GIA TSAI Frontiers in Psychology06
642016Contemplating East Asian Music History in Global and Regional Contexts: On Modernity, Nationalism, and ColonialismYamauchi Fumitaka Workshop Universality of Modernity/Provincialization of Modernity
652016植民地期朝鮮・台湾の録音文化研究――近代東アジアの「写音論的転回」の視座から = Studying the Recording Culture of Colonial Korea and Taiwan: From the Perspective of the Phonographic Turn in Modern East AsiaYamauchi Fumitaka Osaka University Musicology Lecture Series; 大阪大学音楽学レクチャー
662016MARIA THERESIA and the 'CHINESE' VOICING of IMPERIAL SELF: The AUSTRIAN CONTEXTS of METASTASIO'S CHINA OPERASJEN-YEN CHEN Eighteenth-Century Music
672016The transborder dissemination of nanguan in the Hokkien Quadrangle before and after 1945YING-FEN WANG Ethnomusicology Forum
682016Crossing Borders, Embodying Divides: On East Asia as a Fissured Site of Knowledge ProductionYamauchi Fumitaka Japanese Review of Cultural Anthropology
692016Crossing Borders, Embodying Divides: On East Asia as a Fissured Site of Knowledge ProductionYamauchi Fumitaka The 3rd Japanese Society for Cultural Anthropology International Symposium Internationalization-Globalization of Anthropology in East Asia, Part 1: Korea and Japan; 日本文化人類学会第 3 回国際シンポジウム「東アジアにおける人類学の国際化／グローバル化――第一部韓国と日本」
702016東アジア音楽研究――構造・現況・課題 = Music Research in and on East Asia: Structures, Situations, SubjectsYamauchi Fumitaka Osaka University Musicology Seminar; 大阪大学音楽学セミナー
712016東亞歷史脈絡中的聲音研究與帝國研究Yamauchi Fumitaka 『聲音的臺灣史─聽覺文化專題研究』工作坊
722015音樂與科學的當代邂逅：從基礎研究到醫療應用蔡振家 界定跨科際 
732015The Influence of Background Music on the Visitor Museum Experience: A Case Study of the Laiho Memorial Museum, TaiwanChen, C.-L.; CHEN-GIA TSAI Visitor Studies60
742015高齡者的音樂治療：認知神經科學的觀點曾念生; 蔡振家 人文社會與醫療學刊 00
752015Relaxation and executive control processes in listeners: An exploratory study of music-induced transient suppression of skin conductance responsesCHEN-GIA TSAI ; Yang, C.-M.; Chen, I.-P.; CHIEN-CHUNG CHEN Empirical Studies of the Arts10
762015Musical Tension over Time: Listeners’ Physiological Responses to the ‘Retransition’ in Classical Sonata FormCHEN-GIA TSAI ; CHUNG-PING CHEN Journal of New Music Research67
772015Neuromagnetic brain activities associated with perceptual categorization and sound-content incongruency: A comparison between monosyllabic words and pitch namesCHEN-GIA TSAI ; CHIEN-CHUNG CHEN ; Wen, Y.-C.; TAI-LI CHOU Frontiers in Human Neuroscience21
782015音樂劇中「歌隊舞群」的表演對於閱聽者心理的影響：以《悲慘世界》與《芝加哥》為例蔡宇涵; 蔡振家 藝術論文集刊
792015Experiencing affective music in eyes-closed and eyes-open states: an electroencephalography studyYun-Hsuan Chang; You-Yun Lee; KENG-CHEN LIANG ; I-Ping Chen; CHEN-GIA TSAI ; Shulan HsiehFrontiers in Psychology1510
802015Metastasio’s Le cinesi and the Practice of Reflexive Critique Within Austrian Court Ceremonial CultureJEN-YEN CHEN The Serenata and the Festa Teatrale
812015Listening to music in a risk-reward context: The roles of the temporoparietal junction and the orbitofrontal/insular cortices in reward-anticipation, reward-gain, and reward-lossLi, C.-W.; Chen, J.-H. ; CHEN-GIA TSAI Brain Research1916
822015京劇《碰碑》、《南天門》中的度脫與救贖－精神醫學與觀眾心理的探索Nian-Sheng Tzeng; Chen-Gia Tsai; 曾念生; 蔡振家 戲劇學刊 
832015取材自然　聲響的自我生成與消逝「頻譜音樂」的冷戰神話楊建章 PAR表演藝術雜誌
842015近代東アジアの音声編制と文書権力――植民地朝鮮・台湾のレコード検閲 = Sonic Formations and Documentary Power in Modern East Asia: Record Censorship in Colonial Korea and TaiwanYamauchi Fumitaka The University of Tokyo Korea Colloquium Lectures Report 2014; 2014 年度東京大学コリア・コロキュアム講演記録
852015近代東アジアの音声編制と文書権力――植民地朝鮮・台湾のレコード検閲 = Sonic Formations and Documentary Power in Modern East Asia: Record Censorship in Colonial Korea and Taiwan.Yamauchi Fumitaka The University of Tokyo Korea Colloquium Lectures; 東京大学コリア・コロキュアム
862014華語流行歌曲的聽眾研究：腦造影實驗與生理訊號測量蔡振家 ; 陳志宏; 李家瑋國立政治大學2014創新研究國際學術研討會 
872014Urban canyon effect: Storm drains enhance call characteristics of the Mientien tree frogTan, W. H.; CHEN-GIA TSAI ; Lin, C.; Lin, Y. K.Journal of Zoology1110
882014儒士琴的流浪──隋代文中子王通家族之琴沈冬 樂府學
892014Monitoring the Voices of Colony: Documentary Power and the Censorship of Korean and Taiwanese Recordings in the Japanese EmpireYamauchi Fumitaka 國立交通大學音樂研究所，新竹
902014“琴道”何在？－高佩羅與文人想像沈冬 人文中國學報
912014聽見「中國性」──四海唱片的藝術之聲沈冬 音樂藝術
922014京劇〈捧印〉的情緒表現與結構研究：表演分析與觀眾生裡訊號測量的結合蔡振家 戲曲學報
932014解析「主歌－副歌」形式：抒情慢歌的基模轉換與音樂酬賞陳容姍(Rong-Shan Chen); 余思霈(Szu-Pei Yu); 蔡振家(Chen Gia Tsai) 應用心理研究 
942014東アジアの文書権力と音声メディアの植民地近代的編制――漢文脈の政治文化と帝国日本の朝鮮レコード検閲 = Colonial Modernity, Documentary Power, and Sound Control in East Asia: Sinographic Hegemony and the Censorship of Korean Recordings under Japanese RuleYamauchi Fumitaka Toyo bunka kenkyujo kiyo (The Memoirs of the Institute for Advanced Studies on Asia, University of Tokyo; 東洋文化研究所紀要（東京大学）
952014The Legacy of Johann Joseph Fux’s Gradus ad Parnassum (1725) and the Historicized Practice of TheoryJEN-YEN CHEN History, Theory, and Analysis: Interactions, Conflicts, Resolutions
962014Musical Phantasmagoria in the Globalized Age: Tan Dun’s The Map and the Environmental Politics of Musical Materials.CHIEN-CHANG YANG Contemporary Music in East Asia.
972014Maria Theresia and the ‘Chinese’ Voicing of Austrian Imperial Self: The Contexts of Metastasio’s China OperasJEN-YEN CHEN ideas and Enlightenment: The Long Eighteenth Century,
982014Voice as Fragmented memory: Lee Sang-guen's Vocal Music in the Context of the Cold WarCHIEN-CHANG YANG Lee Sang-guen International Symposium
992014Colonial Modernity, Sonic Mediation, and Musical (Dis)Connections in the Japanese Empire: On the Phonographic Turn in East Asian HistoryYamauchi Fumitaka Institute of East Asian Studies, University of California Berkeley, Berkeley, U.S.A
1002014二十世紀音樂史書寫的重新思考：跨國史的視角CHIEN-CHANG YANG 臺灣音樂學論壇
1012014The Absent Hero: On Bunya Koh’s Unfinished Musical Journey and His Incomplete Project of Modernity.CHIEN-CHANG YANG Contemporary Music in East Asia
1022013作出臺灣味：日本蓄音器商會臺灣唱片產製策略初探王櫻芬 民俗曲藝
1032013亂世英雄的「鬧天宮」與「碰碑」：精神醫學與觀眾心理之探索蔡振家 「梅蘭芳與京劇的傳播」第五屆京劇學國際學術研討會 
1042013音乐情绪跟音乐认知的关系:美学与心理学的对话蔡振家 星海音乐学院学报 
1052013音樂認知心理學蔡振家 00
1062013周藍萍與〈綠島小夜曲〉傳奇沈冬 音樂藝術
1072013Mediating American Audioscapes: Structural Function of Instruments in Works of Harry Partch, George Crumb, and Tan DunCHIEN-CHANG YANG Annual Meeting, Society for Music Theory
1082013古箏彈絃位置之音色分析與演奏實踐楊宜樺; 蔡振家 音樂研究 
1092013The ‘Virtue’ Mass in Early Eighteenth-Century Austria: Beyond the Viennese Imperial CourtJEN-YEN CHEN Sakralmusik im Habsburgerreich 1570-1770
1102013語言與能量之間：從克拉尼的音圖的感官史解讀，看音樂的能量化在一八〇〇年前後歐 洲音樂美學史的意義CHIEN-CHANG YANG 中山人文學報
1112013以情緒感受為基礎的音樂情緒資料庫陳一平; 林智祥; 蔡振家 中華心理學刊
1122013The Phonographic Turn in East Asian HistoryYamauchi Fumitaka Harvard-Yenching Institute Weekly Talk Series, Harvard University, Cambridge MA, U.S.A
1132013「植民地朝鮮のレコード検閲とアリランの位相――複製技術時代の上演的近代と音声統制 = The Censorship of Korean Recordings and Arirang under Japanese Colonial Rule: Performative Modernity and Sound Control in the Age of Mechanical ReproductionYamauchi Fumitaka Kankoku chosen no bunka to shakai (Journal of Korean Culture and Society); 韓国・朝鮮の文化と社会
1142012渴望．解決．酬賞系統：聽眾對於終止式的情緒反應蔡振家 ; 陳容姍藝術學報 
1152012Relating the harmonic-rich sound of the Chinese flute (dizi) to the cubic nonlinearity of its membraneCHEN-GIA TSAI The Journal of the Acoustical Society of America 
1162012Specialization of the posterior temporal lobes for audio-motor processing: evidence from a functional magnetic resonance imaging study of skilled drummersCHEN-GIA TSAI ; Li-Ying Fan; Shu-Hui Lee; JYH-HORNG CHEN ; TAI-LI CHOU European Journal of Neuroscience76
1172012唐代琴曲《胡笳》研究沈冬 唐代文學研究
1182012文化批判論壇第95場：反身／返深：郭昱沂《女書回生》紀錄片座談呂心純 文化研究月報0
1192012周藍萍與〈綠島小夜曲〉傳奇沈冬 臺灣文學研究集刊
1202012Antonio Caldara in Vienna (1716-1736) and the ‘Indigenization’ of an Italian Composer at a Foreign Italianate CourtJEN-YEN CHEN Sun Yat-sen Journal
1212012The Absent Hero: On Bunya Koh’s Unfinished Musical Journey and His Incomplete Project of ModernityCHIEN-CHANG YANG the Meeting of International Musicological Society. Rome
1222012高羅佩《琴道》與傳統文人想像沈冬 音樂藝術
1232012Habermas' Conception of the Bourgeois Public Sphere and Publicness in Musical Culture of the Viennese Enlightenment陳人彥 東吳外語學報
1242012Interrogating Culture and Identity: The Case Study of Taiwan"JEN-YEN CHEN (roundtable chair), Music, Culture, Identity, 19th Congress of the Internatio
1252012導言：錄音科技與臺灣音樂—近年研究回顧王櫻芬 民俗曲藝
1262012Habermas??Conception of the Bourgeois Public Sphere and Publicness in Musical Culture of the Viennese EnlightenmentJEN-YEN CHEN Soochow Journal of Foreign Language
1272012一九三○年代臺灣南管樂人潘榮枝的跨界與創新王櫻芬 民俗曲藝
1282012Antonio Caldara in Vienna (1716-36) and the "Indigenization" of an Italian Composer at a Foreign Italianate Court陳人彥(Jen-Yen Chen) ; JEN-YEN CHEN 中山人文學報00
1292011西樂敘說紅色神話─音樂基模轉換在京劇樣板戲中的功能與實踐蔡振家 ; 楊為茜戲劇學刊 00
1302011歐陽修之琴與北宋士風沈冬 中國文學學報
1312011音樂作爲一種離散社會空間：臺灣中和地區緬甸華僑的音景與族裔空間建構呂心純 民俗曲藝0
1322011The [Ghost] Object: Haunting and Urban Renewal in a Very Traditional Town""施永德 考古人類學刊
1332011Utopian Universalism and the Modern Idea of the West in the Reception of European Musical Culture circa 1800JEN-YEN CHEN Negotiating the West Music(ologic)ally
1342011Wagenseils Missa alla cappella und die Fuxschen LehreJEN-YEN CHEN Schatten des Kunstwerks: Komponisten als Theoretiker in Win vom 17. bis Anfang 19. Jahrhundert
1352011琴意誰可聽？－歐陽修之琴與北宋士風沈冬 中國文學學報00
1362011How Music Became Abstract Energy? Genealogy of Music Aesthetics around 1800CHIEN-CHANG YANG the Annual Meeting of American Musicological Society San Francisco
1372011Asia as Method: Epistemological and Methodological ReflectionsCHIEN-CHANG YANG the Inaugural Meeting of International Musicological Society, East Asia Chapter
1382011另類閱讀表演藝術中的大腦疾病與音聲異常蔡振家 知識通訊評論
1392010京劇鑼鼓與爵士鼓音樂的口頭再現：功能性核磁共振造影研究蔡振家 「迎向21世紀台灣音樂學：全球化與跨文化」研討會 
1402010大翅鯨與鳴禽的歌曲形式—生物音樂學的跨領域研究蔡振家 星海音樂學院學報 
1412010博物館中的文學聲景—試析聲音元素在文學展示中的 角色與功能陳佳利; 李捷葳; 蔡振家 博物館學季刊 
1422010Purcell, Handel, Haydn, and Mendelssohn: Anniversary reflections, new college, Oxford, 27-29 March 2009JEN-YEN CHEN Eighteenth-Century Music
1432010Musical Culture and Social Ideology in Vienna circa 1800: Aristocratic Patronage and Bourgeois Reception of Joseph Haydn’s OratoriosJEN-YEN CHEN Concentric: Literary and Cultural Studies
1442010Johann Joseph Fux’s Eucharistic and Marian Compositions and Habsburg Political SelfConception in the Era of Charles VIJEN-YEN CHEN 14th Biennial International Conference on Baroque Music
1452010音聲空間研究的全球趨勢與本土回應初探呂心純 ; 楊建章 關渡音樂學刊
1462010單子的歷史──論阿多諾音樂史觀與歷史時間性CHIEN-CHANG YANG 新史學
1472010音聲空間研究的全球趨勢與本土回應初探楊建章 ; 呂心純關渡音樂學刊
1482010跨領域課程的持續發展與創新林志明; 楊建章 行政資源與整體環境：創新與前瞻
1492010Bamboos as the material for saxophone reedCheng, J.-Y.; CHEN-GIA TSAI ; Lee, S.-C.20th International Congress on Acoustics 2010, ICA 2010 - Incorporating Proceedings of the 2010 Annual Conference of the Australian Acoustical Society
1502010Aristocratic Patronage and the Symphony in Late Eighteenth-Century AustriaJEN-YEN CHEN Instrumental Music and the Industrial R
1512010「單子」的歷史－論阿多諾音樂史觀與歷史時間性楊建章 新史學
1522010Neural mechanisms involved in the oral representation of percussion music: An fMRI studyCHEN-GIA TSAI ; CHIEN-CHUNG CHEN ; TAI-LI CHOU ; JYH-HORNG CHEN Brain and Cognition108
1532009從神經科學的觀點探討動作想像對於音樂演奏的重要性呂怡萱; 蔡振家 關渡音樂學刊 00
1542009The burmese classical music tradition: An introductionLu, Hsin Chun Tasaw Fontes Artis Musicae3
1552009從政治宣傳到戲劇妝點──1958-1976年京劇現代戲的詠嘆與歧出蔡振家 戲劇學刊 
1562009臺灣亂彈戲皮黃腔的音樂特色：與其它劇種的比較研究蔡振家 紀念俞大綱先生百年誕辰戲曲學術研討會論文集
1572009歐美音樂院學習能力效標介紹與比較－以美國國家音樂院協會評鑑標準與歐洲音樂院協會Tuning計畫效標為例楊建章 ; 黃郁芬評鑑雙月刊
1582009Masses by Alessandro Scarlatti and Francesco Gasparini: Music from the Basilica of Santa Maria Maggiore, RomeJEN-YEN CHEN Eighteenth-Century Music
1592009Shaping Asian-Pacific Subjectivity in Cross-Cultural Music Collaboration: An Asian-American PerspectiveLu, Tasaw Hsin Chun ; 呂心純臺灣音樂研究0
1602009Tan Dun’s The Map and the Geopolitical Form of Musical MaterialityYang, Chien-chang CUHK-NTU Music Forum 
1612009Haydn’s Late Oratorios: Aristocratic Patronage, Bourgeois Reception, and the Sociological Theory of Norbert EliasJEN-YEN CHEN Haydn 2009, conference of the Haydn Society of North America, Cambridge
1622009從臺灣的喇叭弦看樂器的「延伸適應」蔡振家 黃鍾—武漢音樂學院學報
1632009Dynamic B-Mode Ultrasound Imaging of Vocal Fold Vibration During PhonationCHEN-GIA TSAI ; Chen, J.-H.; YIO-WHA SHAU ; TZU-YU HSIAO Ultrasound in Medicine and Biology2822
1642009Music as the Electricity of Life: On Ernst Florence Chladni's Sound Figures and the Rise of Musical ModernityCHIEN-CHANG YANG the workshop of Alchemy Organism, Music and Language: Aspects of Confluences between Humanities and Sciences in Modern Europe
1652009Tan Dun’s The Map and the Geopolitical Form of Musical MaterialityCHIEN-CHANG YANG the CUHK-NTU Music Forum
1662009The Seven Last Words: Genre and Expression in Late Eighteenth-Century Musica da ChiesaJEN-YEN CHEN Haydn: Forms of Expression, International Musicological Conference
1672009帶有雜質的樂音－聽覺模型及「泛音－噪音比」蔡振家 關渡音樂學刊
1682008具有非線性邊界條件的琴弦振動：京胡「開花音」的聲學研究蔡振家 黃鍾—武漢音樂學院學報 
1692008補助人文及社會科學研究圖書計畫規劃主題：音樂學(亞洲音樂研究)（新制多年期第1年）楊建章 
1702008殖民化、現代化與全球化：日治時期古倫美亞臺灣唱片研究　（新制多年期第1年）王櫻芬 
1712008殖民化、現代化與全球化：日治時期古倫美亞臺灣唱片研究　（新制多年期第2年）王櫻芬 
1722008非旋律性打擊音樂的口傳：功能性核磁共振造影研究蔡振家 
1732008癲癇研究對於音樂心理學的一些啟示蔡振家 ; 林永煬星海音樂學院學報 
1742008浪漫化的瘋癲－戲曲中的大腦疾病蔡振家 民俗曲藝
1752008腦內模仿－〈音樂與鏡像神經元：從運動到情緒〉導讀CHEN-GIA TSAI 關渡音樂學刊 00
1762008鏡中他者－清代臺灣圖文資料中的原住民音樂TUNG SHEN 韓國?臺灣地域文化論壇，韓國首爾：漢陽大學，2008年4月30日 
1772008Johann Christian Bach and the Church SymphonyChen, Jen-yen About Bach 
1782008聽見殖民地：黑澤隆朝與戰時臺灣音樂調查(1943)王櫻芬 
1792008Johann Christian Bach and the Church SymphonyJEN-YEN CHEN About Bach
1802008交界與遊移－跨文史視野中的文化傳譯與知識生產－世變中的音樂行旅－近代臺北、上海與重慶三地音樂文化的參差對照與脈絡聯結TUNG SHEN 國科會研究計畫報告 
1812008Fux, Caldara, and Their Canonic Masses as Evidence of Professional RivalryChen, Jen-yen Fux-Forschung. Standpunkte und Perspektiven: Bericht des wissenschaftlichen Symposions auf Schloss Seggau 14.-16. Oktober anlässlich des Jubiläums “50 Jahre Johann-Joseph-Fux-Gesellschaf
1822008A New Era for the Study of Taiwan Music HistoryWang,Ying-fen Pre-conference of the 53rd Annual Conference of the Society for Ethnomusicology
1832008臺灣大學的國際合作與兩岸交流TUNG SHEN 2008高等院校展示會及首屆海峽兩岸高等教育交流研討會，上海：上海師範大學，2008年10月12日 
1842008Sound as Electricity of Life: Ernst Florens Chladni’s Sound Figures and the Rise of Musical ModernityYang, Chien-chang 
1852008戰時臺灣的聲音1943：黑澤隆朝《高砂族的音樂》復刻─暨漢人音樂王櫻芬 
1862008文藝—音樂王櫻芬 ; 田村容子譯臺灣女性史入門 
1872008Fux, Caldara, and Their Canonic Masses as Evidence of Professional RivalryJEN-YEN CHEN Fux-Forschung. Standpunkte und Perspekt
1882008中古長安，音樂風雲－隋代「開皇樂議」的音樂、文化，與政治沈冬 《西安：歷史記憶與城市文化》，北京：北京大學出版社 
1892008Fux, Caldara, and Their Canonic Masses as Evidence of Professional RivalryChen, Jen-yen symposium on the fiftieth anniversary of the founding of the Fux-Gesellschaft, Schloss Seggau
1902008Moments in Historical Force Fields: On Adorno’s Monadic History of MusicCHIEN-CHANG YANG the conference of I Congreso Internacional del Departamento de Artes (FFyL, UBA) Artes en cruce: problemáticas teóricas actuales
1912008Sound as Electricity of Life: Ernst Florens Chladni’s Sound Figures and the Rise of Musical ModernityCHIEN-CHANG YANG the Annual Meeting of American Musicological Society and Society for Music Theory
1922008Laryngeal Mechanisms During Human 4-kHz Vocalization Studied With CT, Videostroboscopy, and Color Doppler ImagingCHEN-GIA TSAI ; YIO-WHA SHAU ; HON-MAN LIU ; TZU-YU HSIAO Journal of Voice65
1932008挽救消逝時間的藝術─Adorno的音樂歷史觀與技術觀楊建章 國科會研究計畫報告 
1942008聽見臺灣：試論古倫美亞唱片在臺灣音樂史上的意義王櫻芬 民俗曲藝
1952008Johann Christian Bach and the church symphonyJEN-YEN CHEN About Bach
1962008Nanguan Jazz? Pan Rongzhi’s Innovation of Nanguan Music in the 1930s in Colonial TaiwanWang,Ying-fen International Symposium of "The Age of the 78s in East Asia: Sound Recordings and Associative Modernity" 
1972008試論現代社會的奉祀官－孔德成（達生）先生的生平與學術沈冬 韓國首爾：成均館大學，2008年12月11日 
1982008臺灣大學國際化指標TUNG SHEN 首屆海峽兩岸四地部分大學學術交流部門負責人研討會，杭州：浙江大學，2008年10月22日 
1992008Moments in Historical Force Fields: On Adorno’s Monadic History of MusicYang, Chien-chang 
2002007補助人文及社會科學研究圖書計畫規劃主題：音樂學(亞洲音樂研究)（新制多年期第2年）楊建章 
2012007交界與遊移-跨文史視野中的文化傳譯與知識生產－世變中的音樂行旅─近代臺北、上海與重慶三地音樂文化的參差對照與脈絡聯結　（新制多年期第1年）TUNG SHEN 
2022007NTU-US Joint ProjectTUNG SHEN 美國教育展：臺美高等教育會議，臺北：美國在臺協會，2007年11月14日 
2032007當京劇演員碰到北管戲－記「逍遙劇場」北管表演藝術傳習計畫蔡振家 文資學報 
2042007邁向世界舞臺的臺灣大學－國際化與國際化指標沈冬 兩岸國際事務主管研討會，臺北：政治大學，2007年8月26日 
2052007祭孔音樂與儒教精神－來去臺北、孔廟今昔TUNG SHEN 韓國首爾：成均館大學，2007年12月7日 
2062007NTU-UK Joint Project: A SOAS Model of CooperationTUNG SHEN 臺英高等教育論壇，臺北：國立臺灣大學，2007年11月5日 
2072007聽見1933年的「跳舞時代」蔡振家 臺灣音樂研究 00
2082007Musical Identity and Difference in a Reorganized Global SpaceYang, Chien-chang conference of Identitaet und Differenz: Soundbridges - Neue Musik aus Sudostasien und Taiwan, September, Berlin, Germany 
2092007音樂學研究的空間新視野楊建章 2007臺灣音樂學論壇
2102007世變中的啟蒙：文化重建與教育轉型（1895-1949）－世變中的音樂－近現代音樂教育研究(3/3)TUNG SHEN 國科會研究計畫報告 
2112007踏向語言之途－關於《人子‧獸官》的探討YING-FEN WANG 玄奘人文學報
2122007音樂學研究的空間新視野CHIEN-CHANG YANG 2007臺灣音樂學論壇
2132007感官史、力、音樂－從身體與靈魂的關係論赫德聽覺理論與音樂美學楊建章 新史學
2142007感官史、力、音樂：從身體與靈魂的關係論赫德的聽覺理論CHIEN-CHANG YANG 新史學
2152007清代臺灣戲曲史料發微沈冬 中國音樂學
2162007Musical Identity and Difference in a Reorganized Global SpaceCHIEN-CHANG YANG the conference of Identitaet und Differenz: Soundbridges - Neue Musik aus Sudostasien und Taiwan
2172007Wagenseils Missa alla cappella und die Fuxschen LehreJEN-YEN CHEN Im Schatten des Kunstwerks, International Conference for Music Theory
2182007Wagenseils Missa alla cappella und die Fuxschen LehreChen, Jen-yen proceedings of Im Schatten des Kunstwerks, International Conference for Music Theory 
2192007世變中的音樂教育與婦女－家國昇華與陰性終止沈冬 跨學科視野下的文化身份認同國際學術研討會，南京：南京大學，2007年10月21日 
2202007異國喧聲中的澹雅音韻－北朝之琴沈冬 「古琴、音樂美學與人文精神」跨領域、跨文化學術研討會，臺中：朝陽科技大學，2007年4月20日 
2212007力、衝動、意志：音樂能量的表象化與其現代性意義（II）楊建章 
2222007野性的呼喚－淺談音樂中的嘈雜音色蔡振家 物理雙月刊 
2232006Johann Joseph Fux: Missa Constantiae K 9Chen, Jen-yen 
2242006試論戲曲音樂與認知心理學－以客家戲《喜脈風雲》、《大宰門》為例蔡振家 臺灣戲專學刊 00
2252006疾病與作曲：以Smetana、Wolf、Schubert的梅毒為例蔡振家 臺灣音樂研究 00
2262006音樂臺北──建城百年的歷史迴響（上）沈冬 音樂藝術
2272006音樂臺北vs.音樂上海：音樂文化對照記沈冬 《文化啟蒙與知識生產：跨領域的視野》，臺北：麥田出版社，2006年8月 
2282006力、衝動、意志：音樂能量的表象化與其現代性意義 (I)楊建章 
2292006音樂、舞蹈、蔡瑞月－談臺灣人的身體楊建章 第一屆蔡瑞月舞蹈節文化論壇
2302006世變中的啟蒙：文化重建與教育轉型（1895-1949）－世變中的音樂－近現代音樂教育研究(2/3)TUNG SHEN 國科會研究計畫報告 
2312006力、衝動、意志：音樂能量的表象化與其現代化意義楊建章 2006臺灣音樂學論壇
2322006Church Music, ‘Classical’ Style, and the Dialectic of Old and New in Late Eighteenth-Century Musical CultureChen, Jen-yen Music in 18th-Century Life: Cities, Courts, Churches 
2332006音樂臺北──建城百年的歷史迴響（下）沈冬 音樂藝術
2342006鏡中他者－清代臺灣圖文資料中的原住民音樂TUNG SHEN 2006音樂學論壇，高雄：中山大學，2006年12月1日 
2352006Missa ConstantiaeChen, Jen-yen Johann Joseph Fux: Sämtliche Werke 
2362006Church Music, ‘Classical’ Style, and the Dialectic of Old and New in Late Eighteenth-Century Musical CultureJEN-YEN CHEN Music in 18th-Century Life: Cities, Courts, Churches
2372006There Is No Time Better Than Wartime’: Kurosawa Takatomo’s Representation of Taiwan MusicWang,Ying-fen Pre-conference Symposium of the 51st Annual Conference of the Society for Ethnomusicology 
2382006力、衝動、意志：音樂能量的表象話與其現代化意義CHIEN-CHANG YANG 2006臺灣音樂學論 壇
2392006音樂、舞蹈、蔡瑞月──談臺灣人的身體CHIEN-CHANG YANG 第一屆蔡瑞月舞蹈節文化論壇
2402006南管曲目分類系統及其作用王櫻芬 民俗曲藝
2412006Aristocratic Patronage, the Musical Public, and the Symphony in Late Eighteenth AustriaJEN-YEN CHEN eighteenth congress of the International Musicological Society
2422006Inharmonic sounds of bowed strings in Western music and Beijing operaCHEN-GIA TSAI The Journal of the Acoustical Society of America
2432006Missa ConstantiaeJEN-YEN CHEN Johann Joseph Fux: S?mtliche Werke
2442005中國笛的音準、音域與音色：笛膜的Duffing振子模型蔡振家 傳統樂器學術研討會
2452005黑澤隆朝台灣音樂調查之再研究王櫻芬 
2462005Sympathetic Vibrations of the Body and the Soul: On Herder's Theory of Hearing楊建章 International Conference on Body and Cognition
2472005啟蒙或反啟蒙—從身體與心智的關係論赫德聽覺理論的思想淵源楊建章 啟蒙時期音樂之美研討會
2482005Multi-pitch effect on cognition of solo music: examples of the Chinese flute, Jew’s harp and overtone singingTsai, Chen-Gia International Symposium on Body & Cognition
2492005找尋音樂在身體的位置：十九世紀德國音樂美學裡的身體與心靈之爭楊建章 國科會研究計畫報告 
2502005抗戰時期大後方音樂研究（I）－－由「學堂樂歌」至「救亡歌詠」TUNG SHEN 
2512005世變中的啟蒙：文化重建與教育轉型（1895-1949）－世變中的音樂－近現代音樂教育研究(1/3)TUNG SHEN 國科會研究計畫報告 
2522005Fux, Caldara, and Their Canonic Masses as Evidence of Professional RivalryJEN-YEN CHEN symposium on the fiftieth anniversary of the founding of the Fux-Gesellschaft
2532005啟蒙或反啟蒙—從身體與心智的關係論赫德聽覺理論的思想淵源CHIEN-CHANG YANG 啟蒙時 期音樂之美研討會
2542005Sympathetic Vibrations of the Body and the Soul: On Herder's Theory of Hearing.CHIEN-CHANG YANG the International Conference on Body and Cognition
2552005先秦之聲──文獻與圖像的初步觀察TUNG SHEN 音樂的聲響詮釋與變遷論文集: 
2562005日治時期臺灣廣播節目中的臺灣音樂王櫻芬 
2572005從Carl Dahlhaus對Adorno的批判看音樂史寫作裡的價值判斷困境楊建章 2005臺灣音樂學論壇
2582005從CarlDahlhaus對Adorno的批判看音樂史寫作裡的價值判斷困境CHIEN-CHANG YANG 2005臺灣 音樂學論壇
2592005疾病與作曲：以Smetana、Wolf、Schubert的梅毒為例November 11-12; 蔡振家 2005臺灣音樂學論壇00
2602005表演者的混沌嗓音－吼音的跨領域探討蔡振家 戲劇學刊 
2612004《破陣樂》考──兼論雅俗樂的交涉與轉化TUNG SHEN 唐代文學研究 
2622004唐代樂舞新論TUNG SHEN 
2632004抗戰時期大後方音樂研究（I）－由「學堂樂歌」至「救亡歌詠」TUNG SHEN 國科會研究計畫報告 
2642004音樂作為武器：臺灣大東亞戰爭時期(1940-1945)音樂政策與音樂觀念初探王櫻芬 
2652004戰時臺灣漢人音樂的禁止和「復活」：從一九四三年「臺灣民族音樂調查團」的見聞為討論基礎王櫻芬(Ying-Fen Wang) 臺大文史哲學報00
2662004Experimental research of the flow field in a brass mouthpiece-like channel using Particle Image Velocimetry.Chen, Jeng-Horng; Tsai, Chen-Gia Proceedings of the International Symposium on Musical Acoustics
2672004Helmholtz’s nasality revisited: physics and perception of sounds with predominance of upper odd-numbered harmonicsTsai, Chen-Gia Proceedings of the International Symposium on Musical Acoustics
2682004世變中的音樂教育與音樂家──由北京李抱忱到廣東黃友棣TUNG SHEN 北京：城巿記憶與文化想像: 
2692004Auditory grouping in the perception of roughness induced by subharmonics: empirical findings and a qualitative modelTsai, Chen-Gia Proceedings of the International Symposium on Musical Acoustics
2702004歷史性與藝術性的兩難：從Carl Dahlhaus的「結構音樂史」論歷史書寫的永恆困境楊建章 臺大文史哲學報
2712004世變中的音樂教育與音樂家──由北京李抱忱到廣東黃友棣沈冬 現代中國
2722004絕對音感的認知心理學研究蔡振家 關渡音樂學刊 
2732004Nanguan Music in Cross-strait Exchanges between Taiwan and Fujian: A Social HistoryWang,Ying-fen 37th Annual Conference of International Council for Traditional Music 
2742004Three Masses from Vienna: A Cappella Masses by Georg Christoph Wagenseil, Georg Reutter, and Leopold HofmannChen, Jen-yen Recent Researches in Music of the Classic Era 
2752004The timbre space of the Chinese membrane flute (dizi): physical and psychoacoustical effects (invited).Tsai, Chen-Gia ; November 15-19148th Meeting of the Acoustical Society of America 
2762003IntroductionWang Ying-fen 民俗曲藝
2772003The Sachsen-Hildburghausen Kapelle and the Symphonies of Christoph Willibald GluckChen, Jen-yen Ad Parnassum 
2782003從明刊弦管選本看南管曲簿的持續與變遷王櫻芬 
2792003蔡元定十八律理論新探（下）沈冬 音樂藝術
2802003蔡元定十八律理論新探（上）沈冬 音樂藝術
2812003Palestrina and the Influence of ‘Old’ Style in Eighteenth-Century ViennaChen, Jen-yen The Journal of Musicological Research 
2822002黃友棣──不能遺忘的杜鵑花TUNG SHEN 
2832002Johann Joseph Fux: Missa Confidentiae K 8Chen, Jen-yen 
2842002戲文的喧聲──論陳三五娘的荔鏡情緣沈冬 泉州學研究 
2852002臺灣音樂研究的學科史初探：日治時期日人對台灣音樂的記錄與保存(I)王櫻芬 
2862002Missa ConfidentiaeJEN-YEN CHEN Johann Joseph Fux: S?mtliche Werke I/8
2872002音樂理論與創作的歷史辯證—論音樂理論典範化的歷史影響CHIEN-CHANG YANG 音樂的理論 與應用
2882002《破陣樂》考──兼論雅俗樂的交涉與轉化TUNG SHEN 第三屆通俗文學與雅正文學全國學術研討會論文集: 
2892002書寫與表演──再論清代臺灣戲曲史料TUNG SHEN 明清時期的臺灣傳統文學論文集: 
2902002Music as Knowledge: Hugo Riemann's Theory of Musical Listening and the Foundation of German MusikwissenschaftCHIEN-CHANG YANG 
2912002Beethoven and Confucius: A Case Study in Transmission of Cultural ValuesCHIEN-CHANG YANG International Congress of the Musicological Society of Japan in Celebration of the 50th Anniversary
2922002Beethoven and Confucius: A Case Study in Transmission of Cultural Values.CHIEN-CHANG YANG the Annual Meeting, American Musicological Society
2932002Fux’s Gradus ad Parnassum and the Ideal of a Timeless MusicJEN-YEN CHEN Earlier version delivered at the seventeenth annual meeting of New England Conference of Music Theorists
2942002Beethoven and Confucius: A Case Study in Transmission of Cultural Values.CHIEN-CHANG YANG the conference of the International Congress of the Musicological Society of Japan in Celebration of the 50th Anniversary
2952002Music as Knowledge: Hugo Riemann's Theory of Musical Listening and the Foundation of German MusikwissenschaftYang, Chien-chang 
2962001宋代樂議研究--以《宋史．樂志》為中心沈冬 
2972001兩岸小戲學術研討會論文集曾永義; TUNG SHEN 
2982001Palestrina as Compositional Ideal in Eighteenth-Century Vienna: The Modernism of the Stile AnticoJEN-YEN CHEN seventeenth congress of the International Musicological Society
2992000唐代樂舞新論沈冬 
3002000W. J. Mathieu: Harmonic Experience: Tonal Harmony from Its Natural Origins to Its Modern ExpressionYang, Chien-chang Notes 
3012000論臺灣亂彈戲福路聲腔屬於亂彈腔系─聲腔板式與劇目的探討蔡振家 民俗曲藝
3022000W. J. Mathieu: Harmonic Experience: Tonal Harmony from Its Natural Origins to Its Modern ExpressionCHIEN-CHANG YANG Notes
3032000南管滾門曲牌分類系統比較研究王櫻芬 
3041999臺灣戲曲史料彙編沈冬 
3051999《楊柳枝》詞調析論沈冬 臺中中文學報
3061999南管滾門曲牌分類系統比較研究 (3/3)王櫻芬 
3071998清代台灣戲曲史料發微TUNG SHEN 海峽兩岸梨園戲學術研討會論文集 
3081998《楊柳枝》詞調析論沈冬 唐代文學研究
3091998南管滾門曲牌分類系統比較研究(II)王櫻芬 
3101998Disciplining Music: Hugo Riemann’s Music Aesthetics and the Nineteenth-Century German Psychology.CHIEN-CHANG YANG the Annual Meeting, American Musicological Society
3111998溯源探流．論隋唐燕樂樂部沈冬 唐代文學研究
3121997情志的感發與投射——臺灣新編小學國語課本文學性的省思沈冬 國立編譯館通訊
3131997論隋唐燕樂樂部沈冬 民族藝術
3141997南管滾門曲牌分類系統比較研究(I)王櫻芬 
3151996天涯遊子意，萬里華文情——論海外中文學校的教材與教法沈冬 「一九九六年加東華文教育學術研習會」會刊 
3161996隋唐燕樂樂部申論（一）——根源的探尋沈冬 國立臺灣大學文史哲學報
3171996台北地區南管音樂社會史研究王櫻芬 
3181996Hugo Riemann’s ‘Musical Logic’ and the Neo-Kantian Epistemology.CHIEN-CHANG YANG the Annual Meeting, Society for Music Theory
3191995國語文教學的真善美－－對於國語科新教材教法的認知和期許沈冬 國立編譯館通訊
3201995蔡元定「十八律」研究－－兼論朱子與《律呂新書》之關係沈冬 臺大中文學報
3211994隋唐音樂與詞的關係試探沈冬 中國文哲研究通訊
3221993隋代開皇樂議研究沈冬 新史學 
3231992The "Mosaic Structure" of Nanguan Songs: An Application of Semiotic AnalysisWang Ying-fen Yearbook for Traditional Music 
3241992雅俗胡樂之交化論晉室南遷至隋初之音樂發展沈冬 陳奇祿院士七秩榮慶論文集 
3251992Review of The Classical Theatre and Art Song of South Fukien:Study of Three Ming Anthologies by Piet van der LoonWang, Ying-Fen Central Library Journal 
3261992Categorization in Nanguan Music:A Semiotic AnalysisWang, Ying-Fen The 2nd International Conference on Music Perception and Cognition
3271991南音指套中中倍樂曲的"'拼花" 結構:南管滾門曲牌的研究王櫻芬; Wang, Ying-Fen 第二屆全國南音會議
3281991隋唐西域樂部與樂律之研究TUNG SHEN 國立臺灣大學中國文學硏究所博士論文
3291991Tune Identity in Zhongbei Songs:An Application of Semiotic Analysis to Chinese Art MusicWang, Ying-Fen The Annual Meeting of the Society for Ethnomusicology
3301991先秦律學考沈冬 臺大中文學報
3311991The Mosaic Structure of Nanguan MusicWang, Ying-Fen The Conference of the International Council for Traditional Music
3321990唐代驃國樂初探TUNG SHEN 中外文學 
3331990Chinese Translation of "Ethnomusicological Study in Japan National Museum of Ethnology" by Tomoaki FujiiWang, Ying-Fen The 3rd International Conference on Chinese Ethnomusicology 
3341989Chinese Translation of "The Concept of Tetrachord in East Korean Folk Songs" by Han Man-YoungWang, Ying-Fen The 3rd International Conference on Chinese Ethnomusicology 
3351989Chinese Translation of "The Present State of Research in Korean Musicology" by Han-YoungWang, Ying-Fen The 3rd International Conference on Chinese Ethnomusicology 
3361989Chinese Translation of "A Courtly Edict for Javanese Music" by Mantle HoodWang, Ying-Fen The 3rd International Conference on Chinese Ethnomusicology 
3371989Chinese Translation of "The Polyphonic Singing of the People in Asian Cultures" by Tomoaki FujiiWang, Ying-Fen The 3rd International Conference on Chinese Ethnomusicology 
3381987The Ethelbert Nevin Collection at the University of PittsburghWang, Ying-Fen 
3391986南管音樂體製及其歷史初探沈冬 
3401986誰說中國人不愛唱歌——談先秦的歌唱（下）TUNG SHEN 幼獅少年
3411986誰說中國人不愛唱歌——談先秦的歌唱（上)TUNG SHEN 幼獅少年
3421986Text-Melodic Correlation in Nanguan Vocal MusicWang, Ying-Fen CHINVOPERL Meeting
3431986Identity, Variance, and Creative Process in Nanguan Vocal MusicWang, Ying-Fen The Annual Meeting of the Society for Ethnomusicology 
3441985說「鐘」沈冬 幼獅少年
3451985殷商時代的音樂 (下)TUNG SHEN 幼獅少年
3461985殷商時代的音樂 (上)沈冬 幼獅少年
3471984夏代的音樂故事TUNG SHEN 幼獅少年
3481984會唱歌的文字——聲、音、樂在中國文字中的情境沈冬 幼獅少年
3491984中國音樂的萌芽沈冬 幼獅少年
3501983泉州絃管上四管研究沈冬 民俗曲藝
3511983泉州絃管音樂歷史初探TUNG SHEN 臺大中文研究所碩士論文
352-The Tradition and Ideal of the Stile Antico in Viennese Sacred Music, 1740-1800JEN-YEN CHEN 
353-Teaching Western Music History at National Taiwan University: Western Music in a World ContextJEN-YEN CHEN Journal of Music History Pedagogy