| 公開日期 | 標題 | 作者 | 來源出版物 | scopus | WOS | 全文 |
1 | 2024 | Motivated cognitive control during cued anticipation and receipt of unfamiliar musical themes: An fMRI study | Li, Chia Wei; CHEN-GIA TSAI | Neuropsychologia | | | |
2 | 2023 | The Structure and Function of Mind-Wandering in Chinese Regulated Verse | CHEN-GIA TSAI | Humanities (Switzerland) | 0 | 0 | |
3 | 2023 | Prediction errors arising from switches between major and minor modes in music: An fMRI study | CHEN-GIA TSAI ; Fu, Yi Fan; Li, Chia Wei | Brain and Cognition | 0 | 0 | |
4 | 2023 | Anticipating the main theme: A model for understanding prospective memory and reward learning in sonata-form listening | CHEN-GIA TSAI | Musicae Scientiae | | | |
5 | 2022 | Attention Control and Audiomotor Processes Underlying Anticipation of Musical Themes while Listening to Familiar Sonata-Form Pieces | Li, Chia-Wei; CHEN-GIA TSAI | Brain sciences | 3 | 1 | |
6 | 2021 | Cognitive control in agents: On the importance of supplementary motor area in the brain for music activities | CHEN-GIA TSAI | Journal of Music Research | | | |
7 | 2021 | Predictive processing, cognitive control, and tonality stability of music: An fMRI study of chromatic harmony | Li C.-W; Guo F.-Y; CHEN-GIA TSAI | Brain and Cognition | 4 | | |
8 | 2020 | 音樂認知心理學(二版) | 蔡振家 | | | | |
9 | 2019 | Music enhances activity in the hypothalamus, brainstem, and anterior cerebellum during script-driven imagery of affective scenes | Li, Chia Wei; Cheng, Tzu Han; CHEN-GIA TSAI | Neuropsychologia | 8 | 7 | |
10 | 2019 | Increased activation in the left ventrolateral prefrontal cortex and temporal pole during tonality change in music | CHEN-GIA TSAI ; Li, Chia Wei | Neuroscience Letters | 4 | 2 | |
11 | 2019 | 從內模仿到訊息整合:再探音樂引發情緒的機制 | 蔡振家 | 藝術評論 | | | |
12 | 2019 | Is it speech or song? Effect of melody priming on pitch perception of modified mandarin speech | CHEN-GIA TSAI ; Li, C.-W. | Brain Sciences | | | |
13 | 2018 | 音樂創作的心理學:自我、執行控制、創意產生 | 蔡振家 | 關渡音樂學刊 | | | |
14 | 2018 | Roles of posterior parietal and dorsal premotor cortices in relative pitch processing: Comparing musical intervals to lexical tones | CHEN-GIA TSAI ; TAI-LI CHOU ; Li CW | Neuropsychologia | 6 | 5 | |
15 | 2017 | The effect of harmonization on cortical magnetic responses evoked by music of rapidly changing tonalities | Wen, Ya Chien; CHEN-GIA TSAI | Psychology of Music | 5 | 4 | |
16 | 2017 | 戲曲「緊拉慢唱」板式的音樂特徵與戲劇運用 | 蔡振家 ; 夏菉廷 | 戲劇學刊 | | | |
17 | 2017 | 文學主題音樂對於博物館參觀經驗之影響-以賴和紀念館為例 | 蔡振家 ; 杜薇; 陳佳利 | 博物館學季刊 | | | |
18 | 2017 | 為何華語流行樂壇以情傷歌曲為主?試析抒情歌曲的療癒潛質 | 蔡振家 ; 李家瑋; 葉家含; 陳容姍; 林耀盛 | 本土心理學研究 | | | |
19 | 2017 | 鄧麗君歌曲對於臺灣健康老年人與失能老年人之情緒效應 | 吳孟庭; 蔡振家 | 人文社會與醫療學刊 | | | |
20 | 2016 | Female Listeners’ Autonomic Responses to Dramatic Shifts Between Loud and Soft Music/Sound Passages: A Study of Heavy Metal Songs | Tzu-Han Cheng; CHEN-GIA TSAI | Frontiers in Psychology | 0 | 6 | |
21 | 2015 | 音樂與科學的當代邂逅:從基礎研究到醫療應用 | 蔡振家 | 界定跨科際 | | | |
22 | 2015 | 高齡者的音樂治療:認知神經科學的觀點 | 曾念生; 蔡振家 | 人文社會與醫療學刊 | 0 | 0 | |
23 | 2015 | The Influence of Background Music on the Visitor Museum Experience: A Case Study of the Laiho Memorial Museum, Taiwan | Chen, C.-L.; CHEN-GIA TSAI | Visitor Studies | 6 | 0 | |
24 | 2015 | 京劇《碰碑》、《南天門》中的度脫與救贖-精神醫學與觀眾心理的探索 | Nian-Sheng Tzeng; Chen-Gia Tsai; 曾念生; 蔡振家 | 戲劇學刊 | | | |
25 | 2015 | Relaxation and executive control processes in listeners: An exploratory study of music-induced transient suppression of skin conductance responses | CHEN-GIA TSAI ; Yang, C.-M.; Chen, I.-P.; CHIEN-CHUNG CHEN | Empirical Studies of the Arts | 1 | 0 | |
26 | 2015 | Experiencing affective music in eyes-closed and eyes-open states: an electroencephalography study | Yun-Hsuan Chang; You-Yun Lee; KENG-CHEN LIANG ; I-Ping Chen; CHEN-GIA TSAI ; Shulan Hsieh | Frontiers in Psychology | 15 | 10 | |
27 | 2015 | Musical Tension over Time: Listeners’ Physiological Responses to the ‘Retransition’ in Classical Sonata Form | CHEN-GIA TSAI ; CHUNG-PING CHEN | Journal of New Music Research | 6 | 7 | |
28 | 2015 | Neuromagnetic brain activities associated with perceptual categorization and sound-content incongruency: A comparison between monosyllabic words and pitch names | CHEN-GIA TSAI ; CHIEN-CHUNG CHEN ; Wen, Y.-C.; TAI-LI CHOU | Frontiers in Human Neuroscience | 2 | 1 | |
29 | 2015 | Listening to music in a risk-reward context: The roles of the temporoparietal junction and the orbitofrontal/insular cortices in reward-anticipation, reward-gain, and reward-loss | Li, C.-W.; Chen, J.-H. ; CHEN-GIA TSAI | Brain Research | 19 | 16 | |
30 | 2014 | 華語流行歌曲的聽眾研究:腦造影實驗與生理訊號測量 | 蔡振家 ; 陳志宏; 李家瑋 | 國立政治大學2014創新研究國際學術研討會 | | | |
31 | 2014 | Urban canyon effect: Storm drains enhance call characteristics of the Mientien tree frog | Tan, W. H.; CHEN-GIA TSAI ; Lin, C.; Lin, Y. K. | Journal of Zoology | 11 | 10 | |
32 | 2014 | 解析「主歌-副歌」形式:抒情慢歌的基模轉換與音樂酬賞 | 陳容姍(Rong-Shan Chen); 余思霈(Szu-Pei Yu); 蔡振家(Chen Gia Tsai) | 應用心理研究 | | | |
33 | 2013 | 亂世英雄的「鬧天宮」與「碰碑」:精神醫學與觀眾心理之探索 | 蔡振家 | 「梅蘭芳與京劇的傳播」第五屆京劇學國際學術研討會 | | | |
34 | 2013 | 以情緒感受為基礎的音樂情緒資料庫 | 陳一平; 林智祥; 蔡振家 | 中華心理學刊 | | | |
35 | 2013 | 古箏彈絃位置之音色分析與演奏實踐 | 楊宜樺; 蔡振家 | 音樂研究 | | | |
36 | 2013 | 音乐情绪跟音乐认知的关系:美学与心理学的对话 | 蔡振家 | 星海音乐学院学报 | | | |
37 | 2013 | 音樂認知心理學 | 蔡振家 | | 0 | 0 | |
38 | 2012 | 渴望.解決.酬賞系統:聽眾對於終止式的情緒反應 | 蔡振家 ; 陳容姍 | 藝術學報 | | | |
39 | 2012 | Relating the harmonic-rich sound of the Chinese flute (dizi) to the cubic nonlinearity of its membrane | CHEN-GIA TSAI | The Journal of the Acoustical Society of America | | | |
40 | 2012 | Specialization of the posterior temporal lobes for audio-motor processing: evidence from a functional magnetic resonance imaging study of skilled drummers | CHEN-GIA TSAI ; Li-Ying Fan; Shu-Hui Lee; JYH-HORNG CHEN ; TAI-LI CHOU | European Journal of Neuroscience | 7 | 6 | |
41 | 2011 | 西樂敘說紅色神話─音樂基模轉換在京劇樣板戲中的功能與實踐 | 蔡振家 ; 楊為茜 | 戲劇學刊 | 0 | 0 | |
42 | 2011 | 另類閱讀表演藝術中的大腦疾病與音聲異常 | 蔡振家 | 知識通訊評論 | | | |
43 | 2010 | 京劇鑼鼓與爵士鼓音樂的口頭再現:功能性核磁共振造影研究 | 蔡振家 | 「迎向21世紀台灣音樂學:全球化與跨文化」研討會 | | | |
44 | 2010 | 大翅鯨與鳴禽的歌曲形式—生物音樂學的跨領域研究 | 蔡振家 | 星海音樂學院學報 | | | |
45 | 2010 | 博物館中的文學聲景—試析聲音元素在文學展示中的 角色與功能 | 陳佳利; 李捷葳; 蔡振家 | 博物館學季刊 | | | |
46 | 2010 | Bamboos as the material for saxophone reed | Cheng, J.-Y.; CHEN-GIA TSAI ; Lee, S.-C. | 20th International Congress on Acoustics 2010, ICA 2010 - Incorporating Proceedings of the 2010 Annual Conference of the Australian Acoustical Society | | | |
47 | 2010 | Neural mechanisms involved in the oral representation of percussion music: An fMRI study | CHEN-GIA TSAI ; CHIEN-CHUNG CHEN ; TAI-LI CHOU ; JYH-HORNG CHEN | Brain and Cognition | 10 | 8 | |
48 | 2010 | 博物館中的文學聲景—試析聲音元素在文學展示中的角色與功能 | 蔡振家(Tsai, Chen-Gia) ; 陳佳利(Chen, Chia-Li); 李捷葳(Lee, Chieh-Wei) | 博物館學季刊 | 0 | 0 | |
49 | 2009 | 從神經科學的觀點探討動作想像對於音樂演奏的重要性 | 呂怡萱; 蔡振家 | 關渡音樂學刊 | 0 | 0 | |
50 | 2009 | 從政治宣傳到戲劇妝點──1958-1976年京劇現代戲的詠嘆與歧出 | 蔡振家 | 戲劇學刊 | | | |
51 | 2009 | 帶有雜質的樂音-聽覺模型及「泛音-噪音比」 | 蔡振家 | 關渡音樂學刊 | | | |
52 | 2009 | Dynamic B-Mode Ultrasound Imaging of Vocal Fold Vibration During Phonation | CHEN-GIA TSAI ; Chen, J.-H.; YIO-WHA SHAU ; TZU-YU HSIAO | Ultrasound in Medicine and Biology | 28 | 22 | |
53 | 2009 | 從臺灣的喇叭弦看樂器的「延伸適應」 | 蔡振家 | 黃鍾—武漢音樂學院學報 | | | |
54 | 2009 | 從政治宣傳到戲劇妝點─1958-1976年京劇現代戲的詠嘆與歧出 | 蔡振家(Tsai, Chen-gia) | 戲劇學刊 | 0 | 0 | |
55 | 2009 | 臺灣亂彈戲皮黃腔的音樂特色:與其它劇種的比較研究 | 蔡振家 | 紀念俞大綱先生百年誕辰戲曲學術研討會論文集 | | | |
56 | 2008 | 具有非線性邊界條件的琴弦振動:京胡「開花音」的聲學研究 | 蔡振家 | 黃鍾—武漢音樂學院學報 | | | |
57 | 2008 | 非旋律性打擊音樂的口傳:功能性核磁共振造影研究 | 蔡振家 | | | | |
58 | 2008 | 癲癇研究對於音樂心理學的一些啟示 | 蔡振家 ; 林永煬 | 星海音樂學院學報 | | | |
59 | 2008 | 腦內模仿-〈音樂與鏡像神經元:從運動到情緒〉導讀 | CHEN-GIA TSAI | 關渡音樂學刊 | 0 | 0 | |
60 | 2008 | 浪漫化的瘋癲-戲曲中的大腦疾病 | 蔡振家 | 民俗曲藝 | | | |
61 | 2008 | Laryngeal Mechanisms During Human 4-kHz Vocalization Studied With CT, Videostroboscopy, and Color Doppler Imaging | CHEN-GIA TSAI ; YIO-WHA SHAU ; HON-MAN LIU ; TZU-YU HSIAO | Journal of Voice | 6 | 5 | |
62 | 2007 | 當京劇演員碰到北管戲-記「逍遙劇場」北管表演藝術傳習計畫 | 蔡振家 | 文資學報 | | | |
63 | 2007 | 野性的呼喚-淺談音樂中的嘈雜音色 | 蔡振家 | 物理雙月刊 | | | |
64 | 2007 | 聽見1933年的「跳舞時代」 | 蔡振家 | 臺灣音樂研究 | 0 | 0 | |
65 | 2006 | 疾病與作曲:以Smetana、Wolf、Schubert的梅毒為例 | 蔡振家 | 臺灣音樂研究 | 0 | 0 | |
66 | 2006 | 試論戲曲音樂與認知心理學-以客家戲《喜脈風雲》、《大宰門》為例 | 蔡振家 | 臺灣戲專學刊 | 0 | 0 | |
67 | 2006 | Inharmonic sounds of bowed strings in Western music and Beijing opera | CHEN-GIA TSAI | The Journal of the Acoustical Society of America | | | |
68 | 2005 | 中國笛的音準、音域與音色:笛膜的Duffing振子模型 | 蔡振家 | 傳統樂器學術研討會 | | | |
69 | 2005 | 表演者的混沌嗓音-吼音的跨領域探討 | 蔡振家 | 戲劇學刊 | | | |
70 | 2005 | Multi-pitch effect on cognition of solo music: examples of the Chinese flute, Jew’s harp and overtone singing | Tsai, Chen-Gia | International Symposium on Body & Cognition | | | |
71 | 2005 | 疾病與作曲:以Smetana、Wolf、Schubert的梅毒為例 | November 11-12; 蔡振家 | 2005臺灣音樂學論壇 | 0 | 0 | |
72 | 2004 | The timbre space of the Chinese membrane flute (dizi): physical and psychoacoustical effects (invited). | Tsai, Chen-Gia ; November 15-19 | 148th Meeting of the Acoustical Society of America | | | |
73 | 2004 | Auditory grouping in the perception of roughness induced by subharmonics: empirical findings and a qualitative model | Tsai, Chen-Gia | Proceedings of the International Symposium on Musical Acoustics | | | |
74 | 2004 | 絕對音感的認知心理學研究 | 蔡振家 | 關渡音樂學刊 | | | |
75 | 2004 | Experimental research of the flow field in a brass mouthpiece-like channel using Particle Image Velocimetry. | Chen, Jeng-Horng; Tsai, Chen-Gia | Proceedings of the International Symposium on Musical Acoustics | | | |
76 | 2004 | Helmholtz’s nasality revisited: physics and perception of sounds with predominance of upper odd-numbered harmonics | Tsai, Chen-Gia | Proceedings of the International Symposium on Musical Acoustics | | | |
77 | 2000 | 論臺灣亂彈戲福路聲腔屬於亂彈腔系─聲腔板式與劇目的探討 | 蔡振家 | 民俗曲藝 | | | |