On Succession and Deployment of Rikunyo in Chinese Poetry─mainly describing the rural landscape in changing seasons─
Resource
臺大日本語文研究, 6, 105-122
Journal
臺大日本語文研究
Journal Issue
6
Pages
105-122
Date Issued
2004-06
Date
2004-06
Author(s)
Abstract
六如上人(1734-1801)in Kyoto was the first poet to show his talents after the poem style turned into imitating the style of Sung Dynasty in the late Edo Period. He had friendly relations with his contemporaneous literati and refined scholars, such as the southern painter池大雅,the Confucian scholar那波魯堂, and the singer of ballads伴嵩蹊. He spared no efforts to assist the journey, and involved the Kansai(關西) poetry circles immensely.
It is generally thought that六如modeled most of his poems on the three great poets, Fan Cheng-Ta, Yang Wan-Li, and Lu You in Southern Sung. Many traces of Sung poetry definitely can be seen among more than one thousand poems of his. Besides, there were other elements which made六如 the predecessor of the new style of poetry, This thesis is mainly about absorbing the poetry of Southern Sung, China.
The theme of a large number of 六如’s poems is related to the four seasons. This is obviously influenced by Fan Cheng-Ta’s “The Sixty Poems of Idyllic Fun.” By carefully analyzing the scene and objects depicted in the poems, for example, the sound of the pheasant, earth pen, mature eggplants, the shell of the pomegranate, and deserted calendar, those ere not commonly seen in China. However these elements
Subjects
和歌
俳句
野雉
土筆
老茄
榴殼
Waka
Haiku
wild pheasant
earth pen
mature eggplant the shell of the pomegranate
Type
journal article
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