《紅樓夢》的立體解析——以人物論為主軸
Date Issued
2003-07-31
Date
2003-07-31
Author(s)
DOI
912411H002058
Abstract
three-dimensional analysis and in the viewpoint of round character. I content that so far the
criticism of figures in The Dream of the Red Chamber, though extensively cultivated, tends to be
intensively influenced by the concerns of “who the better: Pau-ch’ai or Dai-Yu?”. Consequently,
many conventional interpretations are simplified and partial.
Consciously adopting a methodological innovation, I specifically investigate two figures,
Uan-ch’uen and Old woman Liou, to illustrate my contention and proposal.
In the study of Uan-ch’uen, I identify her symbol-flower: the flower of pomegranate (not
night-blooming cereus) and analyze her structural status as Great-Mother in the whole story by
incorporating her characteristics.
In the study of Old woman Liou, I analyze the well-known episode of Old woman Liou as a
2
hour-glass shaped structure. Contrasted with Bakhtin’s discussions about carnival, the episode is
illuminated in a deeper level.
Subjects
the Dream of the Red Chamber
round character
Uan-ch’uen
Great Mother
Old woman Liou
carnival poetics
Publisher
臺北市：國立臺灣大學中國文學系暨研究所
Type
report
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