《新婚別》敘事曲研究 —由作品到社會、時代
Date Issued
2004
Date
2004
Author(s)
梁文賓
DOI
zh-TW
Abstract
The erhu ballade Xin-Hun-Bie (“Parting of the Newly Weds”) was premiered in the first post-Cultural Revolution “Shanghai Spring Festival” in 1980 and was the first successful large-scale erhu concerto of that time. Through interviews with the composers Zhang Xiao-Feng and Zhu Xiao-Gu, the soloist Min Hui-Fen, and through historical and musical analyses, this study aims to put this work into the context of the post-Cultural Revolution era and assesses its musical and historical impacts.
This work can be seen as both encapsulating the past and exploring the future. The use of the poems of Tu Fu and Jiang Kui is a reconfirmation of classical Chinese literature. And the original setting of that story, the rebellion of An Lun-shan (755), is a disguised criticism of the Cultural Revolution (1966–76). Like its westernized counterpart, the Butterfly Lovers violin concerto of the 1960s, Xin-Hun-Bie also incorporates many traditional Chinese musical features. On the other hand, the use of Jiang’s Ge-Xi-Mo-Ling as main melodic idea is an attempt in modernizing ancient materials. Carrying on the Chinese tradition of stressing art’s political and didactic functions, the composers of Xin-Hun-Bie exemplify the search of renewal among intellectuals of the post-Cultural Revolution era. In its mediation between history and the future, between artistic beauty and social critique, and not least in its sheer instrumental dimension and length, this work can be rightly seen as a pioneer work in the history of erhu music.
Subjects
閔惠芬
張曉峰
《鬲溪梅令》
二胡作品史
民樂團發展史
朱曉谷
《新婚別》
Min Hui-Fen
Zhang Ziao-Feng
Cultural Revolution
Ge-Xi-Mo-Ling
Xin-Hun-Bie
history of traditional Chinese orchestra
Zhu Xiao-Gu
history of erhu music
Type
other
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