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  4. Construction and Transformation of Taiwan Campus Folk Songs’ Culture
 
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Construction and Transformation of Taiwan Campus Folk Songs’ Culture

Date Issued
2008
Date
2008
Author(s)
Yeh, En-Tsz
URI
http://ntur.lib.ntu.edu.tw//handle/246246/178963
Abstract
During the 1970s in Taiwan, self-examination was the cultural important direction. All kinds of cultural activities were forced to change or found their new ways of theirs own free will. “The campus folk song” was occurred in this period, it not only represents the spirit in 1970s, but expresses how college youths to establish the independent of culture and the national consciousness. The essay through the campus folk song’s social background, compositional origins and ways, center structure and characters, inherits and transforms of spiritual to discuss the process of the campus folk song’s rise, decline, and revive. In the other hand, the essay also through the lyrics and text of campus folk song’s to observe campus folk song’s how to communicate with complex society, the national consciousness, literature, and culture.he essay based on the previous researches, and then expanded and extended this topic. Hope to construct the culture and transformation of Taiwan’s campus folk song. The content of the essay are as follows: Chapter1 “Introduction” explains the views and points of the essay. Chapter2 “The background of the appearance of the campus folk song”, discusses the influence and enlightenment of social culture on the campus folk song. Chapter3 “The composition origin and way of the campus folk song”, discusses the context of the campus folk song and analyzes the way it shows. Chapter4 ” The structure and character of the essence in the campus folk song”, discusses the lyrics of the campus folk song and finds its meanings from the homesickness, the love, and the campus. Chapter5 “The inheritance and transformation of the spirit of the campus folk song”, discusses the literatures that depended on the campus folk song, observes the changes of the campus folk song. Besides, points how the campus folk song revives and becomes the Taiwan culture’s property. Finally, Chapter6 “Conclusion”, unites every chapter and point out the development of this topic.
Subjects
campus folk song
the folksong collective movement
Taiwan popular song
modern poetry polemics
nostalgia
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