宋代復古銅器風之域外傳播初探—以十二至十五世紀的韓國為例 = Revival of Antiquity outside China? –A Preliminary Study of the “Archaistic Style” in Sino-Korean Artifacts from the Twelfth to the Fifteenth Century
Resource
美術史研究集刊, 32, 103-170
Journal
美術史研究集刊
Journal Issue
32
Pages
103-170
Date Issued
2012-03
Date
2012-03
Author(s)
Abstract
With the efforts of the antiquarian-scholars of the Northern Song dynasty (960-1127), bronze ritual objects from high antiquity—“Three Dynasties”—were rediscovered. They became models for ritual artifacts used at ceremonies; meanwhile, their shape and decorative patterns provided a repertoire for the design of everyday objects and had an immense impact on the decorative arts in later China. Similar cultural phenomena also appear in Japan and Korea but they have not received much scholarly attention. This essay offers a preliminary examination of the development of these objects in Korea, particularly from the twelfth to the fifteenth century. From the Chinese point of view, this is a ramification of the Revival of Antiquity, or fugu, movement of the Song dynasty, in which ancient bronze forms not only revived but also traveled to the Kory? kingdom on the Korean peninsula. After the Chos?n overthrew the Kory? in 1392, the new dynasty adopted Chinese models to set up its rites and rituals. Emperor Sejong of the Chos?n and his officials consulted various Chinese books for their ritual compendium recorded in the Veritable Records of Sejong. With analysis of the illustrations and content of the section on ritual artifacts, this study shows that although the state sponsored Neo-Confucianism and the theory of Zhu Xi, books by various authors and of different genres, including ritual manuals, examination reference books, and encyclopedias, were widely consulted and even adopted in ritual. The genre boundary was dissolved in Korea. As a result, different ritual theories were excerpted and co-existed in this fifteenth-century ritual compendium. Like a time capsule, it contains layers of ritual theories, with some conforming and others conflicting with one another. The ritual illustrations might appear similar to their Chinese prototypes, but their underlying meanings had been modified throughout the process of transmission, both temporal and spatial.
Subjects
仿古高麗青瓷、朱熹釋奠儀圖、金石學、東亞文化互動 (Korean celadon, Zhu Xi, Shidian yitu, jinshi xue (study of metal and stone), cultural interaction in East Asia)
Type
journal article
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