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  4. 「新音樂學」研究中的音樂分析與審美價值觀
 
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「新音樂學」研究中的音樂分析與審美價值觀

Date Issued
2003-01-28
Date
2003-01-28
Author(s)
王育雯  
URI
http://ntur.lib.ntu.edu.tw//handle/246246/13893
Abstract
One of the most essential premise of music theory – music autonomy – is often attacked by new musicologists. Nevertheless, even in their studies they cannot avoid using the analytical methods developed by music theory. This project will therefore investigate how it is possible for the new musicologists to present their anti-autonomic interpretations of music with the tool of music analysis. The focus will be placed upon the writings of three scholars -- Lawrence Kramer, Susan McClary and Rose Rosengard Subotnik. With this study, I hope to illuminate on the necessity and significance of music autonomy in analysis, and to understand whether analysis can still be carried out meaningfully when music autonomy is denied
Subjects
new musicology
music aesthetics
music autonomy
musical value
Lawrence Kramer
Susan McClary
Rose Rosengard Subotnik
Publisher
臺北市:國立臺灣大學音樂學研究所
Description
計畫年度:90;起迄日期:2001-08-01/2002-10-31
Type
report
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902411H002016.pdf

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