The developing of the lyrical patternn He Qi-Fang’s poetry and essays（1931-1949）
Date Issued
2009
Date
2009
Author(s)
Wu, Cheng-Ho
Abstract
He Qi Fang（1912-1977）is one of the most important poets after 1930s. His writing process closely related to Chinese modern literature and politics, so commentators adopted ideas from different isms, schools, and trends to interpret his works. In this way, it is difficult to interpret his poems from a pure feeling-oriented perspective and explore the original message that He wanted to express.The present study intended to analyze all the poems in《He Qi-Fang Chuan Ji》, focusing on the sentimental style in《Yu Ian》and《Hua Meng Lu》, tracing back to his learning and thinking process in his early age and exploring how this sentimental style continues and changes in his following works 《Ke Yi Ji》、《Huan Xiang Za Ji》、《Ye Ge》、《Xin Huo Ji》、《Xin Huo Ji Xu Bian》after 1937. Furthermore, this study directly analyzed how Mao Ze Dong was embodied in He’s poems to visualize the turning point of He’s writing styles. When analyzing the works, the researcher put emphasis on the poet’s carefulness in terms of selecting and editing, the meaning emerging from the interweaving relationships between the works, as well as the self-reflection of the poet from different angles during the process of promoting his self-image. He Qi Fang created a self-image in 《Yu Ian》in Jing-Pai period and expanded this image to show how to express sentimental feelings and the idea of ‘self’ ultimately. 《Hua Meng Lu》further created a real world with the experience of creation and established a delicate sentimental style with 《Yu Ian》. After he finished 《Huan Xiang Za Ji》, the poet packed up the memories of his young age and made himself feel harmonious both physically and mentally. Later on, he wished to pursue a peaceful life and collected his old works in 《Ke Yi Ji》, announcing the termination of his ‘dream road’. Afterwards, he presented how he turned the sentimental and depressed self into a new and fresh image of a fighter of literature. After 《Xin Huo Ji》, the poet cleaned up all the unclear thoughts before, and constructed his self-image through the guide of Mao Ze Dong’s image to reach a peak. In his latter works, we still can see his self-awareness and self-expectation after the decay of Mao Ze Dong’s image. He showed us his charm as a modern poet, sticking to his heart even going through several changes.The present study aimed to reveal a different angle and order to analyze He’s works, making a more meaningful and caring interpretation of He Qi Fang’s writing process instead of just standing in the existing frames.
Subjects
He Qi-Fang
Jing-pai
lyrical
Hua-Meng-Lu
Yu-Ian
SDGs
Type
thesis
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