Repository logo
  • English
  • 中文
Log In
Have you forgotten your password?
  1. Home
  2. College of Liberal Arts / 文學院
  3. Musicology / 音樂學研究所
  4. From A-mei to A-mit: Chang Hui-mei’s Transformation and Self-resistance
 
  • Details

From A-mei to A-mit: Chang Hui-mei’s Transformation and Self-resistance

Date Issued
2015
Date
2015
Author(s)
Peng, Wei-Hao
URI
http://ntur.lib.ntu.edu.tw//handle/246246/273904
Abstract
In 2009, mandarin popular music diva, Chang, Hui-mei(A-mei), was re-introduced to the world as a new artist, Kulilay Amit(A-mit). The birth of this new image/brand was considered to be one of the greatest transformations in Chang’s singing career, and it successfully brought her back to the top of the industry from the setback of Maybe Tomorrow in 2004. Although many of the opinions regarded her transformation as merely a marketing gimmick, the research tried to argue how it is not just a marketing strategy but more importantly, an act of “Self-resistance”. The self-resistance here is not in the traditional sense of being an action of lower class fighting against hegemony; rather it is a self-image-overturn kind of resistance. Chang tried to polarize her two images, A-mei-A-mit, by using numerous amount of metaphors. Her self-resistance has not only prolonged her career as a singer, but has set her free from the old and almost cliché image. This research incorporates the theory and methodology of resistance brought up by sociologists, Hollander and Einwohner(2004), and tries to discuss Chang’s Intention as a actor and the Recognition of the third person observer(fans). The research finds that through repeatedly re-defined her brand A-mit and constantly challenging her position, orientation, and intention, Chang finally achieve her goal of resisting her past. In addition, via field work (interviewing her fans), it is assured that Chang’s self-resistance is highly and wildly recognized. Self-resistance can be one of the most important elements of forming a brand of a popular singer, and it is also able to breaks the fixed image and attracts greater amount of new fans. Chang as an iconic figure in mandarin popular music industry, her case is by far the most significant and recognizable one. It is also can be followed by other artists and hopefully the research also inspires future scholars to discuss other cases. Key words:Chang, Hui-mei(A-mei), Kulilay Amit(A-mit), transformation, resistance, self-resistance.
Subjects
Chang, Hui-mei(A-mei)
Kulilay Amit(A-mit)
transformation
resistance
self-resistance
Type
thesis

臺大位居世界頂尖大學之列,為永久珍藏及向國際展現本校豐碩的研究成果及學術能量,圖書館整合機構典藏(NTUR)與學術庫(AH)不同功能平台,成為臺大學術典藏NTU scholars。期能整合研究能量、促進交流合作、保存學術產出、推廣研究成果。

To permanently archive and promote researcher profiles and scholarly works, Library integrates the services of “NTU Repository” with “Academic Hub” to form NTU Scholars.

總館學科館員 (Main Library)
醫學圖書館學科館員 (Medical Library)
社會科學院辜振甫紀念圖書館學科館員 (Social Sciences Library)

開放取用是從使用者角度提升資訊取用性的社會運動,應用在學術研究上是透過將研究著作公開供使用者自由取閱,以促進學術傳播及因應期刊訂購費用逐年攀升。同時可加速研究發展、提升研究影響力,NTU Scholars即為本校的開放取用典藏(OA Archive)平台。(點選深入了解OA)

  • 請確認所上傳的全文是原創的內容,若該文件包含部分內容的版權非匯入者所有,或由第三方贊助與合作完成,請確認該版權所有者及第三方同意提供此授權。
    Please represent that the submission is your original work, and that you have the right to grant the rights to upload.
  • 若欲上傳已出版的全文電子檔,可使用Open policy finder網站查詢,以確認出版單位之版權政策。
    Please use Open policy finder to find a summary of permissions that are normally given as part of each publisher's copyright transfer agreement.
  • 網站簡介 (Quickstart Guide)
  • 使用手冊 (Instruction Manual)
  • 線上預約服務 (Booking Service)
  • 方案一:臺灣大學計算機中心帳號登入
    (With C&INC Email Account)
  • 方案二:ORCID帳號登入 (With ORCID)
  • 方案一:定期更新ORCID者,以ID匯入 (Search for identifier (ORCID))
  • 方案二:自行建檔 (Default mode Submission)
  • 方案三:學科館員協助匯入 (Email worklist to subject librarians)

Built with DSpace-CRIS software - Extension maintained and optimized by 4Science