Ch’ing Tz’u and Tz’u Shih：A Research on Hsieh Chang-Ting’s Literary Criticism of Tz’u Poetry
Date Issued
2009
Date
2009
Author(s)
Zeng, Yun-Hua
Abstract
In the period of the late Ch’ing（清） Dynasty, the unstable time filled with revolts and invasions, Hsieh Chang-Ting（謝章鋌） left volumes and broad works reflecting his literary talent, especially his criticism of Tz’u（詞） which was valued by people mostly. This thesis selects two topics from the Tz’u criticism by Hsieh Chang-Ting, that is, Ch’ing Tz’u（情詞） and the Tz’u Shih（詞史） , as the research objects.ntroductionhe motivations and purposes of this study are introduced in this chapter, reviewing the extant literature. Based on the previous research findings, it is to draw the investigating value of this study.hapter One- Life and Works of Hsieh Chang-Tinghrough these aspects of time, politics, region, custom, and culture, the surroundings where Hsieh was in is being depicted in this chapter. The methodology of observing personality and generation is then applied to analyze his life of eighty years in depth - his family background, teachers and friends, experiences, and his way to knowledge. And finally coordinating the different versions of Hsieh’s work and outlining the contents underpin the structure of this study.hapter Two- Music and Literature: discussing Ch’ing Tz’u in terms of the nature of Tz’uBack to the origin of Tz’u development, it has been concluded that the duality of Tz’u stems from music and literature. It is a growing process for the development of Tz’u and Tz’u has been isolated from music gradually, whereas the only style of Tz’u is the lyric performance. Hsieh Chang-Ting went back the derivation, finding the root and worth of Ch’ing Tz’u as well as extending its scopes and domains.hapter Three- The One Origin of Poem and Tz’u: discussing an ideal of temperament and that humanity is literatureeing the Ch’ing cultural context with the interrelationship of academia and literature, where was Hsieh standing to present the literary atmosphere over his own theory? Also, how could he connect circumlocutory beauteous works with the personalities of authors from the various techniques of interpretation? Furthermore, how does the literary ideal which “humanity is literature” realize in Tz’u? The topic of this chapter is to discuss the domain of Ch’ing Tz’u extended by Hsieh in terms of the one origin for Poem and Tz’u.hapter Four- Tz’u Shih: widening the volume of Tz’u during generation alternationsieh Chang-Ting extended the volume of Tz’u, using the interpretation of thoroughness to illustrate the will of adoration; the Tz’u Shih attempts to demonstrate the true presentation of work entirely, which are the Hsieh’s crucial points of view for the pouring ambitions in Tz’u. In order to examine the theoretical structure and real operation, this chapter focuses on the society, economics, politics and culture, comparing to other data, including his writings, creating with friends, and the works collected in Tz’u Hua.（詞話）hapter Five- Reserving Tz’u and Discussing Tz’u: the history of literature, regions, and the history of Tz’u in Fu-Jianhe giant work Du Chi Shan Chuang Tz’u Hua （賭棋山莊詞話） by Hsieh Chang-Ting documented the authors, the works, the stories of works and the criticisms, which contains his critical conception towards the writers of Tz’u and the factions in Ch’ing Dynasty as well as his respect to the masters in Fu-Jian. That passed down the historical development of culture and comprised the background of regions. Hence, we will investigate this rich notion in this chapter.onclusion- The Value and Limitation in Ch’ing Tz’u and Tz’u Shih of Hsieh Chang-Ting’s criticism of Tz’uhis research sums up the previous findings and acquisition indicating the values and limitations in Hsieh’s theory and provides initial analysis and expectation for further relevant researches.
Subjects
Hsieh Chang-Ting
regional literature
Type
thesis
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