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  4. Mixing-Specific Data Augmentation Techniques for Improved Blind Violin/Piano Source Separation
 
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Mixing-Specific Data Augmentation Techniques for Improved Blind Violin/Piano Source Separation

Journal
IEEE 22nd International Workshop on Multimedia Signal Processing, MMSP 2020
ISBN
9781728193205
Date Issued
2020-09-21
Author(s)
Chiu, Ching Yu
Hsiao, Wen Yi
Yeh, Yin Cheng
YI-HSUAN YANG  
Su, Alvin Wen Yu
DOI
10.1109/MMSP48831.2020.9287146
URI
https://scholars.lib.ntu.edu.tw/handle/123456789/636023
URL
https://api.elsevier.com/content/abstract/scopus_id/85099187450
Abstract
Blind music source separation has been a popular and active subject of research in both the music information retrieval and signal processing communities. To counter the lack of available multi-track data for supervised model training, a data augmentation method that creates artificial mixtures by combining tracks from different songs has been shown useful in recent works. Following this light, we examine further in this paper extended data augmentation methods that consider more sophisticated mixing settings employed in the modern music production routine, the relationship between the tracks to be combined, and factors of silence. As a case study, we consider the separation of violin and piano tracks in a violin piano ensemble, evaluating the performance in terms of common metrics, namely SDR, SIR, and SAR. In addition to examining the effectiveness of these new data augmentation methods, we also study the influence of the amount of training data. Our evaluation shows that the proposed mixing-specific data augmentation methods can help improve the performance of a deep learning-based model for source separation, especially in the case of small training data.
Subjects
data augmentation | Music source separation
SDGs

[SDGs]SDG4

Type
conference paper

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