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  4. Automated video editing based on learned styles using LSTM-GAN
 
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Automated video editing based on learned styles using LSTM-GAN

Journal
Proceedings of the ACM Symposium on Applied Computing
Pages
73-80
Date Issued
2022
Author(s)
Huang H.-I
CHI-SHENG SHIH  
Yang Z.-L.
DOI
10.1145/3477314.3507141
URI
https://www.scopus.com/inward/record.uri?eid=2-s2.0-85130329395&doi=10.1145%2f3477314.3507141&partnerID=40&md5=9d4f3c372316709478132651a26e4e24
https://scholars.lib.ntu.edu.tw/handle/123456789/632567
Abstract
Experienced video editors use various editing techniques, including camera movement, types of shots, and shot compositions to create specific video semantics delivering messages to the viewers. In the video production process, the content of the video are essential, but so is the way to compose it. The goal of this work is to train a model learning how to edit the video that meets the videography requirements. This work proposes a deep generative model where both the generator and discriminator are unidirectional LSTM networks to generate the sequences of shot transitions for video editing. The proposed model learns different types of editing transitions from edited video clips. One is the stage performance of Korean music programs, and another is Chinese music programs. By combining different types of shots and camera movements, the proposed AI video editor brings various viewing experiences to the viewers. The quality of the generated shot sequences for video editing are evaluated by three metrics, which are creativity, inheritance, and diversity. The results show that the quality of the synthetic sequences generated by LSTM-GAN are better than those generated by the baseline model (Markov chain or LSTM). In summary, the quality of the sequence generated by LSTM-GAN is better than the quality generated by the Markov chain or LSTM while ensuring creativity, inheritance, and diversity at the same time. © 2022 ACM.
Subjects
GAN; LSTM; video editing
Other Subjects
Cameras; Long short-term memory; Semantics; User interfaces; Video recording; Automated video editing; Camera's movements; GAN; LSTM; Music program; Production process; Video editing; Video editor; Video production; Video semantics; Video signal processing
Type
conference paper

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