Marriage in Middlemarch: A Feuerbachian Reading
Date Issued
2006
Date
2006
Author(s)
Huang, Pin-Jyuan
DOI
en-US
Abstract
In this thesis, I plan to discuss how George Eliot uses a religious eye to look at her ideal concept of marriage in Middlemarch. I will argue that Eliot is influenced by the Essence of Christianity written by Ludwig Feuerbach, a nineteenth-century German religious philosopher, and demonstrates a lot of Feuerbachian hues to distinguish her thoughts from other nineteenth- and twentieth-century feminists. Moreover, I suggest that Eliot compares her main heroine, Dorothea Brooke, to Madonna and St. Theresa to represent a Feuerbachian paradigm. These two aspects will have a close relationship with my three chapters.
In chapter one, I will discuss how Eliot uses Dorothea’s St. Theresa image to counterbalance Christian patriarchal oppression in marriage and Eliot’s similarity with St. Theresa in their sympathy. In chapter two, I will explore Eliot’s Feuerbachian influence in her idea of wife, husband and marriage, such as division of labor, organic society, ideal wifehood and husbandhood, love philosophy and suffering issue, etc. In chapter three, I will discuss Eliot’s employment of Dorothea’s Madonna and St. Theresa images to restore woman’s basic human needs and how her home epic reflects Feuerbach’s matter concept. After these discussions, I hope to offer an interesting interpretation of Eliot’s marital concept.
Subjects
喬治愛略特
婚姻
女性主義
基督教
費爾巴哈
George Eliot
Marriage
Feminism
Christianity
Feuerbach
SDGs
Type
thesis
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