夢覺皆寓─《寓山注》的園林詮釋系統
Resource
臺大中文學報, 15, 193-239
Journal
臺大中文學報
Journal Volume
15
Journal Issue
15
Pages
193-240
Date Issued
2001
Date
2001-12
Author(s)
Abstract
In the late Ming Dynasty, the trend of building garden was flourishing. The gardens were created as a livable, travelable, and human activities' space. At the same time, the garden writing also grew prosperously. Chi Piaochia (祁彪佳) built Yushan (寓山) and interpreted Yushan's landscape and imagery by writing prose (yuanji園記) and poetry. Yushan Chu (《寓山注》), a set of Chi's prose, was specially meaningful. First of all, the prose was written by garden owner so they can combine closely with the naming of sceney to explain the garden's arrangements, scenic structure, and the garden imagery. Second, just like every stay in one's visiting garden, the prose was diversified by different scenery. By means of this, the property and relation of scenic structure got devoted gaze. Third, the prose revealed the scenic structure, garden imagery, and the owner's spirit. The feeling of the dweller or the visitor can be relieved by words. Forth, the prose was edited by the garden owner's intention. It has a complete structure with appendix and annotation. It is the very model of the garden owner's garden writing in the late Ming dynasty. Chi annotated himself on landscape, built Yushan garden, and then annotated the subjective garden by this garden writing. This research tries to analyze Yushan Chu from the following points of view: the number of prose, the meaning of naming, the guide of scenic structure, and the expressing of garden imagery of subjectivity, through the writing of Chi's Yushan Chu tried to look for Yushan garden's possible multi-meanings. First, according to Chi's diaries, Yushan Chu, and Yushan paintings, we learned that there are sixty-one scenes in Yushan, and I offered a chronology of Yushan scenery's building, interpreted the succession of Chi family's studying “Yi” (《易》), and then explained why the number was set in forty-nine in Yushan Chu. In addition, I also try to explain the naming of the garden views, why Yushan was named after the former one, and concluded that both dreaming and awakening in life were sojourn. Furthermore, I analyze the scenic structure in Yushan Chu by means of the essentials of scenery, and the scenic guide. At last, I expoound the garden owner's sense of life concealed in the garden's imagery through the clan's feeling reflected in the garden's organization, the garden owner's mind developed by observing the scenery, and the observation of the change of nature by climbing high. Finally, sojourned landscape was no longer objective scenery, but deeply internalized in the garden owenr's subjective space.
Subjects
寓山
寓山注
祁彪佳
園林結構
園林意境
Yushan
Yushan Chu
Chi Piaochia
Garden structure
Garden imagery
Type
journal article