Analysis Literature Appearance of Nishkawa Mitsuru during Greater East Asia War--center around 《Taiwan Jyukan Tetsudou (Taiwan North-south Railway)》
|關鍵字:||西川滿;異國情調;皇民文學;外地文學主義;糞寫實主義;台灣縱貫鐵道;Nishikawa Mitsuru;Exoticism;Kou-Min Literature;Colonia Literature;Kuso Realism;Taiwan Jyukan Tetsudou||公開日期:||2011||摘要:||西川滿在戰時體制之下宣告要以新型態的美來表現國策文學。本論探討西川滿在戰爭時期當中文學風格的轉變，並以他在台灣最後的作品－－長篇歷史小說「台灣縱貫鐵道」為驗收的文本，試圖了解在政局影響之際，其因應戰時體制而生的新文學理念，在文學表現手法上產生的變與不變。
In order to accord with national policy during East Asia War, Nishikawa Mitsuru found a new way, which he called as “New Art” to write his novels. I will mainly analysis his historical novel “Taiwan Jyukan Tetsudou (Taiwan North-south Railway)”, which is also his last one written in Taiwan. And focus on his writing performance during this time. The main point of this thesis is to see how Nishikawa performed the “New Art” during this time, and whether his new challenge succeeded or not. According to the research result, Nishikawa Mitsuru once thought that art, logic and moral as individual values. However, during East Asia War, he was forced to combine art with moral into his novel. Therefore he had to think of a new saying which is known as “New Art” to show his new writing direction. Nevertheless, his old concept of art strongly influenced his writing style. Compare to his old novels, there is not much difference with his latest one. Before he tended to write about personal love, in “Taiwan Jyukan Tetsudou”, he changed it into the love of nation. So called “New Art” which is written in the novel, is actually refers to patriotism. This is the most different part from his old works. However, as seen from the representation of the story, the patriotism is obviously not his real thinking but only for following the national policy. Nishikawa’s attitude has always been a observer only, as in the past.
在 IR 系統中的文件，除了特別指名其著作權條款之外，均受到著作權保護，並且保留所有的權利。