A Study on the Pictures in Toson Shimazaki’s ?tranger: Focusing on the Machenism of Chevannes’s The Poor Fisherman
|關鍵字:||島崎藤村;『異鄉人』;〈新生事件〉;夏凡諾;〈貧窮的漁夫〉;機制;Toson Shimazaki;?tranger;Shinsei Event;Chevannes;The Poor Fisherman;Machenism||公開日期:||十二月-2015||期刊:||臺大日本語文研究||頁數:||27-49||摘要:||眾所周知，島崎藤村在妻子過世後，與來家裡幫忙家務的姪女駒子(二哥的第二個女兒)發生不倫關係，為了要擺脫不倫關係伴隨的苦惱，於大正二(1913)年4月留下駒子及小孩們，隻身遠渡法國。之後，於大正五(1916)年4月終於在海外生活劃下句點返回日本，為要找出一條生路，跟駒子的關係做一個了斷，決定透過寫成小說而將這層叔姪不可告人的關係公諸於世。
As most people knows, Toson Shimazaki committed adultery with his niece（the second daughter of his second brother）, Komako, who helped him with housework after his wife passed away. To escape from confrontations, he left Komako and his children behind, and fled to France along in April 1913. His life abroad ended in April 1916, when Toson went back to Japan, and tried to figure out a solution for the relationship. Afterwards, Toson decided to publish the episode in his new novel, and told publics about his incestuous affair, which is called “the Sinsei event”. After the Sinsei event went public, Toson started another new work called ?tranger, which is regarding his thoughts and 3-year life in France. In other words, the contents of ?tranger could be deemed as his escape from the incestuous affair, and therefore, bought him some time and space to figure out the final solution. In Toson’s time, France is a promised land for all artists. The spirits of art could be felt all over the country. The main character of ?tranger, Kishimoto（who actually implies Toson himself）, kept close relationships with many artists. Among those descriptions, the artist Chevannes and the scenes that Kishimoto appreciated his art works are with certain implications. This study focused on the implications of this artist, and expected to figure out how Chevannes’s most famous work, The Poor Fisherman, helped Kishimoto solve the Sinsei event , and eventually find his way home.
在 IR 系統中的文件，除了特別指名其著作權條款之外，均受到著作權保護，並且保留所有的權利。