https://scholars.lib.ntu.edu.tw/handle/123456789/13920
標題: | 王爾德社會劇中的顛覆 Subversive Dandyism in Oscar Wilde’s Society Comedies |
作者: | 鄭富櫻 Cheng, Fu-ying |
關鍵字: | 王爾德;丹蒂主義;戲劇性;Oscar Wilde;dandyism;theatricality | 公開日期: | 2005 | 摘要: | 本文將探討王爾德的戲劇技巧 – 其巧妙操作戲劇傳統慣例,他所利用的當時的時髦風潮,以及他本身特殊的國族文化背景對他的身分認同所造成的影響,三者之間密切糾纏的關係。 在王爾德的社會劇中,一些表面上遵守慣例,迎合觀眾品味的成分,其實隱含了顛覆性的想法。 透過對王爾德作品的審視,本文試圖呈現劇作家「政治性」的一面,他對社會的深刻批評,以及他對自我創造無限的想像。 This paper intends to examine Oscar Wilde’s literary strategy – his manipulation of the contemporary theatrical conventions – along with his deployment of dandyism and his cultural background of the Anglo-Irish which contributes to his ambiguous attitude toward self-identity. In Wilde’s society comedies, the seemingly conventional elements that appeal to the audiences’ taste are ironically the subversive ideas in disguise. Through the perusal of the playwright’s dramatic works, we would discover a “political” Wilde with trenchant criticism toward society and an unbounded vision toward his self-creation. |
URI: | http://ntur.lib.ntu.edu.tw//handle/246246/52692 | 其他識別: | en-US |
顯示於: | 外國語文學系 |
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ntu-94-R91122005-1.pdf | 23.53 kB | Adobe PDF | 檢視/開啟 |
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