https://scholars.lib.ntu.edu.tw/handle/123456789/16838
標題: | 臺灣散文體式變化之研究--以八0、九0年代為對象之考察(II) | 作者: | 何寄澎 | 關鍵字: | 80 年代;90 年代;體式;主體性;都市散文;女性書寫;自然寫作;旅遊散文;原住民散文;專業散文(音樂散文;運動散文;美術散文;飲食散文);eighties-nineties;style;subjectivity;urban prose;feminists prose;Naturing-concerning prose;tour prose;aboriginal prose;Professional prose (music prose;sport prose;art prose;cuisine prose) | 公開日期: | 31-八月-1999 | 出版社: | 臺北市:國立臺灣大學中國文學系暨研究所 | 摘要: | 80、90 年代台灣之散文創作,淵源於古典文學的傳統,結合眾聲喧嘩的外 國文學思潮,加上新興的本土文學意識,在題材開拓與技巧表現上,出現眾多一 新文壇耳目的作品。本計畫經由為期二年之研究,已得到如下的發現:在題材上, 勃興的原住民散文、女性書寫和自然寫作從邊緣位置發聲,分別在部落重建、性 別主體、和鄉土意識上追尋其主體性。這三種主體性的追求將會為台灣文學、台 灣社會、台灣文化帶來何種生機,值得進一步觀察。而在都市散文、旅遊散文、 專業散文方面,城市中的知識份子在冷靜地凝視都市生活同時,一面耽溺於各種 前人未能及的世紀末嗜癖,發展出其比專業人士更專業的文人式趣味,一面又不 安於狹窄的水泥叢林牢籠,不時背起行囊,掀起追尋自我的個性旅遊旋風;與前 面提及的三種集體主體性相較,可謂為一種個體主體性的文學表現,兩者適成拉 鋸關係。然而觀其角力結果,可喜的是:集體主體性中的個體亦能昂首闊步(如 女性主義中的瘋女形象— — 反體制的隱喻— — 比其他女性突出),不再如80 年代 以前有集體即無個體的聲音;而個體主體性亦有彙成集體風氣的趨勢(如個性旅 遊已慢慢變成一種全民運動)。這種交叉影響在下一世紀的台灣散文中,將會以 何種面貌出現,應該是散文研究另一個可以嘗試的起點。 With the combination of its own literary tradition and foreign literary thoughts, Taiwan’s prose writing in the eighties and nineties has made 2 great progress in creating new genres and polishing skills. As for new genres , the booms of aboriginal prose, Feminists prose and natureconcerning writing represent an awakening from its absence in the past. Thanks to the ethnic issues, western thinking and environmental protection movement in the eighties, a great amount of relevant prose came into being. These works has one thing in common: they all have unique subjectivity. And we believe these subjectivities might form some kind of collective subjectivity in Taiwan’s culture some day. On the contrary, a sort of Individual subjectivity is taking shape in Urban prose, Professional prose and tour prose writing. Writers in the cities observe Urban life coolly and indulge themselves in weird senses of tastes, which are so professional that could be viewed as their second professions. Sometimes they walk out of cities and try to find themselves back again in a tour, which symbolize a crusade of finding identity and represent a kind of individual subjectivity. This individual subjectivity fights the collective subjectivity, and the consequence is that Individual subjectivity is no longer overshadowed by collective subjectivity and that some new collective subjectivity is formed by separate individual subjectivity. This cross influence might be a focus of Taiwan literature in the next century. |
URI: | http://ntur.lib.ntu.edu.tw//handle/246246/4352 | 其他識別: | 882411H002015 | Rights: | 國立臺灣大學中國文學系暨研究所 |
顯示於: | 中國文學系 |
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882411H002015.pdf | 48.48 kB | Adobe PDF | 檢視/開啟 |
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