https://scholars.lib.ntu.edu.tw/handle/123456789/17790
標題: | 重探中國人文傳統的自然觀─中古詩學中的自然1/3 Reconsidering the Concepts of Nature in the Chinese Humanistic Tradition-- Nature in Chinese Medieval Poetics |
作者: | 蔡瑜 | 關鍵字: | 中古;六朝;唐代;詩學;自然;山水詩;田園詩;身體空間;陶淵;Chinese Medieval;Six Dynasties;Tang Dynasty;Poetics;Nature;Landscape Poetry;Pastoral Poetry;Body and Space;Tao Yuang-Ming | 公開日期: | 31-十月-2003 | 出版社: | 臺北市:國立臺灣大學中國文學系暨研究所 | 摘要: | 本計畫擬以六朝以迄唐代詩歌中所呈顯的自然為研究範圍,以一系列詩歌作品為研究核心,企圖輻湊出自然在中古詩學中的光譜。在思辨方法上,由於在中國人文傳統中「自然」一辭往往指自然而然、自己如此,亦即萬物順其體性的存在狀況,透顯出「人在自然之中」,人與自然的相互蘊涵性。其中精義必須跳脫心與身、情與物的二元對立,乃至於「孤立的主體所感受之自然」與「客觀主義的物質性之自然」的兩極之外,而帶著「體現意義」的體察,方能切中肯棨。因此,本計畫一方面著重開展各個詩人如何覺知、體現自然的多元風貌,舉凡比興物色、歲時節氣、行旅遊覽、身觀物游皆在討論之列;另一方面以上述的分析為 基礎,進一步對詩歌史的分類如山水詩、田園詩、自然詩、園林詩,乃至於詠懷詩、遊仙詩、玄言詩的彼此界限與相互關涉重新檢視,以反思中古詩歌在自然涵括上的流衍變化。 計劃分三年進行。第一年進行「陶詩中的身體與自然」,著重探討陶淵明在田園中的「身體空間」與「復返自然」之間的聯繫,以「聯覺的效應」、「氣的流動交匯」、「酒的渾融開啟」彰顯陶淵明的身體與自然相互蘊涵的境界。 The project covers the idea of nature as presented in poetry from Six Dynastiesto Tang Dynasty and focuses on a special series of poems. The aim is to delineate the spectrum of nature in Medieval poetry. In Chinese humanist tradition, “nature” usually refers to the way things are in itself, that is, the mode of existence of things in accordance with their essence. Hence human beings are in nature; humans and nature are in reciprocal immersion. The idea is to go beyond the dichotomy of mind and body, of the mental and the material, so as to position oneself within the extremes of “nature as perceived by an isolated subject” and “nature as objectivist materiality”. To know this relation is to experience it in the embodied way. Based on this methodological consideration, the project scrutinizes how each poet perceives and embodies the diversity of nature’s way, be it in allusions to everyday objects, seasons and fests, traveling and sighting, intimate observing and playing. And then an attempt is made to use these analyses to rethink the distinctions and mutual references among the traditional poetic genres such as landscape poetry, pastoral poetry, naturalist poetry, garden poetry, and immortal poetry and metaphysical poetry, and to depict the trajectory of nature in Medieval poetry. The project will proceed in a three-year period. This first year focuses on the body and nature in Tao Yuan-ming’s poetry, exploring the connection between “bodily space” and “returning to nature” in Tao’s pastoral poetry, and drawing on “associative effects”, “inter-flux of Chi” and “splendid release of alcohol” to explicate the reciprocal immersion of body and nature in Tao’s poetry. |
URI: | http://ntur.lib.ntu.edu.tw//handle/246246/29467 | 其他識別: | 912411H002067AD | Rights: | 國立臺灣大學中國文學系暨研究所 |
顯示於: | 中國文學系 |
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912411H002067AD.pdf | 1.08 MB | Adobe PDF | 檢視/開啟 |
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