DC 欄位 | 值 | 語言 |
dc.contributor.author | 蔡瑜 | zh_TW |
dc.creator | 蔡瑜 | - |
dc.date | 2004-10-31T05:53:40Z | zh_TW |
dc.date.accessioned | 2006-08-23T04:33:36Z | en |
dc.date.accessioned | 2018-05-29T05:53:40Z | - |
dc.date.available | 2006-08-23T04:33:36Z | en |
dc.date.available | 2018-05-29T05:53:40Z | - |
dc.date.issued | 2004-10-31T05:53:40Z | - |
dc.identifier | 922411H002053AD | en |
dc.identifier.uri | http://ntur.lib.ntu.edu.tw//handle/246246/29468 | - |
dc.description.abstract | 本年期計畫嘗試從身體空間出發,透過陶詩,析論身體空間與世界相互蘊涵的旅程,從而揭示陶淵明所謂「復返自然」的意蘊。
計畫分為四個主要部分,第一部分「復返的途徑」揭示理論基礎,提點身體
空間與復返自然的關係,說明身體空間是一種處境的空間,身體是一切知覺意識
的基礎,世界意義的根源。而「自然」則是本來如此、順其自然,亦即「人在世
界」應有的狀態,復返自然便是回到此原初的狀態。
第二部分「回歸園田的大地安居」,從農耕的節奏、鄰里間的互動,勾勒陶
淵明的在世安居是向著土地與真樸復返,並以田園中的「虛室」說明身心與世界
的互滲關係。
第三部分「清和靜遠的共存結構」,從聯覺或通感現象說明各種知覺越界、
交滲的關係才是人在世界中根本性的經驗,而感覺主體則是與生存環境同源共
生,被身體所記憶的是人事物或各種環境所渾融的整體氛圍,並由此展開陶詩中
清、和、靜、遠的境界分析。
第四部分「氣的流動與身心空間」,以氣的流動交匯說明氣對身心狀態的牽
引,以及人與自然經由氣的交流感應,使身體的空間結構處於能動與可變的境
域,最終則以內外如一的流動,體現身體與自然的和諧。
結尾則揭示「一生即是一身」,最終的復返便是歸向死亡,生死在萬化之中
流行,復返自然洵為一乘化的姿態。 | zh_TW |
dc.description.abstract | This project essay starts with the idea of “bodily space” in Tao Yuan-ming’s poetry and explore the journey of mutual immersion between "bodily space" and the world,
in order to reveal what Tao means by “returning to nature”.
The project is divided into four parts. The first part, “ways of returning”, focuses on
the relationship between bodily space and returning to nature. Bodily space is a
situational space, where the body is the ground of all perception and consciousness,
the origin of the meaningful world. “Nature” signifies “the way it is”; “following its
nature” means the state in which “being-in-the-world” should be. Thus, returning to
nature means returning to this primordial state.
The second part, “dwelling on the earth by returning to the farm”, ponders on the
rhythm of farming cycle and the interaction of local community, in order to delineate
Tao’s dwelling-in-the-world as a reversion to the land and to “down-to-earth-ness”. It
also explicates the mutual penetration of the mind-body and the world in terms of the
“empty-room” in the farmland.
The third part, “the co-existence of pure-peace-serene-remote-ness”, explores the
phenomenon of associative perception or communication, to show how various
perceptual transgression and mutual immersion should be the fundamental experience
of human beings in the world. The perceptual subject is co-originated and co-existent
with its habitat. What the body memorizes is the over-all atmosphere in which persons,
things, objects and various environments are immersed.
The fourth part, “the flows of Chi and bodily space”, explains how the mind-body
states are led by Chi, and how human being and nature interact in the flows of Chi so
that the structure of bodily space can be in a mobile and changeable state. The section
ends with the integration of internal and external flows which embodies the harmony
of the body and nature.
The conclusion highlights the idea of “a life is a body”; the ultimate reversal is the
reaching to death. Life and death is part of the movement of universal change.
Returning to nature is therefore a gesture of going along with universal change. | en |
dc.format | application/pdf | en |
dc.format.extent | 360621 bytes | en |
dc.format.mimetype | application/pdf | en |
dc.language | zh-TW | zh_TW |
dc.language.iso | zh_TW | zh_TW |
dc.publisher | 臺北市:國立臺灣大學中國文學系暨研究所 | zh_TW |
dc.rights | 國立臺灣大學中國文學系暨研究所 | zh_TW |
dc.subject | 中古 | zh_TW |
dc.subject | 六朝 | zh_TW |
dc.subject | 詩學 | zh_TW |
dc.subject | 自然 | zh_TW |
dc.subject | 山水詩 | zh_TW |
dc.subject | 田園詩 | zh_TW |
dc.subject | 身體空間 | zh_TW |
dc.subject | 陶淵明 | zh_TW |
dc.subject | Chinese Medieval | en |
dc.subject | Six Dynasties | en |
dc.subject | Poetics | en |
dc.subject | Nature | en |
dc.subject | Landscape Poetry | en |
dc.subject | Pastoral Poetry | en |
dc.subject | Body and Space | en |
dc.subject | Tao Yuan-Ming | en |
dc.title | 重探中國人文傳統的自然觀─中古詩學中的自然(2/3) | zh_TW |
dc.title | Reconsidering the Concepts of Nature in the Chinese Humanistic
Tradition-- Nature in Chinese Medieval Poetics | en |
dc.type | report | zh_TW |
dc.identifier.uri.fulltext | http://ntur.lib.ntu.edu.tw/bitstream/246246/29468/1/922411H002053AD.pdf | - |
dc.coverage | 計畫年度:92;起迄日期:2003-08-01/2004-10-31 | zh_TW |
item.fulltext | with fulltext | - |
item.cerifentitytype | Publications | - |
item.openairetype | report | - |
item.languageiso639-1 | zh_TW | - |
item.openairecristype | http://purl.org/coar/resource_type/c_93fc | - |
item.grantfulltext | open | - |
crisitem.author.dept | Chinese Literature | - |
crisitem.author.orcid | 0000-0001-8151-6161 | - |
crisitem.author.parentorg | College of Liberal Arts | - |
顯示於: | 中國文學系
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