https://scholars.lib.ntu.edu.tw/handle/123456789/19879
標題: | 商代玉器 | 作者: | 陳芳妹 | 關鍵字: | 青銅時代;新時器時代;殷墟時代;Bronze age;Neolithic age;Shang jade | 公開日期: | 24-二月-2003 | 出版社: | 臺北市:國立臺灣大學藝術史研究所 | 摘要: | 商代玉器研究與新石器時代玉器研究,最大的不同在於商代玉器已進入青銅時代。青銅挾其甫入青銅時代的新興材質對新石器時代以來,以玉與陶作為主要質材的隨葬禮制產生了衝擊,而形成玉、陶、銅為主要發展的質材。商代玉器藝術的形象與角色有別於新石器時代而產生了位移與調整,對商代藝術特質的形成,有舉足輕重的影響。 本計劃的從這個角度討論商代玉器。青銅兵器出現以後的商代,商代玉器對新石器時代已形成的「兵器的禮制化」功能及「人體裝飾」功能二方面作了調整。在安陽這種人體裝飾功能的強化,比其它區域都明顯,也發展出新的紋飾、形物技巧,對玉器在禮制系統中的角色有了新的詮釋,充實了商代玉器藝術發展的主要內容。而與三星堆祭祀坑以及金沙遺址保留了大量的玉兵不同;而江西新淦選擇「非玉」質材,如葉臘石、磷鋁石等充當複雜的玉造型及玉紋飾,似乎說明了玉礦源的不足,或其它硬度較軟的美麗質材價值的發現或取代。 The role of Shang jade in the burial goods has been changed since the bronze age. During the Neolithic period, the jade antifacts were mainly for ritual weapon and ornamentations. However, when bronze was used during the Shang period, the jade antifacts changed their roles and probably influenced their artistic charachteristic in the Chinese jade art history. During the Shang Dynasty, the bronze weapons were manufactured, the An-yang jade artifacts were much manufactured for ornamentation than before. The new technique for design and forms evolved in the An-yang during the Late Shang period. It is different from the San-hsing-tui and Chin-sa where the jade weapons are mainly for the jade antifact. In contract, in Hsingan of Chingshi of the Late Shang period, some particular materials were used for the complicated design and form of jade-like artifacts. It seems to reflect that the lack of the jade sources or that the new value for the material evolved. |
URI: | http://ntur.lib.ntu.edu.tw//handle/246246/28764 | 其他識別: | 902412H002008 | Rights: | 國立臺灣大學藝術史研究所 |
顯示於: | 藝術史研究所 |
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