Repository logo
  • English
  • 中文
Log In
Have you forgotten your password?
  1. Home
  2. College of Liberal Arts / 文學院
  3. Art History / 藝術史研究所
  4. 碑與帖的交會-錢泳《攀雲閣帖》在清代書史中的意義
 
  • Details

碑與帖的交會-錢泳《攀雲閣帖》在清代書史中的意義

Resource
國立臺灣大學美術史研究集刊, 31, 205-276
Journal
國立臺灣大學美術史研究集刊
Journal Issue
31
Pages
205-276+324
Date Issued
2011-09
Date
2011-09
Author(s)
盧慧紋  
DOI
10.6541/TJAH.2011.09.31.04
URI
http://ntur.lib.ntu.edu.tw//handle/246246/281775
http://doi.org/10.6541/TJAH.2011.09.31.04
http://ntur.lib.ntu.edu.tw/bitstream/246246/281775/1/0031_201109_4.pdf
Abstract
Model Calligraphy of Panyunge (Panyunge tie), completed in 1818 by the calligrapher Qian Yong (1759-1844), was the first compilation of model calligraphy that featured exclusively ancient works of Han dynasty steles (dated from the second to the early third centuries). It marked a turning point in the history of Chinese calligraphy where ancient stone inscriptions became canonical models. Up to that time, for nearly 1500 years, works by the fourth-century calligrapher Wang Xizhi (303-361) and his followers dominated what were considered classics and worthy models in Chinese calligraphy. As antiquarianism and antiquarian studies (jinshixue) came in vogue in the 18th century, ancient bronze vessels and stone carvings turned into sought-after items. Vast numbers of them were unearthed, recorded, reproduced, and studied. Model Calligraphy of Panyunge epitomizes the efforts of scholars and calligraphers of the 19th century in organizing and making sense of these newly discovered materials. Its appearance blurred the line between the traditions of “stele” (bei or beixue) and “model calligraphy” (tie or tiexue), the popular pair of concepts in discourses of Qing calligraphy. Model Calligraphy of Panyunge was later commercially reprinted as the Grand Collection of Han Steles (Hanbei daguan) in the early 20th century, gaining an even wider circulation and exerting greater impacts. This paper investigates the production, distribution, and impacts of Model Calligraphy of Panyunge, hoping to offer new insights into the great changes in calligraphy during the Qing period.
Subjects
錢泳、攀雲閣帖、金石學、碑學、帖學、漢碑大觀 (Qian Yong, Model Calligraphy of Panyunge (Panyunge tie), jinshixue, beixue, tiexue, Grand Collection of Han Steles (Hanbei daguan))
Type
journal article
File(s)
Loading...
Thumbnail Image
Name

0031_201109_4.pdf

Size

31.25 MB

Format

Adobe PDF

Checksum

(MD5):332dda098fe057507299d724eefc82d0

臺大位居世界頂尖大學之列,為永久珍藏及向國際展現本校豐碩的研究成果及學術能量,圖書館整合機構典藏(NTUR)與學術庫(AH)不同功能平台,成為臺大學術典藏NTU scholars。期能整合研究能量、促進交流合作、保存學術產出、推廣研究成果。

To permanently archive and promote researcher profiles and scholarly works, Library integrates the services of “NTU Repository” with “Academic Hub” to form NTU Scholars.

總館學科館員 (Main Library)
醫學圖書館學科館員 (Medical Library)
社會科學院辜振甫紀念圖書館學科館員 (Social Sciences Library)

開放取用是從使用者角度提升資訊取用性的社會運動,應用在學術研究上是透過將研究著作公開供使用者自由取閱,以促進學術傳播及因應期刊訂購費用逐年攀升。同時可加速研究發展、提升研究影響力,NTU Scholars即為本校的開放取用典藏(OA Archive)平台。(點選深入了解OA)

  • 請確認所上傳的全文是原創的內容,若該文件包含部分內容的版權非匯入者所有,或由第三方贊助與合作完成,請確認該版權所有者及第三方同意提供此授權。
    Please represent that the submission is your original work, and that you have the right to grant the rights to upload.
  • 若欲上傳已出版的全文電子檔,可使用Open policy finder網站查詢,以確認出版單位之版權政策。
    Please use Open policy finder to find a summary of permissions that are normally given as part of each publisher's copyright transfer agreement.
  • 網站簡介 (Quickstart Guide)
  • 使用手冊 (Instruction Manual)
  • 線上預約服務 (Booking Service)
  • 方案一:臺灣大學計算機中心帳號登入
    (With C&INC Email Account)
  • 方案二:ORCID帳號登入 (With ORCID)
  • 方案一:定期更新ORCID者,以ID匯入 (Search for identifier (ORCID))
  • 方案二:自行建檔 (Default mode Submission)
  • 方案三:學科館員協助匯入 (Email worklist to subject librarians)

Built with DSpace-CRIS software - Extension maintained and optimized by 4Science