Skip navigation
  • 中文
  • English

DSpace CRIS

  • DSpace logo
  • Home
  • Organizations
  • Researchers
  • Research Outputs
  • Explore by
    • Organizations
    • Researchers
    • Research Outputs
  • Academic & Publications
  • Sign in
  • 中文
  • English
  1. NTU Scholars
  2. 文學院
  3. 音樂學研究所
Please use this identifier to cite or link to this item: https://scholars.lib.ntu.edu.tw/handle/123456789/20373
DC FieldValueLanguage
dc.contributor王櫻芬zh-TW
dc.contributor臺灣大學:音樂學研究所zh-TW
dc.contributor.author高沛秀zh-TW
dc.contributor.authorKao, Pei-Hsiuen
dc.creator高沛秀zh-TW
dc.creatorKao, Pei-Hsiuen
dc.date2009en
dc.date.accessioned2010-05-05T01:57:16Z-
dc.date.accessioned2018-05-29T08:54:25Z-
dc.date.available2010-05-05T01:57:16Z-
dc.date.available2018-05-29T08:54:25Z-
dc.date.issued2009-
dc.identifier.otherU0001-1108200922074300en
dc.identifier.urihttp://ntur.lib.ntu.edu.tw//handle/246246/178981-
dc.description.abstract皇民奉公會的音樂動員運動要日治時期音樂史中,有關「音樂動員運動」層面的討論,過去一直受到忽略。因此,本論文試圖將1941年至1945年間皇民奉公會在台灣的「音樂動員運動」,從主管機構、文化統制、宣傳等層面,來分析其作為一種言說、論述(discourse)的意義,亦即將音樂動員運動視為殖民政府支配人民思想的體系。出發點之一,是希望藉由解讀專制政權的音樂動員運動,找出官方是如何利用音樂進行「社會控制」和「政治動員」的技術。另一方面則是藉由梳理這些全民動員的音樂活動,了解當時的音樂生活。民奉公會在台四年多的音樂動員運動,隨著其「精神母體」大政翼贊會而起舞,其中亦不乏針對台灣的殖民地性格有所修正,第一階段的地方文化論,催生混雜著日本色彩的島國民謠。1943年戰情急轉直下,更使得後方的音樂動員達到巔峰,一波接著一波地襲捲而來,第二階段採「排除異己」以及「頌揚新聲」雙管齊下,禁絕英美唱片並以「國民皆唱」進行全民精神總動員,以教化形塑人民戰爭意識。最後一個階段已屆戰爭末期,音樂回歸到原來的本質-慰安,移動藝能隊慰勞農村漁村等生產戰士,這三個階段映照了音樂在戰爭的扮演的角色。zh-TW
dc.description.abstractMusic Mobilization Movement of the Kominhokokaibstractreviously, the discussion related to “music mobilization movement” was often neglected in the music history during the period of Japanese rule. Therefore, this research aims at investigating the “music mobilization movement” of Kominhokokai in Taiwan through the aspects of administration authority, social governance and propaganda from 1941 to 1945. Subsequently, the significance of the discourse is analyzed by considering the music mobilization movement as the system of colonial government in manipulating the people’s mind. One of the starting points is to discover the techniques for utilization of music in “social control” and “political mobilization” by the authorities, which based on the interpretation of autocratic regime in the music mobilization movement. On the other hand, the former music and live can be examined by coordinating the musical activities of civil mobilization.n addition, the musical policy of Kominhokokai during the four-year period in Taiwan was initiated by the “spiritual matrix” of Taisei Yokusan Kai (Imperial Rule Assistance Association), which included several amendments directed toward the colony disposition of Taiwan. The initial stage of local cultural theory included local folk songs composed and incorporated with Japanese elements. During 1943, the war situation had intensified and the later music mobilization achieved its peak with revolving waves of influence. Furthermore, the movement for “Exclusion of Objection” and “Praise for New Voice” were simultaneously promoted to ignite Japanese spirit. Besides, the western musical records were banned and “All People Sing” was implemented for civil spiritual mobilization in the purpose of educating war consciousness to the civilians. By the end of the war, the final stage was symbolized by the reverting of music to its fundamental essence – comfort. For instance, the mobilized entertainer groups would exhilarate the warriors from agricultural and fishing villages. In summary, these three stages demonstrated the role of music in war.en
dc.description.tableofcontents目次試委員會審定書............................................................................................i謝..............................................................................................................ii文摘要........................................................................................................iii文摘要.......................................................................................................iv一章 緒論 1二章 皇民奉公會的音樂動員運動 6一節 皇民奉公會的文化統編 6二節 皇民奉公會的音樂動員運動 14三章 敵性曲盤供出運動 39一節 實施進程 39二節 音樂內容 53三節 說詞比對 57結 61四章 攘夷之聲 63一節 募集愛國歌曲 63二節 國民皆唱運動 68三節 藝能大會及新臺灣音樂運動 81結 89五章 結論 90、「演奏禁止米英音盤一覽表」................................................................93、譜例1台灣樂しや......................................................................................1422豐年踊...........................................................................................144考文獻….............................................................................................. 147en
dc.formatapplication/pdfen
dc.format.extent50567084 bytes-
dc.format.mimetypeapplication/pdf-
dc.languagezh-TWen
dc.language.isoen_US-
dc.subject日治時期zh-TW
dc.subject皇民奉公會zh-TW
dc.subject敵性曲盤供出運動zh-TW
dc.subject戰爭zh-TW
dc.subject思想形塑zh-TW
dc.subject音樂zh-TW
dc.subject媒體zh-TW
dc.subjectperiod of Japanese ruleen
dc.subjectKominka movementen
dc.subjectconfiscation of tune platteren
dc.subjectwaren
dc.subjectideological and political educationen
dc.subjectmusicen
dc.subjectmediaen
dc.title皇民奉公會的音樂動員運動zh-TW
dc.titleMusic Mobilization Movement of the Kominhokokaien
dc.identifier.uri.fulltexthttp://ntur.lib.ntu.edu.tw/bitstream/246246/178981/1/ntu-98-R92144003-1.pdf-
item.grantfulltextopen-
item.fulltextwith fulltext-
item.languageiso639-1en_US-
Appears in Collections:音樂學研究所
Files in This Item:
File Description SizeFormat
ntu-98-R92144003-1.pdf23.53 kBAdobe PDFView/Open
Show simple item record

Page view(s) 10

37
checked on Dec 14, 2020

Download(s) 5

12
checked on Dec 14, 2020

Google ScholarTM

Check

Related Items in TAIR


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.

臺大位居世界頂尖大學之列,為永久珍藏及向國際展現本校豐碩的研究成果及學術能量,圖書館整合機構典藏(NTUR)與學術庫(AH)不同功能平台,成為臺大學術典藏NTU scholars。期能整合研究能量、促進交流合作、保存學術產出、推廣研究成果。

To permanently archive and promote researcher profiles and scholarly works, Library integrates the services of “NTU Repository” with “Academic Hub” to form NTU Scholars.

總館學科館員 (Main Library)
醫學圖書館學科館員 (Medical Library)
社會科學院辜振甫紀念圖書館學科館員 (Social Sciences Library)

開放取用是從使用者角度提升資訊取用性的社會運動,應用在學術研究上是透過將研究著作公開供使用者自由取閱,以促進學術傳播及因應期刊訂購費用逐年攀升。同時可加速研究發展、提升研究影響力,NTU Scholars即為本校的開放取用典藏(OA Archive)平台。(點選深入了解OA)

  • 請確認所上傳的全文是原創的內容,若該文件包含部分內容的版權非匯入者所有,或由第三方贊助與合作完成,請確認該版權所有者及第三方同意提供此授權。
    Please represent that the submission is your original work, and that you have the right to grant the rights to upload.
  • 若欲上傳已出版的全文電子檔,可使用Sherpa Romeo網站查詢,以確認出版單位之版權政策。
    Please use Sherpa Romeo to find a summary of permissions that are normally given as part of each publisher's copyright transfer agreement.
  • 網站簡介 (Quickstart Guide)
  • 使用手冊 (Instruction Manual)
  • 線上預約服務 (Booking Service)
  • 方案一:臺灣大學計算機中心帳號登入
    (With C&INC Email Account)
  • 方案二:ORCID帳號登入 (With ORCID)
  • 方案一:定期更新ORCID者,以ID匯入 (Search for identifier (ORCID))
  • 方案二:自行建檔 (Default mode Submission)
  • 方案三:學科館員協助匯入 (Email worklist to subject librarians)
Build with DSpace-CRIS - Extension maintained and optimized by Logo 4SCIENCE Feedback