Issue Date | Title | Author(s) | Source | scopus | WOS | Fulltext/Archive link |
2014 | Ancient Monuments Re-envisioned: Antiquarian Aesthetics and Transmedia Narratives in Nineteenth-Century China | HUI-WEN LU | Art History Workshop | | | |
2015 | Ancient Monuments Re-envisioned: Antiquarian Aesthetics and Transmedia Narratives in Nineteenth-Century China | 盧慧紋 | 2015年明清研究學術研討會「複製:明清視覺文化中的媒材、風格與視覺性」論文組 | | | |
2006 | Ancient Thai Ceramics through 20th Century Photographs | 謝明良 | National Palace Museum Bulletin | | | |
2008 | Another Role and World: Southeast Asian Ceramics | Sakai Takashi ; National Palace Museum | | | | |
2012 | The Application and Extension of Clan-Ethical Feng Shui Belief on Hakka Residential Building | LAN-SHIANG HUANG | Seminar of Sinology, Berlin, Germany | | | |
2005 | Archaeology and Maritime History - from Indonesian Port Cities on Pre-Modern Age | Sakai Takashi | | | | |
2022 | The Arrival of a New Colour Palette in 18th Century Jingdezhen | CHING-FEI SHIH | Le secret des couleurs : céramiques de Chine et d'Europe du XVIIIe siècle à nos jours = The secret of colours : ceramics in China and Europe from the 18th century to the present | | | |
2015 | The Art of the Uprooted: Tateishi Tetsuomi, a Nisei from Taiwan | HAN-NI CHIU | AAS in Asia Conference | | | |
2007 | At the emperor's invitation: Literary gathering and the emergence of imperial garden space in northern Song painting | YUN-RU CHEN ; Donald E BRIX | Orientations | | | |
1992 | The Beauty in Tang Buddhist Art | Yen, Chuan-Ying | The Chinese Pen | | | |
2003 | Bedazzling Free-form Assembly: Wang Chen-p'eng's Ruled Line Painting and Collecting Activities of the Yuan Court | YUN-RU CHEN | International Symposium, Art in China: Collections and Concepts | | | |
2003 | Bedazzling Free-form Assembly:Wang Chen-p'eng's Ruled Line Painting and Collecting Activities of the Yüan Court | Yun-Ru Chen; YUN-RU CHEN | Art in China: Collections and Concepts, International Symposium | | | |
2023 | Branding Jingdezhen Blue-and-White Porcelain in the Fourteenth Century with Special Reference of Islamic Market | CHING-FEI SHIH | AAH Annual Meeting 2023 | | | |
1999 | Bronze Weapon from the South:The Xingan Case”Exploring Cnina’s Past:New Discoveries And Studies In Art And Archaeology | Chen, Fang-mei | London,Saffron | | | |
2013 | The 'cabinet of curiosity' of the Qianlong Era | CHING-FEI SHIH | | | | |
1988 | Calligraphy and the East Asian Book, p.21-24, 53-75, 113-120 | Chen, Pao-Chen ; 陳葆真 ; Mote, Frederick W. | | | | |
1994 | The Calligraphy of Li Kung-lin in the Classic of Filial Piety | 朱惠良 | Li Jung-lin's Classic of Filial | | | |
1999 | Calligraphy of Stone Engravings in Northern Wei Loyang | HUI-WEN LU | Character & context in Chinese calligraphy | | | |
1999 | Calligraphy of Stone Engravings in Northern Wei Loyang | 盧慧紋 | Character and Context in Chinese Calligraphy 國際學術研討會 | | | |
2022 | A Case Study of Tribute Gift from the ‘Western Ocean’: Wooden Goblets with Nesting Cups in the Qing Court | CHING-FEI SHIH | Tribute System and Rulership in Late Imperial China | | | |