公開日期 | 標題 | 作者 | 來源出版物 | scopus | WOS | 全文 |
1993 | Cave of Thousand Buddhas:the Wan-Fo Cave at Long-men | Yen, Chuan-Ying | The Chinese Pen | | | |
1991 | Challeng the Past:The Paintings of Chang Dai-Chien | 傅申 | | | | |
2006 | The Change of Ceramic Trade between China and Middle East from 13th to 14th Centuries | CHING-FEI SHIH | The XIV International Economic History Congress | | | |
1987 | Chinese Painting in the Imperial Age, Part 3:The Yuan Dynasty | Lee, Yu-Min | Arts of Asia | | | |
2004 | The Construction and Evolution of Modern Architecture of Traditional Taiwanese style | 黃蘭翔 | The 18th Conference, The International Association of Historians of Asia | | | |
1992 | Continuous Hidden Markov Models Integrating Transitional and Instantaneous Features for Mandarin Syllable Recognition | Lee, Yu-Min; Lee, Lin-Shan | 1992 International Conference on Computer Processing of Chinese and Oriental Languages, CLCS, Sand Key, Fl(1992.12) | | | |
1993 | Continuous Hidden Markov Models Integrating Transitional and Instantaneous Features for Mandarin Syllable Recognition | Lee, Yu-Min; Lee, Lin-Shan | Computer Speech and Language | | | |
2019 | "Copies and Reproductions in Chinese Calligraphy: The Case of Monk Huaisu's 'Autobiographical Essay' "專題演講 | HUI-WEN LU | | | | |
2019 | Crafting 'Cuboctahedron' (Archimedean solid) in Canton Ivory Spheres | CHING-FEI SHIH | "Crafted Knowledge in a Globalized World" Workshop | | | |
2015 | Cross the border: Ceramic industries along the Red River from 14th to 16th Centuries | CHING-FEI SHIH | Euraseaa2015, 15th International Conference of the European Association of Southeast Asian Archaeologists | | | |
2020 | Cross-media Interaction between the Buddhist and Funerary Context: The Transmission of the Donor Images in the Dunhuang Cave 285 as a Case Study | CHUN-I LIN | The panel “Buddhist Images across Borders: The Transmission of Dunhuang Mural Imagery in the 6th-13th century” at the AASA conference | | | |
2018 | Cultural and Technological Contending in the high Qing court (1662-1795): Three wondrous tribute objects from the ‘West’ | CHING-FEI SHIH | Tribute System and Rulership in Late Imperial China | | | |
2017 | Cultural Contending: Kangxi Painted Enamelware as Global Competitor | CHING-FEI SHIH | 歐洲亞洲藝術與考古學會2017年會 | | | |
2017 | Delft Polychrome Wares of Late 17th to Early 18th Century in a Global Context | CHING-FEI SHIH | Dutch Art in the Seventeenth Century | | | |
1992 | The Development of Late Shang Bronze Weapons. A Study Based on the Development of the Style of Bronze Yue Axes | 陳芳妹 | | | | |
2018 | The Development of the Ornaments on Ceramics from Northern Qi to Tang China | CHUN-I LIN | The panel “Tracing the Evidence in Time and Space: The Travels of Transcultural Imagery in Medieval China and Asia (4th-12th Centuries)” at the AASA conference | | | |
2019 | "Dong Qichang (1555-1636) and His Study of Scripture Scrolls of the Eighth Century"專題演講 | HUI-WEN LU | | | | |
2015 | The Early Modern Revolutionary Transformation of Colour Palettes: Qing Painted enamelwares as an Example | CHING-FEI SHIH | 14th ICHSEA: 14th International Conference on the History of Science in East Asia | | | |
2015 | Eine vergoldete Schale mit Deckel aus der Sammlung der Konoe-Familie | MING-LIANG HSIEH | Elegante Zusammenkunft im Gelehrtengarten: Studien zur Ostasiatischen Kunst zu Ehren von Jeong-hee Lee-Kalisch / Elegant Gathering in a Scholar's Garden: Studies in East Asian Art in Honor of Jeong-hee Lee-Kalisch | | | |
1999 | The embodied image : Chinese calligraphy from the John B. Elliott Collection | Robert E. Harrist, Jr.; Wen C. Fong; 盧慧紋圖版說明 | | | | |