公開日期 | 標題 | 作者 | 來源出版物 | scopus | WOS | 全文 |
2004 | 1930年代台灣藝旦的音樂活動
--以《三六九小報》為主要分析文獻 | 莊于寬; Yu-Kuan, Chuang | | | | |
2003 | 20 世紀下半以來美國音樂學界對樂曲的重要價值觀 | 王育雯 | 美國音樂研討會 | | | |
2012 | The Absent Hero: On Bunya Koh’s Unfinished Musical Journey and His Incomplete Project of Modernity | CHIEN-CHANG YANG | the Meeting of International Musicological Society. Rome | | | |
2014 | The Absent Hero: On Bunya Koh’s Unfinished Musical Journey and His Incomplete Project of Modernity. | CHIEN-CHANG YANG | Contemporary Music in East Asia | | | |
2003 | Amateur Music Clubs and State Intervention: The Case of Nanguan Music in Postwar Taiwan(業餘音樂社團與政府介入:以戰後臺灣南管樂界為例) | 王櫻芬 | Min-su Ch'u-yi ( Journal of Chinese Ritual, Theatre and Folklore) 141: 95-167 | | | |
2023 | Anticipating the main theme: A model for understanding prospective memory and reward learning in sonata-form listening | CHEN-GIA TSAI | Musicae Scientiae | | | |
2012 | Antonio Caldara in Vienna (1716-1736) and the ‘Indigenization’ of an Italian Composer at a Foreign Italianate Court | JEN-YEN CHEN | Sun Yat-sen Journal | | | |
2012 | Antonio Caldara in Vienna (1716-36) and the "Indigenization" of an Italian Composer at a Foreign Italianate Court | 陳人彥(Jen-Yen Chen) ; JEN-YEN CHEN | 中山人文學報 | 0 | 0 | |
2003 | The Aristocratic House Orchestras of Mid-Eighteenth-Century Austria: Private Context and Public Expression in the Genre of Symphony | JEN-YEN CHEN | sixty-ninth annual meeting of the American Musicological Society | | | |
2010 | Aristocratic Patronage and the Symphony in Late Eighteenth-Century Austria | JEN-YEN CHEN | Instrumental Music and the Industrial R | | | |
2006 | Aristocratic Patronage, the Musical Public, and the Symphony in Late Eighteenth Austria | JEN-YEN CHEN | eighteenth congress of the International Musicological Society | | | |
2011 | Asia as Method: Epistemological and Methodological Reflections | CHIEN-CHANG YANG | the Inaugural Meeting of International Musicological Society, East Asia Chapter | | | |
2003 | The Assimilation of Symphonic Style in the Revision of the D?rnitz Sonata, K. 284 (205b) | JEN-YEN CHEN | Mozart and the Keyboard, second biennial meeting of the Mozart Society of America | | | |
2022 | Attention Control and Audiomotor Processes Underlying Anticipation of Musical Themes while Listening to Familiar Sonata-Form Pieces | Li, Chia-Wei; CHEN-GIA TSAI | Brain sciences | 3 | 1 | |
2004 | Auditory grouping in the perception of roughness induced by subharmonics: empirical findings and a qualitative model | Tsai, Chen-Gia | Proceedings of the International Symposium on Musical Acoustics | | | |
2010 | Bamboos as the material for saxophone reed | Cheng, J.-Y.; CHEN-GIA TSAI ; Lee, S.-C. | 20th International Congress on Acoustics 2010, ICA 2010 - Incorporating Proceedings of the 2010 Annual Conference of the Australian Acoustical Society | | | |
2002 | Beethoven and Confucius: A Case Study in Transmission of Cultural Values | CHIEN-CHANG YANG | International Congress of the Musicological Society of Japan in Celebration of the 50th Anniversary | | | |
2002 | Beethoven and Confucius: A Case Study in Transmission of Cultural Values. | CHIEN-CHANG YANG | the conference of the International Congress of the Musicological Society of Japan in Celebration of the 50th Anniversary | | | |
2002 | Beethoven and Confucius: A Case Study in Transmission of Cultural Values. | CHIEN-CHANG YANG | the Annual Meeting, American Musicological Society | | | |
2007 | Body Consciousness in Traditional Qin Practice | Wang, Yuh-wen | 39th World Conference, International Council for Traditional Music | | | |