公開日期 | 標題 | 作者 | 來源出版物 | scopus | WOS | 全文 |
2017 | Forming A Minor-transnational Democracy: Wang Mo-Lin's Antigone (2013) | FAN-TING CHENG | International Symposium Literary freedom of expression and democratic regimes. Censorship and self-censorship today | | | |
2019 | From Le Moulin (2015) to "Synchronic Constellation" (2019): Documenting and Materializing Multiculturality of Japanese Colonial Taiwan | HSIN-CHIN HSIEH | The 5th Conference of the International Project on Art and Aesthetics (IPAA) | | | |
2013 | Gender/National Abjection: Female Characterizations in Republic of China Centennial Celebration Musical Dreamers | FAN-TING CHENG | 12th The Hawaii International Conference on Social Sciences | | | |
2014 | Haomin Gong, Uneven Modernity: Literature, Film, and Intellectual Discourse in Postsocialist China, Chinese Literature Today | Cheng, Fan-Ting; FAN-TING CHENG | Chinese Literature Today | | | |
2020 | A History of Taiwan Literature Foreword | SHUO-BIN SU | History of Taiwan Literature | | | |
2017 | History, Politics, and Identity: Joyce Huang and Taiwanese American Literature | Hsin-Chin Hsieh; HSIN-CHIN HSIEH | Chinese America: History and Perspectives | | | |
2012 | Home, Memory and Boundary-crossing in Chinese Women's Autobiography | HSIN-CHIN HSIEH | 2012 UCLA China Undisciplined conference | | | |
2019 | The Hybrid Theatricality of Contemporary Taiwan Theater | FAN-TING CHENG | "Hybrid Practices: Methodologies, Histories and Performance" Annual Conference | | | |
2016 | The Imaging of Republican China and The Imagining of Taiwan: A Study of the Trilogy Ordinary People of Republican China by Hsiao-Yun Chiang | 張俐璇; LI HSUAN CHANG | 2016 SOAS symposium | | | |
2013 | In Search of A Genuine Taiwanese Theater: Lou Lan Nu by Contemporary Legend Theater | FAN-TING CHENG | 11th The Hawaii International Conference on Arts and Humanities | | | |
2015 | In Search of a Minor-transAsian Body: Mo-Lin Wang's Antigone (2013) | FAN-TING CHENG | Subjectivities and Cultural Fluidity in Chinese Societies: a Symposium on Arts and Cultures | | | |
2017 | Island Imaginaries and Rhizome Tactics | FAN-TING CHENG | Performance Studies International | | | |
2015 | Life on the move: Women's migration and re/making home in contemporary Chinese and Sinophone literature and film | Hsin-Chin Hsieh; HSIN-CHIN HSIEH | University of Oregon. Ph.D. dissertaion | | | |
2022 | Migration State in the Making: Biopolitics, Public Discourse and Documentary Filmmaking on Migrant Workers in Taiwan | HSIN-CHIN HSIEH | The 4th World Congress of Taiwan Studies | | | |
2014 | Minor-transnationalizing a Citizen Rebellion: Wang Mo-Lin's Antigone | FAN-TING CHENG | Performance Studies International Annual Conference | | | |
2014 | Minor-transnationalizing a Feminist Act: Lin Yu-Han's Roaming Flowers (2008) | FAN-TING CHENG | 23nd Columbia Graduate Student Conference on East Asia | | | |
2016 | Modern musicals in Asia | Yamanashi, M.; Liu, S.; Fong, G.C.F.; Chan, S.K.-Y.; Cheng, F.-T.; Yuh, J.H.K.; Goh, C.; FAN-TING CHENG | Routledge Handbook of Asian Theatre | 1 | 0 | |
2015 | Multilingual Practice in Sinophone Taiwanese Cinema: From A City of Sadness, Cape No. 7 to We Are Family | HSIN-CHIN HSIEH | The Alliance to Advanced Liberal Arts College workshop on teaching Chinese film | | | |
2020 | The Narratable Self:Taiwan Literature and ‘Watakushi Novels' | WenHsun CHANG | Taiwan Lit, | | | |
2018 | The Narratable Self:Taiwan literature and “Watakushi Novels” | 張文薰; WEN-HSUN CHANG | National Taiwan University – Kyoto University Symposium on “Self” | | | |