DC 欄位 | 值 | 語言 |
dc.contributor | 指導教授:黃美娥 | - |
dc.contributor | 臺灣大學:台灣文學研究所 | zh_TW |
dc.contributor.author | 趙偵宇 | zh_TW |
dc.contributor.author | Chao, Chen-Yu | en |
dc.creator | 趙偵宇 | zh_TW |
dc.creator | Chao, Chen-Yu | en |
dc.date | 2014 | - |
dc.date.accessioned | 2014-11-26T01:04:36Z | - |
dc.date.accessioned | 2018-06-28T09:01:27Z | - |
dc.date.available | 2014-11-26T01:04:36Z | - |
dc.date.available | 2018-06-28T09:01:27Z | - |
dc.date.issued | 2014 | - |
dc.identifier.uri | http://ntur.lib.ntu.edu.tw//handle/246246/261562 | - |
dc.description.abstract | 本論文以「日治時期臺灣現代散文」為研究對象及課題,建構日治時期臺灣文學當中的現代散文觀念與類型論述,並與臺灣戰後被營造出來的「美文傳統」進行研究對話,重探臺灣現代散文史的典律問題,嘗試讓過去以來較不受到學界矚目的「日治時期臺灣現代散文」重返臺灣現代散文史中的源流位置,並指出該課題之研究潛力與重要性。
本論文共分六章。第一章緒論概述研究動機、目的與意義,以及相關研究範疇、材料與方法,並回顧前行研究以及進行論文章節架構的說明。第二章處理日治時期臺灣文學當中的現代散文觀念,一方面探知時人如何思考散文之為文類,一方面則是藉由散文觀的考察梳理出日治散文的多元承繼脈絡,分別彰顯出臺灣本地古典散文、五四現代散文,以及日本近現代隨筆觀的影響,並藉此與由「美文傳統」所帶來的「五四源流論」對話。第三章處理日治時期臺灣現代散文的類型論議題,先對前行研究的諸多分類方向進行整理討論之後,再回歸文學史現場,以當時雜誌刊物的散文欄位以及散文名稱為材料,歸納出二十餘種散文類型並予以討論,同時透過類型論的建構,釐清當時對於散文的認知。第四章與第五章正式進入對於文本的討論,首先第四章探討日治時期在臺日人的日文隨筆創作,該議題是日治時期臺灣現代散文研究中最為缺乏的部分,故本章從基本概述做起,探討當時在臺日人日文隨筆作者群、發表場域與書寫題材的多元豐富性,並佐以個案研究,以青木繁(1893-1985)這位具有代表性意義的作者為討論對象,指出當時在臺日人日文隨筆的創作成就,並連結青木繁與鹿野忠雄、鳥居龍藏等人,以自然書寫為線索,找出日治與戰後散文牽連對話的可能性。第五章則是討論日治時期臺灣現代散文的「非美文」傳統,並專注於與戰後「美文傳統」在風格及題材上具有高度差異性的周定山散文作品以及在《臺灣民報》所發表的諸多「問題散文」,前者筆鋒尖銳著稱,其文多充滿批判與戰鬥精神,與溫柔婉約的「美文」相當不同。後者多以臺灣社會為主要書寫關懷,且作者汎及一般民眾,寫出社會百姓的問題與心聲,與重視作者私我內心世界的「美文」則又大異其趣。最後,由於戰後美文作家多為女性,於是亦以女性散文為研究脈絡,從場域變遷、範式轉移等角度,再次考察臺灣現代散文的典律問題。第六章結論為整本論文做出總結,帶出筆者的研究期許以及希冀後續研究能夠予以指正並推進該領域研究之意。 | zh_TW |
dc.description.abstract | This paper focuses on the concept and genealogy of the prose in Japanese-occupied Taiwan. In the past, “Prose in Japanese-occupied Taiwan” as a research topic always had been ignored. To build up the research basis of this topic, I try to clarify the concept and genre of prose at that time. Furthermore, this paper tries to re-examine the tradition of poetic prose after War WorldⅡto reconstruct the Genealogy of prose in Taiwan Literature.
This paper is divided into six sections. The motivation, purpose, significance, areas, material, and methodology of research are included in the introduction. In Chapter 2, by examining the concepts of prose research, I try to find out the pluralistic context of the prose in Japanese-occupied Taiwan. The concept of the prose in Japanese-occupied Taiwan was influenced by the Taiwan classical literature, May 4th literature, and modern Japanese literature. Chapter 3 processes the mode issue by generalizing the previous research, the name of columns of magazines and the titles of prose works in Japanese-occupied Taiwan. We can find out more than twenty modes of prose at that time. In other words, we can find out more than twenty ways about how prose was recognized at that time. Chapter 4 and 5 are text analysis. Chapter 4 tries to examine the prose works by the Japanese authors who lived in Japanese-occupied Taiwan and then conducts the case study. A very important author called Sigeru Aoki (1893-1985) composed a lot of prose works and had high writing consciousness of prose. The prose of Sigeru Aoki is nature writing; it is as important as Tadao Kano’s works. Chapter 5 focuses on the tradition of non-poetic prose in Japanese-occupied Taiwan, especially the Jou Ding Shan’s prose works and the prose works published in the “TAIWAN MINPAO”. These prose works were very critical and aggressive; it cared about the community too. These works are very different from the tradition of poetic prose which is soft and focuses on the author’s inner world only. Because most authors of poetic prose after War WorldⅡ were women, this chapter also compares the Female prose in the Japanese-occupied Taiwan and that after War WorldⅡ. In conclusion, more attention and passion should be contributed to the prose study, especially the prose during the Japanese occupation. And I will devote my time and my whole heart in this field. | en |
dc.description.tableofcontents | 目錄
口試委員會審定書---------------------------------------------------------------------------------i
序言--------------------------------------------------------------------------------------------------ii
はしがき-------------------------------------------------------------------------------------------iii
論文摘要--------------------------------------------------------------------------------------------iv
Abstract----------------------------------------------------------------------------------------------v
論文凡例--------------------------------------------------------------------------------------------vi
第一章 緒論--------------------------------------------------------------------------------------1
第一節 研究動機、目的與意義--------------------------------------------------------1
第二節 研究範疇、材料與方法--------------------------------------------------------8
第三節 研究回顧-------------------------------------------------------------------------10
第四節 章節架構-------------------------------------------------------------------------17
第二章 日治時期現代散文觀念的多元承繼----------------------------------------------23
第一節 日治時期古典散文觀及其現代肆應----------------------------------------25
第二節 五四現代散文觀及其影響----------------------------------------------------38
第三節 日本近現代隨筆觀及其影響-------------------------------------------------52
第三章 日治時期現代散文類型的評析與重探-------------------------------------------65
第一節 現有分類評析-------------------------------------------------------------------69
第二節 日治時期雜誌刊物的散文欄位分類與當時的散文認識----------------78
第四章 日治時期在臺日人日文隨筆的文類源流意義與作家個案舉隅-------------93
第一節 日治時期在臺日人日文隨筆創作概述-------------------------------------94
第二節 日治時期在臺日人日文隨筆個案研究:青木繁的自然書寫--------100
第五章 日治時期現代散文的「非美文」傳統-----------------------------------------122
第一節 周定山散文的戰鬥與批判精神--------------------------------------------124
第二節 書寫社會、民眾之聲:《臺灣民報》「問題散文」--------------------138
第三節 場域變遷、範式轉移與典律重構:日治時期女性散文--------------155
第六章 結論-----------------------------------------------------------------------------------173
參考文獻-----------------------------------------------------------------------------------------177
附錄一--------------------------------------------------------------------------------------------193
附錄二--------------------------------------------------------------------------------------------214 | zh_TW |
dc.format.extent | 11511723 bytes | - |
dc.format.mimetype | application/pdf | - |
dc.language | zh-TW | - |
dc.rights | 論文公開時間:2016/12/31 | - |
dc.rights | 論文使用權限:同意無償授權 | - |
dc.subject | 日治時期臺灣文學 | zh_TW |
dc.subject | 現代散文 | zh_TW |
dc.subject | 散文觀念 | zh_TW |
dc.subject | 散文類型 | zh_TW |
dc.subject | 臺灣現代散文源流 | zh_TW |
dc.subject | 青木繁 | zh_TW |
dc.subject | 美文傳統 | zh_TW |
dc.title | 日治時期臺灣現代散文研究──觀念、類型與文類源流的探討 | zh_TW |
dc.title | Prose in Japanese-occupied Taiwan:Concept and Genealogy | en |
dc.type | thesis | en |
dc.identifier.uri.fulltext | http://ntur.lib.ntu.edu.tw/bitstream/246246/261562/1/ntu-103-R00145002-1.pdf | - |
item.openairecristype | http://purl.org/coar/resource_type/c_46ec | - |
item.openairetype | thesis | - |
item.grantfulltext | open | - |
item.cerifentitytype | Publications | - |
item.fulltext | with fulltext | - |
顯示於: | 臺灣文學研究所
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