https://scholars.lib.ntu.edu.tw/handle/123456789/29516
標題: | 八、九○年代台灣女性小說中的空間感與身體經驗 Spatiality and the body experience in Taiwanese Women’s Fiction in ''80-''90s |
作者: | 李筱涵 Lee, Hsiao-Han |
關鍵字: | 女性文學;敘事學;陰性書寫;身體經驗;空間感;再現空間 | 公開日期: | 2014 | 摘要: | 本論文承繼當代台灣女性文學、都市文學的研究脈絡,從歷時性的小說作品觀察中,重新梳理八、九○年代女性小說文本的敘事美學變化。「空間」作為一種文化地景,並形成台灣小說考察視角,近來成為一種趨勢。女性文學和空間書寫等論述,在學界亦持續有新斬獲。高比例的女性文學作品以都市書寫為主題,尤其不少研究呈顯九○以降新世代女作家已有意識地從「空間呈現」作為書寫「城市」的手法,顯示女性文學、空間書寫和都市文學發展之間,三方有密不可分的關連。「都市」固然是此時期許多女作家的書寫對象,然而本文並不排除討論以鄉土為題材的小說,因為許多作品並不純粹寫「都市」,而是透過角色在城鄉的流動歷程表現女性的生活狀態;與其說「女性寫都市文學」或「女性寫鄉土文學」,不如回過頭思考一個更根本的問題:她們怎麼呈現女性周圍的環境以反思其生命課題?本文以「空間」作為考察焦點,重新思索「女性」、「書寫」與「空間」之間可能的連動關係;為了進一步考察這種書寫現象的發展,亦須重新從書寫層面思考八、九○年代女作家小說文本裡的「身體」與「空間」產生了什樣的敘事變化?他們如何以「身體經驗」形塑出特殊的、流動的「空間感」?這種變化和之後「新∕後鄉土」小說裡所呈現,漸趨個人私密化、意識流傾向的「鄉土再現空間」可否並置思考? 為釐清台灣女性小說書寫發展,本論文選擇以深受女性主義思潮與都會消費文化勃興的八、九○年代社會背景為觀察點,從敘事學觀點切入,分析兩代女作家:朱天文、朱天心、李昂、施叔青,以及鍾文音、成英姝、陳雪、郝譽翔等女作家在此期間所出版的小說,並援引梅洛龐蒂《知覺現象學》和巴舍拉《空間詩學》等現象學觀點,各自從「身體敘事」與「空間再現」兩方面詮釋文本所呈現的文學內涵。 本文首先於第二章依作品出版時序,以主題分類八○、九○年代以降,文本裡「女性身體經驗」和「空間感」的變化;再於第三章以敘事學角度分析文本陰性書寫特質及其身體形象,第四章則承繼身體敘事並疊合空間分析,闡釋文本內「身體經驗」形成「空間感」的文學空間再現,搭配梅洛龐蒂談身體空間性、巴舍拉「私密空間」的觀點,便能從小說的形式與內涵兩方面詮釋此時期所形成的女性小說藝術美學。 This presenting thesis discusses the evolution of narrative aesthetics in Taiwanese Women’s Fiction during ''80-''90s in the context of urban and female (feminist) literature. Recent researches have pointed out that a large amount of woman’s literature was also urban writing. A new generation of female writers started consciously writing about “city” from the 90’s, which suggests a close correlation between the development of feminine and urban literatures . However, many of those novels are not focusing only on the “city”, but manly on the status of women’s life through the passage between urban and rural settings. Instead of choosing between “women writing urban literatures” or “women writing rural literatures”, a question of more importance should be taken into consideration: how do these writers represent women’s surrounding environment in order to reflect their life, as the theme? In this study, “space” is the central point of observation that helps to rethink the possible intertwining correlation among “women”, “writing” and “space”. To further investigate the development of this writing phenomenon, it is necessary to start considering the changes in woman’s novels during the 80’s and 90’s, in particular focusing on the descriptions of the “body experience” and “spatiality”. In order to clarify the development of Taiwanese women’s fiction writing, this presenting thesis would put emphasis on the fact that the feminism and urban consumption culture started rising in the 80’s and 90’s. The analysis starts from the narratological point of view of the works produced by two generations of female writers from the 80’s and 90’s: Tien-Wen Chu, Tien-Hsin Chu, Ang Li, Shu-Ching Shih, Wen-Yin Chung, Ying-Shu Cheng, Hsueh Chen and Yu-Hsiang Hao. The second chapter of this thesis discusses the changes in the “female body” and “perception of space” in the works of 80’s and 90’s according to where and when they were published. Chapter three provides the narratological point of view for the analysis on the feminine side of works and their body images. In this thesis the phenomenological points of view in the “Phenomenology of Perception” of Merleau-Ponty and in “La Poétique de l''espace” of Bachelard, are introduced to interpret the literary implication of the connotations of the “body narration” and the “representation of space.” By combining the body spatialness of Merleau-Ponty and the “private space” point of view of Bachelard, chapter four, based on previous analysis on the narration of body to, interprets the representation of literary space and the “spatial identity” created by the “perception of body,” analyzing the aesthetics of feminine fiction produced during this period. |
URI: | http://ntur.lib.ntu.edu.tw//handle/246246/261569 | Rights: | 論文公開時間:2014/08/25 論文使用權限:同意有償授權(權利金給回饋本人) |
顯示於: | 臺灣文學研究所 |
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