2005-08-012024-05-18https://scholars.lib.ntu.edu.tw/handle/123456789/706409摘要：《紅樓夢》之創作乃根植於深厚的中國抒情傳統，詩藝與詩情本是構成其肌理不可或缺的血肉成分，以其數量之多、品質之精、運用之廣，自具備高度的重要性，值得投注足夠的關注與更多的研究，本計畫即是奠基於《詩論紅樓夢》一書的進一步發展。繼對文本的全面耙梳與整合而重新建構《紅樓夢》的詩論體系之後，本研究將擴大論述範疇，一方面辨析《紅樓夢》中詩學理論與詩歌書寫之間存在的矛盾或落差現象，所導致的「偽形」（Pseudomorphosis，或稱「假蛻變」）結構，而確立其詩歌世界乃是一種實質內裡（即詩作）與外顯主張（即詩論）互相牴觸的扭曲型態；同時，本計畫欲借助歷時（diachronic）與共時（synchronic）的雙重視野，以及外緣與內證並重的雙管齊下，釐清《紅樓夢》中詩歌理論與創作實踐的不同取向，以及各自與眾多詩學流派的傳承關係，從風格論、意象特質、審美範式等方面的分梳，探論格調說、性靈說、中晚唐調等的取捨趨同所在，由此而彰示《紅樓夢》的詩歌世界所延異出來的正統∕異端、形式∕內容、支配∕抗衡、主流∕潛脈、詩教∕詩心之間多維辯證的角力關係，並提供《紅樓夢》之審美風格的實質構成要素，以及其精神血脈的真實歸趨<br> Abstract: The art of The Dream of the Red Chamber is deeply rooted upon the personal-emotions-expressing tradition, wherein the poem genre plays the single most important role. This research proposes to study comprehensively the poetic theory and practice as revealed in The Dream of the Red Chamber. Based on results of my former book that analyzes topic by topic the poetry in The Dream of the Red Chamber, this research intends to further investigate the practice of poetry in The Dream of the Red Chamber, which I will show in full details contradicts the theory expressed in the novel. The identified contradiction between theory and practice of the poetry in The Dream of the Red Chamber is named pseudomorphosis, after O. Spengler’s adoption of this term into his history philosophy from mineralogy. The contraction is so systematic and multi-dimensional that an explanation via the author’s inadvertency or causal inconsistency is excluded; rather, a full and thorough analysis is needed. I intend to incorporate this contraction into a wider context to show that 1. The poetic practices of The Dream of the Red Chamber share a full kinship with the spirit and style of the Middle and Late T’ang’s poetry, while the poetic theory proclaims adherence to the canonic tradition, especially the Prosperous T’ang. 2. In the context of then current poetics, the poetic practice of The Dream of the Red Chamber is congruent to Hsing-Ling Doctrine (性靈說), whereas the poetic theory echoes and adheres to Ke-Tiao doctrine (格調說). 3. All the aforementioned multi-dimensional contrasts between poetic theory and practice, including orthodoxy/heresy, form/content, dominance/protest, main stream/latent flowing and poetic civilization/poetic mind, can be seen in the context of the fundamental struggle of The Dream of the Red Chamber, namely the confrontation between canonic convention and individual freedom.紅樓夢詩歌理論格調說性靈說中晚唐The Dream of the Red ChamberPoeticsKe-Tiao doctrineHsing-Ling DoctrineMiddle and Late T’ang