2019-08-012024-05-18https://scholars.lib.ntu.edu.tw/handle/123456789/702001摘要：由劇作家兼演員Eve Ensler所編寫的《陰道獨白》（The Vagina Monologues）在 世界各地公演，提升大家對於女性身體以及性侵害的重視，然而《陰莖獨白》在哪 裡？陰莖既是無所不在（everywhere）（到處都是陽具的意象與特權）又是不存 在的（nowhere）（它的具體性被隱藏起來）。陰莖正是依賴其文化隱身而維持其 無所不在。對於陰莖的沈默，造就了陽具迷思。除非我們以批判的眼光照亮它，否 則陰莖仍然會位在中心的優勢位置。因而研究陰莖，並非鞏固，而是解構它的重要 性。由於關於陰莖的社會科學的經驗研究極度缺乏，本研究乃探索性質，就陰莖的 知識（教育）、遊戲、改造、使用四個面向，訪談男性成年人，先獲得描述性的陰 莖體驗敘事，並計畫就知識有無，如何影響男性第一次射精的體驗、以陰莖為焦點 的性遊戲與作者已經研究的阿魯巴之間的異同分析、男性對於陰莖的改造（裝扮、 用藥、手術等）如何符應台灣男子氣概的建構形象等等，進行更為深入的剖析。<br> Abstract: The Vagina Monologues written by Eve Ensler has been performed publicly in different parts of the world and has raised the concerns with women`s body and sexual violence issues. However, we have not seen the Penis Monologues. Men`s penis is everywhere and nowhere. It is the cultural invisibility maintains its privilege. The silence regarding to penis, creates the myth of phallus. Therefore, the aim of studying penis is not to consolidate but to deconstruct its privilege. Researches on penis in social sciences were rarely seen, this project therefore is exploratory. Based on interview on male adults, the four aspects of penis, such knowledge (education), penis play, caring or transformation of penis, the use of penis (such as first ejaculation) will be examined. These analyses will be done in the context of the masculinities construction in Taiwan.陰莖陽具男子氣概penisphallusmasculinities